Chronique d'Anna-Magdanela Bach

OK, I'll cut this a little slack for being made in 1968, though this does not fully excuse the horrible sound quality. Stereo became common 10 years before, yet this is in mono, with compressed, over-modulated, sometimes severely distorted sound, recorded on an optical film track, with background noise. I saw better-recorded educational films shown on a 16mm projector in class as a kid. Hmmm, maybe this was the audience for this project -- an educational film for European music classes?

On the plus side, videos of musical performances were not as common as now; I wish they were. It is interesting to see a performance, especially keyboard or orchestral, even if the camera is static. But you need first-rate sound... and color. This is filmed in black and white. I love black and white, but this is washed out and fuzzy.

I love classical music, especially Bach. What makes Bach unique is not his use of melody, which was more fully exploited later, but his use of interweaving contrapuntal lines, requiring the listener to follow multiple instruments simultaneously. This is largely lost in mono, especially with this muddled sound. This makes me suspect that the producers didn't really understand the music. However, at least having the visuals of the performers helps a bit to recapture some of that polyphonic interplay.

The performances are adequate. But today with modern sound technology, and the wide variety of performances and interpretations, often on period instruments, these performances seem hopelessly stodgy.

The concept was not entirely off the mark: filming Bach with period instruments, performers dressed in period clothes, with historical settings, is interesting. It would have been more interesting with audiences, for that's how the music would have been performed, but then you would need more costumes. In color with digital sound, this might have been striking, but in black and white, even the costumes are boring.

"Each and every music piece is observed with mostly, a static, single take that framed with a particularly deliberated angle that often overlooks its subject, illustrious musicians - conductor Nikolaus Harnoncourt, harpsichordist Gustav Leonhardt and Austrian music ensemble Concentus Musicus Wien, among others, offering full rendering of Bach's baroque éclat, whether it is from a single harpsichord, or an ensemble with chorus. For any classical music connoisseur and Bach votary, the film is an ascetic paean paying deferential homage to one of the most accomplished musicians of all time, and for those less familiar with Bach's works, it constitutes an edifyingly melodious piece to wide our horizons and nourish our sensoria, however unrelieved its modus operandi is."

This isn't available on video, unfortunately, so you'll probably have to see it at some retrospective. As any film biography of a composer should be, it is saturated with Bach's music, and much of the film is little more than a filmed recital, in costume. But it contains much significant biographical material so that we get an insight into the difficulties of life in Bach's time. It seems that one of his children is always dying. This is quite factual: of Bach's 20 children that were born of his 2 wives, only 6 survived to adulthood. This is a masterpiece that should be seen if at all possible.

Very stark, very drab, no real drama. Why not just make a documentary? This isn't exactly The Passion of Joan of Arc. The only reason for seeing Chronicles is to hear the performances. I love Bach's music and even I found it hard to sit through this misery of a film. The great Gustav Leonhardt plays (in two senses of the word) Bach. We don't get much of a sense of him as an actor, since he's given so little to do dramatically. Mostly, he gets to walk purposefully or angrily out of various rooms. Bach's life, of course, was not an Errol Flynn movie. It was indeed fairly drab and more than a little hard. This probably means that the life isn't a terrific candidate for a film. The music, of course, is another story. I recommend The Stations of Bach. Far more information, for one thing, and some insight into the music, which is, after all, why Bach interests us in the first place.

This was intended, I guess, as a totally straight "chronicle" of J. S. Bach and of his second wife Anna Magdalena. When the project was conceived this must have seemed like a good idea, motivated by love and respect for Bach's music. But I found the end result to be slow-moving, uncinematic, unsympathetic to its characters, wooden, and (after about an hour) unwatchable.

It would in principle have been enjoyable to listen to the extensive musical performances included in this film. But the sound quality unfortunately is quite poor. I also found that the cheesy costumes and wigs distracted my attention from the music.