Candy

As putrid as reputed, a singularity of excess. I loved it!

I do not know the details of Candy's production, but I suspect that the bulk of the scenes were shot with only one take. That is the only explanation I can conjure.

I only knew of this film by way of seeing the trailer at a drive-in in the 60s. The images sparked my 10-year-old imagination, particularly James Coburn flipping off the operating room gallery and the loud rock music. I had to see it! I finally found a limited edition DVD copy on eBay and snapped it up.

The film adaptation of Terry Southern's book is a fine mess! There's no real flow or purpose, but the stars have a ball and Ewa Aulin seems exactly right as Candy. Marlon Brando, as always, is interesting and unique and Richard Burton should have made more comedies. John Astin is excellent in a dual role, but James Coburn really steals the show as Dr. Krankeit. I'm not too sure what they could done with this material and some of the scenes are simply unplayable, but you can have fun with this.

I'm sure this was a total bomb in 1968, but I really can't remember how it did box-office wise. Best performance = James Coburn. Elsa Martinelli is also creepy and sexy and John Huston lends gruff support. Very similar to The Magic Christian, but slightly better. I know some critics at the time called it the worst film ever.

After seeing Candy again for the first time in 30-plus years, I know why it's best to leave some memories untouched. I don't remember it being as bad then as I feel it is now. Ewa Aulin suits the title role of Candy, young and innocent, yet sensual. However, I'd love to know what the wager was that left the losing stakes to be a role in this film. It is disjointed, dismembered and non-flowing, with no sense from one segment to the next. With a stellar cast of Richard Burton, Walter Matthau, Charles Coburn, Marlon Brando (and Ringo Starr), how could writer Buck Henry go so wrong??? There are two saving graces, though, one being the dual performance of John Astin as Candy's father/uncle and the other being the great soundtrack by various artists, namely the Byrds, Steppenwolf and Dave Grusin. If you have an opportunity to view it without investing a lot of cash, I'd say see it if only for the sake of seeing it. If you're a baby-boomer, beware...the years may be as unkind to your memory as they were to mine!

I saw this film over the weekend on Showtime for the first time since I saw it in 1969. My memories of the film were sketchy and after it was over, I logged on here to find serious discussion of it so I could interpret some of the symbolism in the movie. What I found instead was inadequate discussion of what was good about the movie. Admittedly, it was over the top in a way that was typical of "alternative" movies in the late 60s, but there were some very interesting points that most people seem to overlook. Also open for dismissal seems to be the final sequence in the film where Candy walks through a field and passes each person she encountered during the movie. At the beginning of this sequence, she is wearing a pristine white sheet as a toga, but by the end of the stroll her sheet is covered in an ornate flower design. Almost throwaway bits during the stroll include Walter Matthau's army general as Don Quixote, the "Fountain of Youth" injections being given by James Coburn and John Astin's two characters being revealed as two aspects of the same. This movie seems quite capable of generating some serious discussion other than the obvious attack on its excesses and the vapid acting of the lead actress.

If you understand this movie,it is very funny.It is really an exaggeration of the way life is.It shows the plight of naive young girl,who encounters men,who want nothing more,than to get into her pants. It makes you have compassion for this girl,and women in general.The situations in this movie happen all the time to women.I call it a sexual Alice in wonderland. So if you have ever sexually violated a minor,you might find this movie offensive.Very cleverly done!This movie can only be understood by intelligent viewers and offers comedy in tradition of the cohen brothers Fargo. The psychedelic music score is way cool.To bad it was in mono.