Bye Bye Braverman

I haven't yet seen "Starting Out in the Evening", but it clearly lives in much the same territory as "Bye Bye Braverman". Is it too much to hope that the release of this new film will lead to some efforts to rescue this lovely older Lumet film from its undeserved obscurity? At the very least, a DVD should be available!

It looks odd that those who write reviews of Braverman here give it a 9 or 10 (which is what I would do), yet the over-all viewer rating is below 6. I guess that you have to have some feeling for the New York (or upper west side) milieu in order to appreciate this film; but if you do have it, then you're apt to love this film.

Speaking of under-appreciated New York films, the second on my list, after "Bye Bye Braverman", would be Bill Murray's "Quick Change".

The description of this movie fails to convey how totally hilarious it actually is, although it gives a partial idea of its bittersweet qualities. Throughout the movie, we see things through the eyes of one of the main characters who keeps imagining his own death. His own pessimistic fantasies contrasted with the absurd predicaments the four friends keep getting into are a riot, and at the same time, convey human frailties most poignantly. There are wonderful cameo performances by Jessica Walter, Alan King and Godfrey Cambridge and others that are worth the price of admission all by themselves. The movie has a distinctly ethnic Jewish sensibility and a real New York feeling as we follow the characters from Greenwich Village to Brooklyn as they look for the funeral parlor for the dead Braverman. Oh, how I wish I could buy this movie on DVD! It's just wonderful. If you ever get a chance to see it, run to the theater!

Segal, Wiseman, Booke and Warden: each actor's performance makes for a superb piece of a patchwork quilt. These old friends may rub roughly against each other, in a NY/ethnic kind of way, but we recognize the deep understanding they share from long familiarity. The story offers us a superb ensemble cast, with a wonderful cameo from King. It will never knock "Citizen Kane" off anyone's shelf, but makes a great candidate for the second tier of movie treasures.

I am not sure why the hate for this from so many quarters. It seems impossibly authentic, and while not for a funeral, like far too many trips I have taken with friends to get something done, and minor hijinks occur.

The death seems like a Macguffin at first, an excuse to get them rolling, but I think it really changed them, and as (deliberately) insufferable as some of the guys were, there were deep points, and some of them had (minor) revelations about life, death, and what their life means.

But, in the end, you feel nothing horrible or great will happen. It is the stereotypical slice of life story, and will change them all... a little. But tomorrow they will go do their writing, their tormenting their children and wives, and I suspect most of them will go see Randolph Scott and eat split pea soup on Thursday.

This movie is about four friends searching for their friend's burial place. Not only do you experience the frustration of New York in the 1960's, but you can relate to how these aging friends are dealing with an ever-changing society. Sorrel Brooke, perhaps best known as Boss Hogg, steals the show. A true gem!