Le bras de diamant

After watching "Brilliantovaya ruka" I can well believe that it's with very good reason that it has such a beloved reputation among Russian language comedies. The vibe it generates it of an extremely high level of breezy fun, and it sustains that with supernatural consistency all the way through.

Combine that with an abundance of simply good jokes drawing from farce, slapstick, and everything in between. The performances are just the right level of broad to pull the maximum number of laughs. The almost constant underscoring perfectly compliments the fact that the pacing is masterfully timed and the fact that all the location filming simply looks fantastic to make this one of the most all-around fun viewing experiences you could imagine.

Moments such as the walking-on-water, the set-up seduction, and the division of the "two parts" are among hilarious moments that also draw in character for their humor and even border somewhat on what might be called "Pythonesque" in style. At the same time, roots in the best of silent comedy, farce, and adventure film are happily evident.

I can easily image how this comedy would reward reviewing, which it evidently for many other commentators here.

I like this movie. Like all other Gaidai's films I saw, its very dense in humor, without empty gaps. For a non Soviet, it can give some insight to this country. Well, it helps if you have some background knowledge, like I have. the film is surely as critical as was possible, but the main thing is that it gives you a good feeling, laugh helps to forget bad things. My favorite is the scene in the restaurant, it shows the joy of drinking in a good company, I think Russian people really can create a good party. The music is also nice, Andrei Mironov is superb on the ship with his song about island of unlucky people in ocean. He also commented afterward his role i such a film: it is good to have one diamond arm, two is too much, tree is a catastrophe.

a comedy with many virtues - the director, the script, the performance of Yuri Nikulin, the dialog and the wise manner to critic the Soviet regime. part from a long and precious Russian comedies, it seduce first for Gayday courage. because the fake crime story is a precise fresco of society. and the dialogs reflects in great measure that "sin". than, it is a deep human comedy, the small incorrect details , the use of innocence and, maybe, the end, does it a form of parable , more than satire. a film for each age, beautiful and fresh, full of emotion and laughter. an old fashion Russian film. who can reminds, in a crazy period, the importance of small real important ingredients of life.

It's simply the best comedy ever made by anyone. Even the best Russian - or as some say - Soviet comedies don't stand even close to it. Well, maybe 12 Stools or The Golden Calf... There are dozens of catch phrases and extremely hilarious moments - you can talk to a any friend who saw it all night and laugh about it all anew. You can watch this comedy on and on and on. Every time it gets even more funny! ... " - Hey, stupid, what for did you shave the mustaches? - Off whom?" ... " - There, in London, the dog is the man's best friend... - Well, maybe a dog is a man's best friend over there, but here the Upravdom [a Soviet one certain household's members union] is a man's best friend." And so on... Brilliant!

This movie was never intended for foreign audiences. It is simply way too Russian (or too Soviet, actually) to be funny for anyone not familiar with the realities of local life. Most of the real comedy comes from Mironov and Papanov, who play hilarious villains on the track to recover stolen jewels, mistakenly put into Nikulin's arm cast. Russian-speaking audiences will enjoy Papanov's one-of-a-kind "Ukrainian" accent, but the jokes are too ethnic for anyone else to understand. Nikulin (a circus clown turned great comic actor) isn't particularly believable in an unfamiliar role of a good guy (his characters usually also were drunken and hilarious crooks), but turns in an adequate performance. Mironov is at his usual fast-talking, silly self, and Papanov is a riot. Mordyukova steals several scenes in a small role of a house superintendant, a towering woman with a thunderous voice. Overall, a terrific Soviet comedy, the kind they simply don't make anymore.