Le sang de Fu Manchu

Christopher Lee returns in this fourth chapter as the evil Fu Manchu , this time has designed a fantastic gadget injecting gorgeous girls (Leni Von Friedl, among others) a venomous poison which reacts in a killing kiss . The beautiful girls are sent to seduce Nayland Smith (Richard Greene replaced Douglas Wilmer) and world leaders . When Nayland Smith is kissed by a death-kiss and he then strolls completely blinded , letting his assistant Dr. Petrie (Howard Marion Crawford) takes the center of attention . A blind Nayland Smith enlists the help an adventurer named Jansen (Gotz George) and an attractive woman (Maria Rhom, married to producer Harry Allan Towers) .

This is a bizarre blending of adventures , thriller and Spaghetti Western . This exciting picture is full of Chinese killers , British adventurers , and Cangaiceiros dressed in Mexican bandits-alike . Weak performance by Richard Greene as Nyland Smith who in previous episodes was best interpreted by Nigel Green and Douglas Wilmer . The villain T Sai Chin stands out as Fu Manchu's daughter and the murderous bandit Ricardo Palacios overacting as a sympathetic chief Cangaicero . This is the beginning of collaborating between Jesus Franco or ¨Uncle Jess¨ and the producer Harry Allan Towers and to be continued in several movies . Filmed in Madrid and Rio De Janeiro and well photographed by Manuel Merino . Atmospheric musical score by Daniel White , Jess Frank's usual.

Most critics felt this outing was one of the weakest entries along with ¨The castle of Fu Manchu¨ also directed by Jess Frank with similar casting , plenty of stock-shots and a Z-series style . Christopher Lee (Dr. Fu Manchu), Tsai Chin (Lin Tang) and Howard Marion-Crawford (Dr. Petrie) are the only actors to appear in all five Harry Allan Towers/Fu Manchu films . The best installments resulted to be ¨Face of Fu Manchu (1965, Don Sharp)¨ , and ¨Brides of Fu Manchu (1966, Don Sharp)¨ and the inferior ¨Vengeance of Fu Manchu (1967 , Jeremy Summers) ¨.

This solid, sumptuous adaptation the Fu Manchu series (the director's first of two) is further evidence of both Christopher Lee's tremendous character acting and that Spanish director Jess Franco actually did make some good movies. This movie is not "perfect" by any means, but Franco milks the meager budget for every dime and delivers maximum scale for this bizarre pulp epic. He delivers on all the sex, violence, and the macabre you would expect from a Franco flick and also manages to create a sense of dignity and responsibility about the whole thing (with much help from Lee's focused performance). Anyway, good stuff. Especially if you are in to adventure serials and/ or jungle exploitation films. Don't miss out on a newly discovered classic. Blue-Underground's DVD of the uncut, beautifully rendered remastering should revert many of the film's most passionate critics into true believers.

If you read the plot synopsis of "Blood Of Fu Manchu" it sounds like exploitation gold, but don't get your hopes up: it doesn't make the most of its premise (to put it kindly). Despite noted smut peddler Jess Franco in the director's chair, it is quite tame, and despite being part of the Fu Manchu series, a stereotypically fat, unshaven, cackling bandit has by far the most screen time (Shirley Eaton fans will also be disappointed; her part is a 2-minute cameo). Location filming in Brazil and Christopher Lee's commanding (even if unconvincing) performance are pretty much its only assets. ** out of 4.

The fourth film in the revived Fu Manchu series from hit-and-run international film producer Harry Alan Towers is the first one directed by Jesus (Jess) Franco, a cult icon best known for the staggering quantity of his films, as well as their usually appalling quality. In hindsight, Towers and Franco were destined for each other. Both were specialists in speedy international productions and each usually juggled more than one project at a time.

"Fu Manchu's Kiss of Death" (the shooting title) was filmed back-to-back (or perhaps simultaneously) with the next film in the series "The Castle of Fu Manchu" and shows evidence of having been written on the fly. The script is loosely constructed and constantly sidetracks itself with multiple subplots and far too many characters. The most intrusive involves the a South American bandit chief, whose protracted exploits take up so much screen time that viewers just walking in would think they were in the wrong theater. Probably designed to show off the Brazilian exteriors, it is tempting to say that these sequences look like rejected scenes from "The Wild Bunch", but that would be giving Franco's footage too much credit.

As evidence that Towers was not above ripping off himself, the film opens with a sequence that is a remake of the opening of "Brides of Fu Manchu", with women chained to pillars in an underground hideaway. As in "Brides", one is led to a snake pit but, instead of being lowered in, she is gingerly bitten in the throat by one, thereby becoming the carrier of the title's kiss of death. The contrast between the lighting, staging and sets in these two sequences gives ample testimony of how low the series had fallen in just two years.

The ever-present Maria Rohm (AKA Mrs. Harry Alan Towers) shows up as a jungle missionary wearing a gaucho hat and red leotards. She gets involved in yet another subplot about a proto-Indiana Jones leading a medical expedition. Apparently, this plotline exists only to provide the hero, afflicted with the death kiss, with a miraculous cure at the last minute.

While the rest of the cast was having fun in the Brazilian jungles, stars Christopher Lee and Richard Greene never leave the studio in Madrid, Spain that was home to all the film's interiors. Guest star Shirley Eaton appears in one brief scene that appears to be an outtake from one of the two Su-Muru films she was making for Towers at the time. (The second was also directed by Franco.)

It's hard to believe that this film (retitled "Kiss and Kill") got major USA playdates in 1968 as a solo feature.

Blood of FuManchu, The (1968)

1/2 (out of 4)

This here is technically the fourth film in the Christopher Lee/FuManchu series, although most fans just consider the first three to be a series and the final two just the work of Spanish director Jess Franco. No matter how you consider the series to work, there's very little doubt as to how bad this film actually is. FuManchu (Lee) and his daughter Lin Tang (Tsai Chin) are hiding out in the Amazon jungle. FuManchu comes up with a new idea to take over the world and it's to send out ten beautiful women with poison on their lips to kill various world leaders. THE BLOOD OF FUMANCHU was released under countless titles including KISS AND KILL but no matter what you call it there's no doubt it's a horrible little picture that doesn't have a single thing going for it. Jess Franco has made a lot of bad films in his career but there's no question this here is the worst of the decade, which for the most part had some decent films that even non-fans thought were at least good. The biggest problem is that the entire story is a complete mess as you never really know if this film is trying to be serious or some sort of spoof. Lee pretty much sleepwalks through his role and it really doesn't appear that he's having any fun. Tsai Chin is about the only decent thing in the film but she isn't given too much to do and the rest of the supporting cast appear to have some sort of poison in their system as well. The film has a comic book vibe to it but there's not an ounce of energy to be found anywhere and what fun adventure there should be isn't anywhere to be found either. This production might have had a bigger than normal budget but nothing was done with it and in the end this is just a worthless film without anything going for it.