In the 41st century, an astronaut seeks to stop an evil scientist who threatens to unleash a powerful weapon upon the galaxy.In the 41st century, an astronaut seeks to stop an evil scientist who threatens to unleash a powerful weapon upon the galaxy.In the 41st century, an astronaut seeks to stop an evil scientist who threatens to unleash a powerful weapon upon the galaxy.
- Awards
- 1 nomination total
Véronique Vendell
- Captain Moon
- (as Veronique Vendell)
Franco Gulà
- The Suicide
- (scenes deleted)
- (as Franco Gula)
Honey Autumn
- Bald Handmaiden at Sogovian Court
- (uncredited)
Silvana Bacci
- Girl in Sogo
- (uncredited)
Featured reviews
Take a kaleidoscope to your eye, let it dwell, at the night sky, after a while you just might see, colours conjured, so wild and free, imagination is the game, often wildly insane, a pinch of salt may be required, but this is elegance inspired.
It's as daft as it's delirious, and to some mildly nefarious, but Jane Fonda is a star, and this is an early car, that delivers all her talents, all the things that make her balance, with many tongues in many cheeks, it's most always, worth a peek.
A wonderfully wild ride through a universe long since forgotten, and seldom revisited, that indelibly reminds us of a a time when boundaries needed breaking, and often were.
It's as daft as it's delirious, and to some mildly nefarious, but Jane Fonda is a star, and this is an early car, that delivers all her talents, all the things that make her balance, with many tongues in many cheeks, it's most always, worth a peek.
A wonderfully wild ride through a universe long since forgotten, and seldom revisited, that indelibly reminds us of a a time when boundaries needed breaking, and often were.
I'm not sure if I liked this film or hated it!! It reminds me of "Danger:Diabolik", that flash trash movie also with John Phillip Law. It is bright and loud and trashy with a little soft porn thrown in for good measure. It does tend to hold your interest throughout, maybe because you can't wait to see what outrageous scene will assault your senses next. And oh, all that phallic symbolism! Roger Vadim certainly exploited Jane Fonda in this one and she would probably like to forget the whole thing....but you've got to admit she doesn't look too bad in that plastic see-through bustier. John Phillip Law, who is a handsome devil(oops, angel), plays the part of the blind angel, Pygar, without emotion or feeling....but he played every character he ever portrayed exactly the same way. He wasn't much of an actor but it works here. This film screams the 60's, so turn on, tune out, plug in your lava lamp and take a look at it. You'll love it or hate it but you are guaranteed to have fun with it. It's the epitome of pop art!
If you're looking for a quality science fantasy experience, you will probably be disappointed in BARBARELLA, which tells a typical story of an intergallactic astronaught who is sent on a mission to save a brilliant scientist from the clutches of an evil force that threatens to destroy the universe.
On her quest she finds daunting foes, unexpected comrades and twists and turns like any good superhero story should have. The only problem is that her world is made up of Christmas lights, cellophane and balsa wood, and it's all held together with scotch tape.
However what some might consider schlock entertainment, I saw it as pure camp all the way, with some hysterical situations and outrageous costumes draped over not-so-difficult-to-look-at actors (especially our babe-o-naught Ms. Fonda), and to top off the cake we have an icing of infectious music by comedic composer Charles Fox (9 to 5, Foul Play) and singer/songwriter Bob Crewe.
This is pure candy all the way so don't expect any nutrition here, but if you let it happen instead of looking for more, you may find yourself inspired to watch it again and again, when you don't feel like using any brain cells in this dimension.
On her quest she finds daunting foes, unexpected comrades and twists and turns like any good superhero story should have. The only problem is that her world is made up of Christmas lights, cellophane and balsa wood, and it's all held together with scotch tape.
However what some might consider schlock entertainment, I saw it as pure camp all the way, with some hysterical situations and outrageous costumes draped over not-so-difficult-to-look-at actors (especially our babe-o-naught Ms. Fonda), and to top off the cake we have an icing of infectious music by comedic composer Charles Fox (9 to 5, Foul Play) and singer/songwriter Bob Crewe.
This is pure candy all the way so don't expect any nutrition here, but if you let it happen instead of looking for more, you may find yourself inspired to watch it again and again, when you don't feel like using any brain cells in this dimension.
Really and truly, this could be the plot of one of the more "high-brow" types of porn. I watched this with a bunch of other girls for a class, and we could not stop laughing the entire time.
See Jane Fonda meet men from around the galaxy, and have sex with them! Dare your friends to count how many times she changes her costume!! Sparks deep philosophical discussion, like what exactly the writers were on when they wrote this. Great fun, not to be missed!
See Jane Fonda meet men from around the galaxy, and have sex with them! Dare your friends to count how many times she changes her costume!! Sparks deep philosophical discussion, like what exactly the writers were on when they wrote this. Great fun, not to be missed!
Barbarella (1968)
** (out of 4)
Campy sci-fi based on the French comics has Jane Fonda playing the title role, a futuristic superhero who is asked by the President of Earth to travel to a distant planet and rescue a doctor. I can understand why this film has gained a cult following over the past few decades but to me this thing is still a pretty big mess and it's somewhat shocking watching the film to day and looking back and wondering what the original producers were thinking. I mean, if you look at the "story" of this thing, it's a complete mess and it's all over the place. I'm not exactly sure what they were trying to do in regards to the story but it's a complete misfire. Not for a single second do you care about Barbarella's adventure nor do you care about anything she's doing in the film. The reason the film remains entertaining is because it's simply so strange and surreal. Visually the film is quite impressive as a bunch of pulp. The set design and costumes are certainly memorable and the now laughable special effects have a mild charm to them. What really keeps the film moving is seeing someone like Fonda doing a role like this. She's very good in the role, there's no doubt about it, as she can handle the campy moments as well as deliver on the sexuality of the character. Her nude striptease that starts the film is certainly the highlight but they needed more of these throughout. John Phillip Law isn't all that "good" in the film but there's no question that his angel character is quite memorable. Director Roger Vadim doesn't bring enough life, energy or fire to any of the scenes to really make them work and that's certainly not good when you're dealing with a film like this one. BARBARELLA certainly deserves its label as a camp classic but it's just not entertaining enough to be fully rewarding.
** (out of 4)
Campy sci-fi based on the French comics has Jane Fonda playing the title role, a futuristic superhero who is asked by the President of Earth to travel to a distant planet and rescue a doctor. I can understand why this film has gained a cult following over the past few decades but to me this thing is still a pretty big mess and it's somewhat shocking watching the film to day and looking back and wondering what the original producers were thinking. I mean, if you look at the "story" of this thing, it's a complete mess and it's all over the place. I'm not exactly sure what they were trying to do in regards to the story but it's a complete misfire. Not for a single second do you care about Barbarella's adventure nor do you care about anything she's doing in the film. The reason the film remains entertaining is because it's simply so strange and surreal. Visually the film is quite impressive as a bunch of pulp. The set design and costumes are certainly memorable and the now laughable special effects have a mild charm to them. What really keeps the film moving is seeing someone like Fonda doing a role like this. She's very good in the role, there's no doubt about it, as she can handle the campy moments as well as deliver on the sexuality of the character. Her nude striptease that starts the film is certainly the highlight but they needed more of these throughout. John Phillip Law isn't all that "good" in the film but there's no question that his angel character is quite memorable. Director Roger Vadim doesn't bring enough life, energy or fire to any of the scenes to really make them work and that's certainly not good when you're dealing with a film like this one. BARBARELLA certainly deserves its label as a camp classic but it's just not entertaining enough to be fully rewarding.
Did you know
- TriviaThe scenes during the opening credits where Barbarella seems to float around her spaceship were filmed by having Jane Fonda lie on a huge piece of Plexiglas with a picture of the spaceship underneath her. It was filmed from above, creating the illusion that she is in zero gravity.
- GoofsIt is established that Barbarella needs a Tongue Box, a device attached to the bracelet she wears on her left wrist, to understand the spoken language of Sogo. Barbarella loses the bracelet after the Excessive Machine scene, but she still understands the Great Tyrant, Pygar, and the Sogoites speaking through the Tyrant's monitor.
- Quotes
Barbarella: What's that screaming? A good many dramatic situations begin with screaming...
- Crazy creditsIn the opening credits, the letters in the words move around in an attempt to obscure Barbarella's nudity.
- Alternate versionsBarbarella was released in the USA before the MPAA introduced the motion picture rating system on November 1, 1968. It was consequently released with a tag "Suggested For Mature Audiences". A re-release in 1977 (to cash in on the success of Star Wars: Épisode IV - Un nouvel espoir (1977)) was edited to obtain a "PG" rating and was called "Barbarella: Queen Of The Galaxy". The video version is of the original uncut version and not the "PG" version (despite the subtitle "Queen of the Galaxy" and the "PG" rating on the cover).
- ConnectionsEdited into Duran Duran: Burning the Ground (1989)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Barbarella: Queen of the Galaxy
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross worldwide
- $1,622
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content