Barbarella

Take a kaleidoscope to your eye, let it dwell, at the night sky, after a while you just might see, colours conjured, so wild and free, imagination is the game, often wildly insane, a pinch of salt may be required, but this is elegance inspired.

It's as daft as it's delirious, and to some mildly nefarious, but Jane Fonda is a star, and this is an early car, that delivers all her talents, all the things that make her balance, with many tongues in many cheeks, it's most always, worth a peek.

A wonderfully wild ride through a universe long since forgotten, and seldom revisited, that indelibly reminds us of a a time when boundaries needed breaking, and often were.

I first saw 'Barbarella' on TV as a small child in the 1970s and along with 'The Omega Man', 'One Million Years B.C.', and 'Jason and the Argonauts' the movie blew my tiny little mind! I think my interest in cult and bizarre began from seeing this classic slice of 1960s psychedelic trash for the first time. This is one of the silliest movies ever made, but still one of the most entertaining. Jane Fonda, then at the peak of her sex kitten period (history lesson - this was before "radical Jane" and "corporate Jane"), has never looked lovelier than in this movie, and manages to really pull off Barbarella's wide-eyed innocence. Anita Pallenberg (co-star of 'Performance' and then Keith Richards' "old lady") is stunning as The Great Tyrant, even if her voice is dubbed, and her handful of scenes with Fonda are unforgettable. The rest of the eclectic supporting cast includes cult favourites John Phillip Law ('Diabolik') as Pygar, the blind angel, David Hemmings ('Profondo Rosso') as Dildano a revolutionary, and Milo O'Shea ('Theatre Of Blood') as renegade Earth scientist Duran Duran. 'Barbarella' contains some of the most striking and surreal images of the 1960s (the doll attack scene is one of my all time favourites!), and is definitely one of the most bizarre science fiction movies ever made. Like many of the 1960s more excessive movies it is a real love it or hate it proposition. I love it of course, and think it, Russ Meyer's 'Faster Pussycat! Kill! Kill!', and Roger Corman's 'The Trip' are the three greatest 1960s trash classics. This is simply absolutely essential viewing for all 1960s buffs, science fiction or otherwise. Long live 'Barbarella'!

If you're looking for a quality science fantasy experience, you will probably be disappointed in BARBARELLA, which tells a typical story of an intergallactic astronaught who is sent on a mission to save a brilliant scientist from the clutches of an evil force that threatens to destroy the universe.

On her quest she finds daunting foes, unexpected comrades and twists and turns like any good superhero story should have. The only problem is that her world is made up of Christmas lights, cellophane and balsa wood, and it's all held together with scotch tape.

However what some might consider schlock entertainment, I saw it as pure camp all the way, with some hysterical situations and outrageous costumes draped over not-so-difficult-to-look-at actors (especially our babe-o-naught Ms. Fonda), and to top off the cake we have an icing of infectious music by comedic composer Charles Fox (9 to 5, Foul Play) and singer/songwriter Bob Crewe.

This is pure candy all the way so don't expect any nutrition here, but if you let it happen instead of looking for more, you may find yourself inspired to watch it again and again, when you don't feel like using any brain cells in this dimension.

Barbarella (1968)

** (out of 4)

Campy sci-fi based on the French comics has Jane Fonda playing the title role, a futuristic superhero who is asked by the President of Earth to travel to a distant planet and rescue a doctor. I can understand why this film has gained a cult following over the past few decades but to me this thing is still a pretty big mess and it's somewhat shocking watching the film to day and looking back and wondering what the original producers were thinking. I mean, if you look at the "story" of this thing, it's a complete mess and it's all over the place. I'm not exactly sure what they were trying to do in regards to the story but it's a complete misfire. Not for a single second do you care about Barbarella's adventure nor do you care about anything she's doing in the film. The reason the film remains entertaining is because it's simply so strange and surreal. Visually the film is quite impressive as a bunch of pulp. The set design and costumes are certainly memorable and the now laughable special effects have a mild charm to them. What really keeps the film moving is seeing someone like Fonda doing a role like this. She's very good in the role, there's no doubt about it, as she can handle the campy moments as well as deliver on the sexuality of the character. Her nude striptease that starts the film is certainly the highlight but they needed more of these throughout. John Phillip Law isn't all that "good" in the film but there's no question that his angel character is quite memorable. Director Roger Vadim doesn't bring enough life, energy or fire to any of the scenes to really make them work and that's certainly not good when you're dealing with a film like this one. BARBARELLA certainly deserves its label as a camp classic but it's just not entertaining enough to be fully rewarding.

Comic Strip brought appropriately to life . Tremendous fun, amusing scenes , psychedelic frames and many other things . In the far future, the year is 40,000. The protagonist is a highly sexual woman named Barbarella (Jane Fonda , Sophia Loren turned down the title role) is tasked with finding and stopping the evil Durand-Durand (character famously inspired the band name of 1980s pop stars Duran Duran), a missing scientist (Milo O'Shea). Along the quite sexy way she encounters various unusual people . As Barbarella (whose costume was inspired by designer Paco Rabanne) travels to the evil city called SoGo, it is a reference to Biblical cities Sodom and Gomorrah. On her dangerous trip she teams with blind angel Pygar (John Philip Law), and fights the Great Tyrant (Anita Pallenberg) along with numerous sexual torture devices , but she has to save the world .

Naif Sci-Fi plenty of colors , thrills , brilliant cinematography by Claude Renoir and fantastic images ; surprisingly, for such a diverse melange, it actually works. Knowingly Camp version of comic-book sci-Fi classic written by Jean Claude Forest . In the original comic, Barbarella was not a secret agent but an outlaw, and the movie omits some of the adventures she had on Lythion, including an encounter with an earlier villainess called the Gorgon, whose face changed into a duplicate of the face of anyone who looked at her. Unlike the other space movies of the time, this film emphasized sets and costumes rather than visual effects, and as a result its overall look dates less than many space operas of the late seventies/early eighties .Jane Fonda is simply unbelievable as gorgeous heroine , she plays a feisty Barbarella , a futuristic girl from Earth . The scenes during the opening credits where Barbarella seems to float around her spaceship were filmed by having Jane Fonda lie on a huge piece of plexiglas with a picture of the spaceship underneath her. It was then filmed from above, creating the illusion that she is in zero gravity. Performance-wise, everyone seems to be camping it up like an end-of-term pantomime, though Milo O'Shea somehow seems to give his villain a deliciously style . Barbarella was the first science fiction hero from the comics to be adapted into a feature film as opposed to a serial , Flash Gordon and Buck Rogers, her male predecessors, had only appeared in serials up to this point. A bit later on , there was realized by Mike Hodges ¨Flash Gordon¨ (1980) in similar aesthetic and a TV series titled ¨Buck Rogers¨ . Jolly and catching musical score , including commercial songs , by Charles Fox, who co-wrote the songs for this film, also wrote the theme song for another Sci/Fi flick of 1968, The Green Slime, and future Pink Floyd guitarist David Gilmour was one of the session musicians who performed the film's original score. The motion picture was originally directed by Roger Vadim who married Brigitte Bardot , in fact , the original author Jean-Claude Forest based the character of Barbarella on Brigitte Bardot - who ironically was director Roger Vadim's previous wife ; Vadim subsequently married Jane Fonda . However this film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award .