Three sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband.Three sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband.Three sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband.
- Directors
- Writers
- Stars
George Holdcroft
- Dancer in Club
- (uncredited)
Philip Johns
- Waiter Bringing Anniversary Cake
- (uncredited)
Gerry Judge
- Waiter
- (uncredited)
Johnny Rossi
- Construction Worker
- (uncredited)
Jeff Silk
- Police Officer
- (uncredited)
Fred Wood
- Construction Worker with Cap
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I have been aware of this film for many years, an image Bette Davis wearing an eye patch being burned into my memory. As she was the star I was surprised that the film was not set in the USA but in the UK, I try to avoid reading about a film before I have seen it. I'm glad that I finally got around to watching it, although it's very much of its time most should enjoy it even now.
This engaging dark comedy stars the incomparable Bette Davis in one of her best latter-day screen roles as a merciless one-eyed mother who uses wedding anniversary(although her husband has been dead for quite some time) as an excuse to lure her spineless sons into her lair and demonstrate her strange hold over them. This year is a particular feast for the mother when the youngest, a somewhat promiscuous chap, announces that he's going to settle down and get married. And better yet, the eldest and most spineless of the brood discloses that he will be moving out of the country so mumsy will leave him alone once and for all. Will things turn out as planned? You"ll just have to find out yourself when you watch this stylish, darkly witty, and perversely entertaining tale that could have been written especially for its star.
Today this movie would never be made, simply cause there is no star that can handle it. Its a shame, really. Its not that the movie is so magnificent or anything, its just so dominated by the leading lady that you can't imagine how it would be done today, if at all, and with who? Faye Dunaway? She's still living down "Mommie Dearest", twenty years later. Anne Bancroft? She's not hateful and lovable at the same time and not an icon. Davis could play a monster yet keep her fans and probably gain more as a result of playful movies like this.
All the real stars are gone, and watching this makes that painfully obvious.
Bette Davis devours the rest of the cast, and doesn't even bother spitting them out. And all we can do it watch and enjoy. No true fan of hers can do without this.
All the real stars are gone, and watching this makes that painfully obvious.
Bette Davis devours the rest of the cast, and doesn't even bother spitting them out. And all we can do it watch and enjoy. No true fan of hers can do without this.
Hammer studios are, of course, most famous for their horror productions; but the studio also gave us a number of films from other genres, and The Anniversary is a huge non-horror highlight! This camp and perfectly pitched black comedy is directed by one of the studio's heavyweight directors, Roy Ward Baker and is probably most famous for the fact that it stars the great Bette Davis in the sort of role that made her famous. However, the positive elements don't end there as The Anniversary benefits from a strong script and a varied array of characters that ensure the action is always entertaining and filled with tension. The film is an obvious inspiration for modern hits such as the Danish 'Festen', and works due its claustrophobic setting and well drawn characters. The central plot is brilliantly simple, and follows a family gathering for the anniversary of an overbearing mother and her late husband. She demands the presence of her three sons; a shy cross-dresser, a henpecked father of five and a careless youth who brings a different fiancé to meet his mother every year - and proceeds to rip them to pieces.
Bette Davis is undoubtedly the lead star of this production, and she completely controls every scene she's in; thus giving a huge compliment to the support cast, who all give realistic and interesting performances. Sheila Hancock, Jack Hedley, James Cossins, Christian Roberts and Elaine Taylor provide perfect support for Davis, and the combined cast give credibility to a script that could have ended up giving way to a comical film. The film is based on a stage play by Bill MacIlwraith, and perhaps the best thing about his writing is the way he manages to bring out traits from the vindictive matriarch in all three of her sons. As you'd expect, it's Bette Davis who gets the best lines and seeing the great actress have fun delivering them is brilliantly entertaining and ensures that the black comedy elements always shine through. The central setting - the parental home - makes up the backbone of the story and is an ingenious place for the story to take place, as we're always aware that the support characters are very much in Davis' domain and the fact that most of the action takes place under one roof means that claustrophobia is a big part of the story. This film may be avoided by some Hammer fans who are only interested in the horror - but it really shouldn't be. I don't hesitate to name this as one of the very best films Hammer ever made and it comes highly recommended to all!
Bette Davis is undoubtedly the lead star of this production, and she completely controls every scene she's in; thus giving a huge compliment to the support cast, who all give realistic and interesting performances. Sheila Hancock, Jack Hedley, James Cossins, Christian Roberts and Elaine Taylor provide perfect support for Davis, and the combined cast give credibility to a script that could have ended up giving way to a comical film. The film is based on a stage play by Bill MacIlwraith, and perhaps the best thing about his writing is the way he manages to bring out traits from the vindictive matriarch in all three of her sons. As you'd expect, it's Bette Davis who gets the best lines and seeing the great actress have fun delivering them is brilliantly entertaining and ensures that the black comedy elements always shine through. The central setting - the parental home - makes up the backbone of the story and is an ingenious place for the story to take place, as we're always aware that the support characters are very much in Davis' domain and the fact that most of the action takes place under one roof means that claustrophobia is a big part of the story. This film may be avoided by some Hammer fans who are only interested in the horror - but it really shouldn't be. I don't hesitate to name this as one of the very best films Hammer ever made and it comes highly recommended to all!
plays Mrs. Taggart, the controlling and manipulative mother to three sons. She oversees every aspect of their lives, the family business - which she owns outright - employs them and she works hard at scaring away any woman they bring into the family.
The Anniversary is the annual celebration of Mrs. Taggart's wedding anniversary to the boys' dead father. A macabre event in itself it is made more horrendous by her constant belittling of her sons, their women and her grandchildren. They are all targets of her caustic wit and cruelty.
Bette Davis is her usual glorious self in the starring role. Wonderfully gowned and housed with a matching eye-patch, she steals every scene she is in with flair and drawl, withering all including her grandchildren - all mere fodder for her verbal cannonballs.
And the ending is quite a surprise. Wait for it! 7 out of 10.
The Anniversary is the annual celebration of Mrs. Taggart's wedding anniversary to the boys' dead father. A macabre event in itself it is made more horrendous by her constant belittling of her sons, their women and her grandchildren. They are all targets of her caustic wit and cruelty.
Bette Davis is her usual glorious self in the starring role. Wonderfully gowned and housed with a matching eye-patch, she steals every scene she is in with flair and drawl, withering all including her grandchildren - all mere fodder for her verbal cannonballs.
And the ending is quite a surprise. Wait for it! 7 out of 10.
Did you know
- TriviaAfter Confession à un cadavre (1965), Jimmy Sangster's wife Monica said she would leave the country if he ever worked with Bette Davis again. She duly left for their home in the south of France on the day Davis arrived for this shoot and remained there for the duration.
- Quotes
Mrs. Taggart: [Suddenly turning to face Shirley] Shirley my dear, would you mind sitting somewhere else? Body odor offends me.
Shirley Blair: [Looking completely outraged] I DON'T HAVE BODY ODOR!
- Crazy creditsThe last shot of Davis freezes and is surrounded by a heart made of flowers with the caption "Happy Anniversary!".
- ConnectionsFeatured in Les Archives de la Hammer: Wicked Women (1994)
- SoundtracksThe Anniversary Song
(Waves of the Danube)
Lyrics by Al Jolson and Saul Chaplin
Music by Iosif Ivanovici
Adapted by Saul Chaplin
Performed by The New Vaudeville Band
- How long is The Anniversary?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Die Giftspritze
- Filming locations
- Chantry, Barnet Lane, Elstree, Hertfordshire, England, UK(exterior of Mrs Taggart's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,450,000 (estimated)
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content