Le carnaval des truands

"Grand Slam" is a nice heist film, in search of an ending that makes some sense. The cast includes Janet Leigh, Klaus Kinski, and Edward G. Robinson, so the acting is totally acceptable. The intricate diamond caper is also depicted quite well, and the Rio locations another plus. What seems like an endless build up to the actual heist pushes the film into too long territory at just over two hours. Despite the length, interest is maintained until the startling surprise conclusion, an ending that will leave the bewildered audience gasping in disbelief after all that has preceded it. I defy anyone to explain the logic behind the ending of this film. To put things in perspective, even if things did take place off screen to support such a finale, it is far from believable, and leaves a very bad taste that is likely to linger for quite awhile. - MERK

Throughout the world, men with money and those without have created a game which for all practical purposes will never end. Those with wealth seek to design a box which will keep their valuables safe. Those without money then seek to break the box of riches even if it's against the law or if it's dangerous. Hopefully the 'box-makers' will eventually come up with a fool-proof design which will keep the thieves out. That is the premise of the film called " Grand Slam." Edward G. Robinson is Prof. James Anders a mild mannered school teacher who after years of research has discovered the 'perfect crime.' for stealing valuable diamonds worth millions. Secure that he has a fool proof scheme, he visits an old mafia friend, Adolfo Celi is Mark Milford and asks for a special team of professionals. The men chosen include Robert Hoffmann who plays Jean-Paul Audry a world re-known playboy and suave lady-killer who will meet his match in a cold, dispassionate secretary (Janet Leigh) with a secret. Klaus Kinski is Erich Weiss a military man who does not quit a job until it's conquered. Riccardo Cucciolla is Agostino Rossi and George Rigaud is Gregg, professionals in their own right. Together they accept the challenge of what is a deemed an unbreakable, thief proof safe. called the " Grand Slam 70 " series. A film which has become a favorite of many E.G. Robinson fans. ****

I think this is the best heist film ever made, surpassing its supposed inspiration, "Rififi". Fast pace, suspenseful and brilliantly photographed, it is a must see for all caper film buffs. The problem seems that no one seems to know WHO owns the rights to Telecast this film. It would be great on DVD too.

This is a truly great caper in the RIFIFI tradition, with plenty of twists and surprises, spectacularly high-tech (for its day) action set pieces and glamorous location work in Rio de Janeiro, Rome and around the world. Many other capers since THE GRAND SLAM have borrowed shamelessly from it -- ENTRAPMENT being the latest that springs to mind -- but, trust me, this one did it better than the rest all the way to its uncompromising, un-Hollywood ending. This is the one to catch if it's ever around again!

What a brilliant caper movie! Before I go on, though, I need to point out that this movie is a reworking of the movie Rififi (1954)--a French caper movie. While Rififi generally gets higher marks among critics, I also liked this one.

The movie is unusual in that it has such a multinational cast and quite a bit of the movie is dubbed because of this. This didn't matter to say the least. However, it was interesting to see Adolfo Celi in the movie. He was the lead villain in Bond's THUNDERBALL and in this movie his voice is dubbed with a totally different voice and so he sounds a lot different.

Now on to what I loved--the complicated and exciting plot. It just keeps you guessing again and again--even up until the last scene. Also, the acting was great and the characters were well-written--everyone seemed to be at the top of their form.

So, if you want a movie about a gang of thieves pulling the ultimate heist and want to see one that's among the best, give this film a try--if you can find it, as it's not exactly a well-known flick. Perhaps with so many films like it ("Topkapi", "The Killing""Bob le Flambeur" and many others) it just got lost in the process.,