A trio of reformed juvenile delinquents work as undercover cops.A trio of reformed juvenile delinquents work as undercover cops.A trio of reformed juvenile delinquents work as undercover cops.
- Nominated for 7 Primetime Emmys
- 6 wins & 20 nominations total
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As I'm re-watching the series on DVD, two things stand out to me:
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
Its premise was exactly this: Three teenagers who get into trouble with the law and help out others out of trouble by solving crimes with the help out the Lieutenant(played by Tige Andrews) who keeps one step ahead of everything they do. Out of all the Aaron Spelling shows that he ever produced this was one of the best ever(which is second to "Starsky and Hutch" and his earlier works too including the long forgotten detective show "Burke's Law"). Three teenagers from different backgrounds were basically detectives in their own way in getting the bad guys. The concept of this show was just that: kids ratting on kids,and going undercover to break up drug busts or sometimes save a girl from great danger. Pete, Linc,and Julie were the kids of their generation and it will never be a show like it ever. The show itself had some of the grooviest fashions ever from that period along with the stylings of the Afro and its standard of unity for all. The show was a top ten hit when it ran on ABC from 1968-1973. The executive producers were Danny Thomas(of Make Room for Daddy fame),and Sheldon Leonard(who was also producing I Spy and Andy Griffith at the time)and they kept the story lines with great action and one of the best crime drama shows ever to come out of that era. The guest stars who appear on the show were making their mark during its run with stars like Richard Dreyfuss, Richard Pryor, Michael Douglas,and Karen Black. Was one of the hippest ever....catch the episodes on videocassette if you can..
The Mod Squad centered around three youthful cops, that were recruited to the LA police force in the late 60s. This show was truly cutting-edge as a concept back then. Three cool, under thirty hipsters as cops?? Yep! And it worked, because this was one of the most popular crime dramas of all-time.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
I was to young to relate to Mod Squad when it was on TV but I've been watching it again and I kinda like it now. The show was sponsored by Chrysler and they drive a Dodge Challenger. My first car in the 70s was a Plymouth 'Cuda so im a Mopar guy through and through and really enjoy shows with Chrysler products. Mannix and the Brady Bunch was also sponsored by Chrysler. Mod Squad is a ride down memory lane.
When this show first premiered in 1968, little did anyone know that over the next three decades that there would be several youth oriented shows. Shows like "21 Jumpstreet", "Starsky and Hutch" and "David Cassidy-Man Undercover" were all cop shows aimed at the youth market, but this was the granddaddy of them all. Michael Cole, Peggy Lipton and Clarence Williams III were perfectly cast and this show will always come to represent the era that it was produced in.
Did you know
- TriviaSeries creator Buddy Ruskin, a former Los Angeles police officer, used his experiences with a special L.A.P.D. youth squad as the basis for this show.
- GoofsSome of the police cars used by the L.A.P.D. during the series weren't actually used by the L.A.P.D.
- ConnectionsFeatured in The 23rd Annual Primetime Emmy Awards (1971)
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