Viy

Viy is perhaps too short and has a slow start but when you stick with it it is really an excellent film that is very Russian in flavour and does its fantasy and horror elements in a most effective way. The scenery is both sumptuous and foreboding, so good in fact that you wish you were there. The film is lovingly shot and the special effects are certainly above-average with Aleksandr Ptushko's(also director of some of the best Russian fantasy films seen by me) style all over them. Another outstanding element is the music, it sets the atmosphere of the film brilliantly, at times lyrical and others surreal. Some have remarked about the influence of composers like Mussorgsky, Prokoviev and Rachmaninov and it's definitely there, the scoring of the creepy and surreal moments in particular have a very Mussorgsky-like wonderful weirdness. The dialogue is witty and thought-provoking, the Tolstoy and Poe comparisons remarked in a previous review are apt as well. The story engages throughout, the fantasy gives a real sense of wonder, the sense of adventure is exciting at least and the horror elements are appropriately creepy and unsettling. The characters are ones you have seen before but they really help to carry the film, fit in the atmosphere very well, have personality and all serve a point in some way to the story. All the characters are enthusiastically performed, sometimes with a tendency to be a tad over-theatrical but this is not uncommon for Russian/Soviet fantasy and especially from the 60s and it doesn't hurt things in any shape or form. To conclude, Viy is excellent and well worth watching if not quite a personal favourite. 8/10 Bethany Cox

I'm not particularly a fan of horror flicks. I watched this movie simply because I wanted to see something Russian. But as I found out, this is much more than a typical horror flick. It has a lyrical quality to it almost like a Greek play. True, it has ghosts & goblins & creepy things in it. But so do Greek plays.

I consider this to be a fantasy or an allegory with some nice subtle insights about rustic life and the human condition in general. Some of the witty dialogue is absolutely priceless. I'm not familiar with the writings of Gogol who wrote the original story of "Viy", but if you're a fan of Tolstoy's short stories ("The Imp and the Crust") or Guy de Maupassant ("The Devil") or maybe the lighter side of Poe ("Never Bet the Devil Your Head"), then this'll be right up your alley.

And of course it'll scare the socks off your arse.

The camera illusions in this movie are absolutely 1st class. Don't be put off by the fact that it had a "low budget" by Hollywood standards. The minimalist approach really brought out the director's creativity in this case. Like an old 1940s Jean Cocteau film, the special effects are timeless in their simplicity, and they will hold up for the next 50 years, long after CGI has gone the way of the dodo (and not a moment too soon).

Minimalistic story, minimalistic effects, amazing result. This what you' ll find watching the first Russian horror movie. A totally unusual movie, with an amazing atmosphere. I found it absolutely interesting to watch. I felt like exploring a new world.

Of course the movie isn't perfect. Of course most effects look odd and cheap. Yet, it's an interesting visual experience. It has beautiful nature pictures in it, and a few seriously impressive effects and a great set.

This movie is totally unusual and odd. It'll not be to the liking of most modern watchers. If you like watching the unusual (like me), this movie is for you.

Three drunken Russian seminarians are going home and ask for lodging to an old woman. Actually, she is a witch, who captures one of them and uses him like a flying broom. The young priest fights and kills the witch. After her death, she becomes a young and beautiful woman. Her rich father calls the young priest and orders him to stay locked up with her body in a wooden church, praying for three nights, as per her daughter's wish before die. The witch summons many creatures from hell to fight the priest in the church.

"Viy" is a very interesting tale, weird and non-sense, having a wonderful cinematography and excellent special effects for a 1967 film. I dare to say that the story is a little crazy, maybe better understood by Russians, since it is based on their folklore. Anyway, I believe that fans of horror movies will like "Viy". The atmosphere in the church is very dark. My vote is eight.

Title (Brazil): 'Viy - O Espírito do Mal' ('Viy - The Evil Spirit')

Note: On 10 July 2022, I saw this film again.

"Vij" is a masterpiece of Russian cinema and a masterpiece of 60s horror. Having said that, it is perhaps a film that may not appeal to the gorehound variety of horror fan. Not only does it not possess any gore, but it plays for much of its length like a bucolic Russian fairy tale. The scary scenes when they come are in the last 20 minutes or so.

What makes "Vij" so wonderful are the lovingly shot scenes of rural Russia. The faces of all the peasants are shown in frequent close-up: ruddy, jovial, deeply lined with characterful wrinkles, blue-gray eyes twinkling. The camera is used to great effect in close-ups, blurry shots, spinning around our hero, zooming in and out, and those loving shots of farm houses and livestock. It often has a dream-like character and certain supernatural scenes are extremely surreal and effective. The blend of lighthearted comedy and echoes of folklore and a near-religiosity at times is also extremely effective. The lead does an excellent job as Khoma and his cohort of minders are equally good. Our deceased witch is a picture of beauty and reminds one of Snow White, such is her rosy-cheeked, fairytale beauty.

I could go on and on about what makes this film so wonderful. I'll suffice to comment on one more feature. The music by Karen Khatchaturian (nephew of the great Aram Khatchaturian, he of the "Sabre Dance" and the "Onedin Line" theme music) is very effective and draws on the sounds of several other Russian greats. One reviewer here mentioned both Prokofiev and Rachmaninov. I thought the exact same thing in the same scenes. There is an overall Prokofevian sound to the music and the choral numbers bring to mind Rachmaninov's "All-Night Vigil", most likely intentionally. The music in the demon scenes draws on Mussorgsky's "Nite on Bald Mountain" with its eerie string scratchings, again most likely intentionally. These are wonderful and evocative sources for Khatchaturian to draw from.

In summation, this is a cinematic masterpiece and is a must for fans of Russian cinema or classic cinema in general. Horror fans who can enjoy say, "Nosferatu", "The Cabinet of Dr Caligari", "Black Sunday", "Carnival of Souls" or other early greats, will no doubt want to seek this out. "Vij" is one of the early greats of the genre which it also transcends.