La venganza del sexo

One of the most wonderfully peculiar films I've ever seen. Black and white, semi-porn, cheesy Argentinean horror. Dr. Hump, for reasons never explained, must kidnap people and turn them into nymphomaniacs in order to obtain their "secretions" during orgasm in order to, what, stay alive? They never really say. Except that he is being ordered to do all this by one really p****d-off brain. He also has a "monster" to do his dirty work, a paper-mache' headed guy with a blinking light in his forehead, who's duties include, besides kidnapping and murder, serenading the sex-crazed hippies and lesbos during their orgies with a strange, guitar-like instrument. This one's going straight to "The Brainiac" hall of fame in my book!

All over town, people are engaging in aberrant sexual acts. It's all fun and games until they cross the path of Dr. Humpp, a mad scientist who is determined to use the libido power of human beings for his own purposes. As he says: sex dominates man, so he must dominate sex! Along with his sexy nurse assistant and hideous monster henchmen, he tries to do just that.

The film opens up with a variety of sex acts: lesbian sex, female masturbation, an orgy and a woman who strips nude in the middle of a jazz club. There's also a sailor standing outside a bar doing nothing unusual at all (unless you watch the trailer, where it's explained that the sailor suit is a visual cue for us to know he's a flagrant homosexual). The first twenty minutes come off as more of a softcore pornography than anything with a plot. Buttocks, breasts, groping hands and more are all you'll be seeing for a while. If this sounds like your cup of tea, you've picked the right film because it just keeps going from there! Really, when you boil this down and take out the scenes of people screwing like teenage catgirls in heat, I'd estimate you're left with maybe six minutes of actual plot, largely revolving around the newspaper reporter who is trying to uncover the mystery of the town's disappearances. Although, since the people just keep on humping in the laboratory as if they were in their own bedrooms, they don't seem all too upset about having been kidnapped.

We also have the long-standing tradition continued in this movie of having a foul, evil henchman. The monster here is more than just a little deformed. Sure, Humpp could send his sexy nurse out to do his bidding or even do it himself. But for some reason it just makes more sense to try and sneak up on couples copulating when you're a large, freakish beast. Or the drug store scene: Why go through your medical connections to get aphrodisiacs when you can sent a murderous monster into the local drug store to pick up the Spanish fly? That certainly won't draw any attention by the police! There is one downer to the sex scenes (besides the fact you might actually get bored with them after an hour -- according to horror historian and "Basket Case" director Frank Henenlotter, twenty minutes of nudity was actually added, not removed, for the American version). The film is in black and white, which causes hair to stand out against pale, alabaster skin (no blacks or Latinos in Argentina, apparently). I know some guys who love hair, especially 1970s porno hair -- Gary Busey, this means you -- but for me if you're going to have it, you should at least try to play it down. Tufts of hair are cool if you're into that natural thing, but I don't want Buckwheat caught in a headlock between anyone's thighs if it doesn't serve a purpose.

And what's up with George and Rachel? After experimenting on Rachel, Dr. Humpp has transformed her into a nymphomaniac. George becomes alarmed. Rather than welcome this new development, he can't help but wonder if Dr. Humpp plans to use Rachel's nymphomania against them. Poor, sweet George and his one-track mind. All he ever thinks about is getting screwed... by Dr. Humpp.

I think this film gained a growing popularity (though, judging by how unknown it remains, not much of one) thanks to its Rob Zombie connection. One line ("use my body to keep you alive") has now been immortalized in one of Zombie's radio singles. That is also most likely how the man who passed this film on to me stumbled across it, as he also gave me a copy of "Spider Baby" with Sid Haig. Will Zombie fans love "Dr. Humpp"? I think they might. It comes much closer to the kind of film we expected from him prior to "House of 1000 Corpses".

Is "The Curious Dr. Humpp" a great film? Of course not. It' s a low-budget sexploitation film. But if you're into the low budget, 1970s sexploitations films where monsters attack fornicating couples with a bottle of ether, this film is for you. (Some have asked how one rag of ether can knock out a whole room of people doing the orgy thing... I say ask not what the ether can do for the orgy, ask what the orgy can do for this movie!) For a journey into the unknown and, frankly, rather bizarre, this is one film you'll want in your collection.

"The Curious Dr. Humpp" certainly is one of the craziest movies I ever saw and it excellently shows just how low exploitation-filmmakers in the 70's were prepared to sink in order to blend gratuitous sleaze with nasty horror premises. The story is utter nonsense but it really is great fun to see how deranged this film is. Dr. Humpp is a mad scientist who kidnaps people whilst experiencing any form of sexual pleasure (couples making out, masturbation, orgies, lesbians, strippers…) and he surgically steals their libidos! You see, he needs the virility in order to stay alive! He has an army of horribly deformed accomplices (medical experiments gone wrong) and a nurse who constantly begs him to physically abuse her. If all this isn't odd enough for you just yet, we'll throw in a talking brain in a jar that rants about world-domination! This movie is exclusively meant for avid cult-collectors, since it features nothing but weirdness and cheese. Tons of nudity and poorly filmed violence is all it has got to offer; yet I had a great time watching it. The make-up on the 'monsters' is rather cool and the jazzy musical guidance works too. If it weren't for this movie, I never would have known that Argentina was active in the 70's exploitation industry as well. If you like bizarre, check out this flick!

Argentinian sexploitation/horror flick has a crazed young doctor interested in examining the libido of sexually active humans. He sends his personal guitar-playing monster and assorted henchmen out to kidnap young couples while involved in the act, and then keeps them prisoner at his laboratory. There he induces them to have more sex so he may extract a serum to help him dominate sex, since sex dominates the human race (or some such nonsense). He also has a talking rubber brain in a jar that deflates and inflates while it speaks. This is a foreign black and white sexploitation flick, with tons of nudity and all sorts of random sexual activity -- group orgies, lesbianism, female masturbation... Nothing out of the ordinary for this type of combo horror/softcore sleaze offering. For those who know what they want and what to expect, you know the deal. ** out of ****

Quizzical and somewhat painful Argentinean softcore porn flick has the good quality of being one of the few competent unions of exploitation with mainstream genre film. In this case, sci-fi, and see _Flesh Gordon_ if you have any doubts about how difficult a genre fusion of this kind can be. The movie drags at times, but at others is fabulously bizarre, probably because of the tortured logic Vieyra has to use to establish the (relatively) intricate plot without compromising the explicit scenes. Humpp's legendary sequence -- a weird, mutated critter playing an unidentifiable lutish instrument while people mill about a foggy courtyard -- is strange beyond description.