Escalier interdit

I felt that I was watching reality even forty years later. I too aspired to be an English teacher like Sylvia Barrett. Sandy Dennis was a terrific actress and this film shows her ability and wide range. The cast features well known and familiar faces. Sylvia endures a stark reality of the urban teaching world. Schools in the poorest sections of New York City are still under funded. The Calvin Coolidge High School appears more like a prison than a school. The atmosphere reminds me of going to the unemployment office where its grim and depressing. How can anybody believe learning is going on? Of course not, schools are supposed to prepare our students for the future but are terribly let down. Today's students believe technology will solve everything. We can't teach how to think as teachers. This film should be shown to all aspiring teachers about the reality of urban school teaching.

Similar to "To Sir With Love", but well worth watching, a veritable symphony of characters. Each character is rather pathetic, but all of them together make something beautiful. What I particularly liked was its not wanting to prove anything, just telling a story about real people. And Sandy Dennis is her usual humane self. This intimate film has more glamor than flashier ones. It's the glamor of grittiness and real life.

This film, directed by Robert Mulligan (To Kill A Mockingbird, Love With A Proper Stranger), portrays an idealistic teacher with a masters degree, Sandy Dennis as Sylvia Barrett, who takes the plunge into the teaching world of a multicultural but disadvantaged New York neighbourhood. The school is named after Calvin Coolidge, an irony given the urban and cultural mix that was so far removed from the life of the Vermont-born, Republican President of the 1920's.

I like the polaroid colour of film for the opening street scene at the time (1967) when Miss Barrett emerges from a bus into the hazy neighbourhood overflowing with high school students, who would have been the early baby boomers of the period, although with far less privilege than most. We see one lonely student try to commit suicide; another who falls asleep in class because he spends his evenings working on cars, his first love; another who believes Miss Barrett's interest in after-school meetings is a come-on for time alone with him.

Her class does their best to unhinge the new teacher on the opening day but Miss Barrett is gifted with resilience and patience. We get to know the staff in the school with moments of comic relief, such as when the staff meeting shows the teachers grouching about issues ranging from whose drawer belongs to who and when the proposed $7 million school is going to be built, if ever.

Miss Barrett wants to make a difference for the students in her class. She knows that many of them have to climb a greasy pole to make a good life for themselves. She comes up against bureaucratic rules and teachers whose methods are more likely to reinforce the status quo. However, she is not one to shirk the challenge and one day, Miss Barrett tries to relate the world of Charles Dickens to their own and generates a tremendous enthusiasm that brings out an animated discussion about the Tale of Two Cities and "the best of times, the worst of times". Nevertheless, the litany of woes and misunderstandings that constantly undermine her idealism eventually cause her to face the reality of the decision to teach in an inner city neighbourhood.

Despite the drawbacks, she has tremendous support among the students, parents and staff. Sandy Dennis plays the part superbly and in the hands of a great director, we see a vivid portrait of an inner city school and a great teacher with ideals and spunk. To me, this movie is a classic, much under-rated in the history of American cinema.

If there's any movie that one can automatically associate with Sandy Dennis, "Up the Down Staircase" is the one. True, she did win an Oscar for "Who's Afraid of Virginia Woolf?," but that was mainly a Richard Burton-Elizabeth Taylor movie. I saw this one night on television sometime after her death, and became a huge fan. Actually, I think I may have seen it several times or more before, and forgot about it. I fell for everybody involved, from the late Sandy Dennis, to Bel Kaufman, to Fred Karlin, who's musical score is one that I'm lucky to possess a copy of, and is long overdue to be re-released on Compact Disc. In addition, I also gained an appreciation for people like Jean Stapelton, and Sorrell Booke, who I previously couldn't think of as anyone else but Edith Bunker, and Boss Hogg, respectively. Patrick Bedford, however, sounded like he was trying to be the new Cary Grant. I was almost ready for him to shout out..."SYLVIA, SYLVIA, SYLVIA!!!" And how about the kids? None of them went on to fame and fortune, except for But Cort, who I still can't spot, but a few of them (Jeff Howard, Jose Rodriguez, Maria Landa, etc.,...) had roles as extras. It's also a shame that Lew Wallach, who played as Lou Martin was never on screen again. He was hilarious.

If you ever see a copy of this movie in a video store, pick it up. I did, and I'm glad.

Rivals "To Sir, With Love" (released around the same time) as the best teacher film of all time. The difference: Sandy Dennis.

Dennis was one of those actors they don't make anymore (or at least don't showcase in Hollywood in 2007). She was strange, quirky, not conventionally pretty and she had that quality a lot of new female teachers have-that deer in the headlights look that makes the viewer root for her to make it "work" with those tough students.

The story is strong with some good subplots with the troubled students. It is dated but I would say the same issues facing Dennis here face contemporary teachers.

I take Dennis to Robin Williams in "Dead Poets Society" anyday.