1 homme de trop

Ending 2015 by watching "Un Homme De Trop" is a great piece of luck, this Costa-Gavras still being invisible. I really don't understand why this exceptional war movie shot with absolute genius remains invisible. Be patient, it must get released one day, every powerful movie addicts must rediscover this fantastic and suspenseful war drama, fast-paced from beginning to end. How can we imagine "Un Homme De Trop" staying invisible for again thirty years when so many invisible but dull movies get released (well, there are some exceptions of course). But I believe in Costa-Gavras great reputation, this forgotten gem will soon have a fabulous come-back, it deserves it. The cinematography and editing are so brilliant, the action is tense and very fast-paced, the actors follow that dynamic direction. No particular principal character, just Resistance in the Cévennes mountains. I was so surprised by Brialy tense interpretation, like Cremer, Brasseur, Blain, Piccoli of course, and Vanel as the old timer. Only one woman, not really useful, but it is Julie Dassin, Jules's daughter. What a great day when it will be shown again on a giant screen.

Thank you for the following friends for being fan of this masterpiece : Philippe, Marc, Jean-Pierre and that unknown guy from south.

Being a Costa-Gavras fan this was the last film of him I never saw before. I only had my set of 24 lobby cards that really made me want to see it for almost 30 years. Exceptional cast, wonderful film. The camera work is outstanding and the "Gavras touch" is all over the film, he followed it with Z, L'AVEU and STATE OF SIEGE - all classics. UN HOMME DE TROP looks like a practice ground for those highly political films, and a very good one indeed.

Costa-Gavras' final journeyman piece - and his first film in colour - is a creditable addition to the wartime resistance genre with an impressive lineup of Gallic acting talent.

But what really sets it apart is two remarkable helicopter shots, the second of which - that ends the film - represents a tour-de-force that would be as famous among students of film as that that ended 'Von Ryan's Express' were the film only better known.

A group of French resistance fighters in France in 1943 battle the Nazis, and after rescuing 13 men from execution have to decide what to do when it turns out that one of the 13 may be a traitor to the resistance. Director Costa-Gavras' 1967 World War 2 action drama is at times fast paced, and has a good cast including Michel Piccoli, Charles Vanel and Bruno Cremer, as well as a slight vein of humour. Unfortunately despite little moments of skill these are somewhat drowned out by the rest of the contents of this rather boring and not particularly good film, with it's rambling narrative reading like a poor 'Boy's Own' war adventure, with characters rushing around frantically, and with noisy, confused action scenes consisting of lots of machine gun fire and explosions. Not exactly 'The Dirty Dozen', in fact this is a classic example of how not to make a war (or anti-war) film.

The writer of the IMDb intro obviously did not watch the movie, as the enigmatic "homme de trop" played wonderfully by Michel Piccoli is not an enemy agent. And why is it labelled here as "shock troops" - an irrelevant title? This marvellous action movie has recently (march 2017) been screened in a restored version on French-German TV channel ARTE. Costa Gavras knows how to buld excitement and the editing is slick. A lot of resources must have gone into the movie which was an Italian-French co-production. The concluding battle with German forces features tanks, aircraft and hundreds of infantry - all very impressive. The closing shot was filmed at the impressive Viaduc de Garabit in the south of France which has been used in several other movies.