Voyage à deux

In 1967, Audrey Hepburn had gotten into the "swing" of things by being with Peter O'Toole in "How to steal a million" and did not want to go back to being in flops like "paris when it sizzles" or wearing the same old Givenchy clothes. In this film you see a change in her, a new haircut, clothes from the grooviest designers of Mod London and elsewhere like Mary Quant and Paco Rabanne, you see her eat! eating casually bread, grapes;making funny noises,etc. you actually see her having fun in this picture.She plays Joanna Wallace who with her husband played beautifully by Albert Finney reflect on the good times and the bad times of their twelve-year marriage.This film is must see because it goes beyond the happy ending and into actually imitating life where marriage is not always perfect. where marriage has fights and arguments and sometimes infidelity and hurt but love usually conquers all.must see.

The way those Manchesters tolerated and refused to discipline their bratty child Ruthie so resembled real life parents I've known who excuse their brat's behavior with "He's going through a phase" or "He has issues." OMG "issues" and "phase" my eye! Both parents and the child should indeed should be slapped. Sheeesh.

This film tells the story of a married couple, played by Albert Finney and Audrey Hepburn, who have been married for a decade and are experiencing a rough patch in their marriage. The events of their ten-year marriage unfold through a series of non-linear flashbacks and present day scenes. I felt that the non-linear storytelling format was perfect for this film. A longtime marriage is a relationship that evolves over the course of time. A couple who has been together forever will have experienced happy times, trying times, sad times, etc.

We see Finney and Hepburn meet in the 1950s when Hepburn was traveling with the choir. We see them fall in love. Later, we see the happy couple on their honeymoon. Then we see the couple bickering about children and infidelity. During the more blissful days of their relationship, Finney and Hepburn have modest means. The present day scenes show Finney as a successful architect and he and Hepburn are living the high life. However, Hepburn is very distant and cold to her husband. With money, the couple is unhappy. In one of the present day scenes, Hepburn and Finney are lounging on a beach and conversing very tersely with one another. This scene is juxtaposed with a flashback sequence showing the couple on the same beach but having fun--a very different experience than what they're having now. There are quite a few scenes that show Finney and Hepburn returning to old haunts only to have a completely different experience than they had prior. For some people, these old rendezvous spots may elicit some type of nostalgic feeling, albeit a happy or bittersweet feeling. In Two For the Road, I get the sense that the flashback sequences are all looking back on a relationship with a feeling of sadness.

In Two For the Road, I get the sense that both Finney and Hepburn are unhappy because they don't feel that passion that they used to have and their relationship has become very routine. No longer are they spending the night randomly in concrete construction pipes or frolicking on the French Riviera countryside. Now Finney has a career. Finney and Hepburn are parents to a little girl. From the present day scenes in the film, I get the sense that both parties are bored with one another and are looking for something to spice up the relationship.

As an aside, I loved Hepburn's costumes in this film. Her present day, 1967 wardrobe was especially fun and I loved her giant sunglasses. Hepburn wore a variety of hairstyles in this film, which aided in informing the viewer which era of Finney and Hepburn's relationship they are viewing. In the early days of the relationship (mid-1950s), Hepburn wears her hair in a very prim fashion, a bob with bangs and a headband. Later, before she and Finney have their daughter, she has her hair long and straight. When their daughter arrives, Hepburn's hair is a short bob. Later, in the present day, she sports a very chic, very hip, short hairstyle.

I really enjoyed Two For a Road for it's realistic look at a couple who have experienced many ups and downs in their ten year union.

This is my favorite movie of all time. I just saw it 2 weeks ago, and I've already watched it about 7 times. The way that Mark and Joanna's relationship is displayed through the time changes is excellent, and while you'd think that keeping track of the time would be difficult, it's actually quite simple if you look at the hair and the attitudes of the couple. Audrey Hepburn is magnificent, one of her best performances ever, and Albert Finney is charming as her workaholic husband. The Maxwell-Manchesters are hilarious, especially the little girl Ruthie. Audrey is the bored wife, trying to save the 12-year marriage, while Albert is the overworking, bad tempered husband. The movie takes you through their three trips, the first when their love affair began, the second when she is pregnant with their first child, and the third when their marriage is beginning to fail. Their love is displayed wonderfully, and anyone can see that Hepburn and Finney were in love in real life, too. The music is beautiful, I love how it's played all throughout the movie. I think that it's one of the best parts of the whole movie, but there wasn't a moment when I wasn't completely wrapped up in what was going on. This is a classic, and I can't believe I'd never heard of it before I accidently picked it up at the video store. Anyone who is married (or who's looking for some laughs) should definitely watch this movie, it's a must-see.

Thank God that Audrey Hepburn made this film before slipping off into an extended temporary retirement. Was she too old for this movie? Not for the segments that deal with the latter part of the married relationship. The movie spans eleven years and, yes, it is a bit of a visual stretch to see a 37 year old Audrey portraying a 22 year old college woman, but her performance throughout was nothing short of brilliant. This film was a tremendous departure for her. In Two for the Road she does not play the part of the doe-eyed delicate creature of her earlier movies. She even abandoned, reluctantly, her trademark Givenchy wardrobe to sink her teeth into a gritty, visceral part. Many critics of the time remarked on its art house appeal, due in large part to the back and forth sequence editing and the clever juxtaposition of similarities, parallels and contrasts in scenes spanning eleven years. The film must have been incredibly fresh and jarring in its day, abandoning a linear narrative approach to the history of a marriage. Even today it comes across as very "contemporary." Albert Finney delivers an equally strong performance. There is genuine chemistry between Finney and Hepburn. The viewer sees all that is wonderful and horrible about the dynamics of a couple that comes to realize that despite mutual infidelity they still love each other and belong to one another.