La poursuite des tuniques bleues

A Time For Killing takes place in the southwestern territory of Arizona just days before the Civil War is to end. Several southern prisoners are held captive in an army stockade commanded by Emile Meyer. The prisoners could probably just sit things out and go home. But George Hamilton the commanding officer among the prisoners has an agenda all his own. The time and setting are similar to the 1953 William Holden film Escape from Fort Bravo and the Sam Peckinpaugh flawed classic Major Dundee which had come out a couple years earlier.

Hamilton's from the Deep South, the part that General Sherman has just ravaged. So Hamilton figures he's got some payback coming and after escaping he kidnaps Indian missionary Inger Stevens who is the betrothed of second in command Glenn Ford and does a little ravaging of his own. To give Ford a little personal incentive to come after him so he can kill some more Yankees. This mind you is after the escaping Confederates kill a dispatch rider bringing news of Lee's surrender at Appomattox.

With the Civil War so close to an end it would have taken one charismatic leader to have kept those Confederates in line for this crazy mission. And George Hamilton is too nice to really be convincing in the part of a revenge seeking southerner. It's the main flaw of A Time For Killing.

These are not John Ford type cavalrymen. You've got some real lowlife specimens on both sides Timothy Carey on the Union side and Max Baer, Jr. on the Confederate. Both are really into combat and killing, Baer who one remembers as the amiable dunce Jethro Bodine in The Beverly Hillbillies really surprises you with his role. In a small part as a Union lieutenant is Harrison Ford years ahead of his first big break in American Graffiti.

Dick Miller and Kay E. Kuter play a pair of Union soldiers who aren't exactly the greatest of patriots. Their characters are for comic relief, but in the grim proceedings of A Time For Killing, their comedy while not bad is definitely out of place.

A Time For Killing had some potential, but in the end I think the plot situation is really ridiculous and wastes a lot of talented people.

Toward the end of the Civil War, Union officer Maj. Tom Wolcott (Glenn Ford) is hot on the heals of a band of escaped Confederate prisoners headed for the Mexican border. The mission is especially important to Maj. Wolcott as the Confederates have kidnapped his fiancé, Emily Biddle (Inger Stevens).

Overall, A Time for Killiing is a real mixed bag with the bad generally outweighing the good. One of my chief problems is inexplicable character motivation. Characters are liable to do just about anything from scene to scene. There's no consistency, with Maj. Wolcott being one of the worst offenders. The direction and plot are also weaknesses. The direction is often flat and the script does little to provide surprises. And there are moments where scenes go from location to indoor sets that's often jarring. Add to that overly bombastic and repetitive music, inappropriate comic relief, and Max Baer, Jr., and the problems are obvious.

Despite its problems, there are positives. Some of the acting is quite good. Ford gives his excepted quality performance. Stevens is both good and beautiful. And I was also impressed with Harry Dean Stanton (always good) and Todd Armstrong in supporting roles. Another plus is the scenery. When the production is on location, the scenery is breathtaking.

I'm giving A Time for Killing a 4/10.

During late Civil War some Confederate soldiers getaway from an Union prison and head toward Mexico. Then a battle of wits pits a tough Union captain (Glenn Ford) against sadist Confederate Major (George Hamilton) when the latter abducts his love interest (Inger Stevens) . After that, the infuriated woman seeks revenge on the man who raped her . Meanwhile , a confederate soldier kills an Union courier who holds a message saying that Civil war is over .

The picture contains action Western , continuous horse riding , shootouts and some violence . This violent cavalry-Western and hard on themes is full of noisy action , thrills , chills and results to be quite entertaining , though mediocre . The gratuitous violence brought quite criticism in the newspapers, though the director declared that it was utterly necessary . Harry Joe Brown wrote a personal check to Columbia Pictures for $1,000,000 to cover the costs of going over budget . Good duo protagonist as Glenn Ford and George Hamilton , though make exaggerated acting . It appears credited prestigious secondaries as Timothy Carey , a young Harry Dean Stanton and a youngest Harrison Ford , being his first credited film role . Furthermore , the veteran Kenneth Tobey and Dick Miller , Roger Corman's usual , who appears uncredited as director . Rare and thrilling musical score for an Old West movie . Colorful and atmospheric cinematography by Peach . The motion picture was regularly directed by Phil Karlson . There were no half measures in this filmmaker . He would make adventure movies or violent and noir films . As he directed Western as ¨Gunman's walk¨ , ¨They rode west¨, ¨Texas rangers, ¨Iroquois trail¨ and Gansters genre or Noir films as ¨Phoenix city story¨ and ¨Scarface mob¨ . Failure alternated with hits through his career, though Karlson's direction was more than successful in ¨ Walking tall¨ with invaluable help of Joe Don Baker . Rating : Acceptable Western ; George Hamilton and Glenn Ford fans will enjoy their idols .

This has always been one of my favorite Civil War flicks, along with Shenandoah, and Journey To Shiloh. Very gritty, exciting movie! However, I would never buy it unless it's released in the "wide screen" format, since much of the movie is invisible, due to the unacceptable use "pan and scan". Here's my vote for a DVD Wide Screen release.

If only for it's unusual cast, this Civil War western revenge saga merits watching one time. Unfortunately, there isn't a great deal more about it to recommend as it is uneven and unsatisfying for the most part. Stevens plays a missionary (complete with bleached-out blonde hair and '60's eyeliner) who's visiting her beau Ford at a cavalry outpost where he's holding Confederate Captain Hamilton and others prisoner. Soon after she leaves, Hamilton and a cache of his men revolt and escape. They capture Stevens and kick off a chase across the desert to Mexico with Ford in pursuit. Of main interest is the oddball cast which includes Ford (who, at 51, sure was dragging his feet in marrying Stevens!), Hamilton (his tan completely in place and with his helmet hair and come 'n go accent, a very unlikely Confederate prisoner of war!), Baer, jr (giving quite possibly the worst performance ever captured on film as a lunatic soldier who giggles when killing and fights incessantly with everyone), Armstrong (trading in his sword and sandals), Stanton (long-time character actor who appeared in many cult favorites), Peterson (fourth-billed former child star who has little to do but represent innocence) and Harrison J. Ford (hardly onscreen as a heavily side-burned Union soldier.) The film starts out with an incongruent theme song which is abruptly cut short by the action of the plot. This sets up a consistent pattern of odd music cuts and choppy editing (the music in this film is FAR too over-emphatic and insistent, not to mention repetitive.) There are some okay action sequences and some decent scenery and occasional periods of dramatic interest. They are often undone, however, by some really bad supporting cast members and awkward writing and direction. There's a Union officer with a thick New York accent, a pair of nitwit, supposedly amusing, but actually deadly unfunny soldiers who keep interrupting the drama with their awful shtick and then a passel of chatty cantina whores. The all time worst acting honor, though, goes to Baer, jr who is so relentlessly bad that it actually hurts to watch him. He's a lunkheaded, unbalanced giant whose penchant for violence is not as shocking as it is annoying. The actor claims that playing on "The Beverly Hillbillies" type-cast him, but he seems here to be unable to play anything better. The "comic" relief in the film (which couldn't be any less amusing) is at great odds with the rather visceral violence and cruelty of the rest of the film. It's all put together so amateurishly and with so little regard for nuance or real feelings that it hardly matters. Thus the opportunity to see some name/cult actors in a tough little western remains the primary attraction.