Thunder Alley

For someone who never had any technical training as an actress, it never ceases to amaze me how natural Annette Funicello is on screen. She's completely at ease in front of the camera, whether being feisty telling off her dad (Jan Murray), trading barbs with a surly blonde (Diane McBain), getting her face muddy, getting ripped on booze, or being funny and sexy with her leading guy (Fabian), Annette is never stiff or embarrassing. In fact, doing a little warm-up song number with a party band in her living room, she's a very sensual woman. The plot of this B-flick is strictly by-the-numbers, but the stock car racing scenes are better than the ones for Elvis Presley's "Speedway", released a year later. Credit future "Stunt Man" director Richard Rush with the tight pacing. The party-orgy looks like an outtake from a "Beach Party" flick gone awry, but it's a transition picture for the A.I.P. studios--and not a bad one. **1/2 from ****

Thunder Alley was the last film Annette Funicello made for American International Pictures, and to some extent the reasons become clear during a viewing.

1967 was a transitional period at AIP. The Beach Party movies (1963-1966) had run out of steam, but the studio had not yet moved into the hippie/biker material (The Wild Angels, Wild in the Streets, etc.) that would characterize its late 60s production. In that context, the somewhat schizophrenic feel of Thunder Alley (Beach-party-ish romantic themes combined with comparatively risque orgies, drinking, etc.) isn't surprising. The producers knew that edgier trends were emerging, but were still working with stars (Fabian, Funicello) from the late 50s/early 60s greaser/beach era.

While Fabian comes across as hopelessly stuck in the past (his stiff, two-note approach to acting is high school drama club material, his range consists of pouting or getting angry), Funicello is clearly trying to evolve - it's almost as if she realizes that her "Dee-Dee at the beach" period is over, and that to survive she must grow into a more Nancy-Sinatra-ish, "groovy chick" mode.

Problem ws, Annette was far too much the lady to pull that off, so she seems almost blatantly out of place in this movie -- a decent, ladylike but straight talking woman surrounded by drunks, loudmouths, bimbos and opportunists. After this film (and to a large degree as a result of her "decency"), AIP had no more use for her, which was unfortunate: like Vincent Price, stars who had "slummed" at AIP were basically stuck there, so Funicello pretty much disappeared from the big screen after this film (save for one, small and somewhat self-depreciating cameo in the Monkee film "Head" a year later and her canned "nostalgia" appearance in 1987's "Back to the Beach."

One more note: several others who have commented on this film mentioned Annette perfoming the song "What's A Girl To Do" in the film. I have the MGM "Midnight Movie" video release of Thunder Alley and the original 1967 Sidewalk soundtrack album. While the LP contains "What's A Girl To Do," the version of the film on the video doesn't. Also, the "official" Annette collector web sites also comment that song -- while on the soundtrack album -- doesn't appear in the film.) Is it possible different versions of this film (perhaps a "longer" broadcast version containing the song, maybe the video realease is edited) are floating around?

Thunder Alley. Crash! Bam! Pow! What else can you ask for? Wipe-outs, crashes, brawls, drama, romance, soap opera suds, kissing, funky sixties dances. It just too groovy and far-out man!

The story is lame. "Bad Boy" racing stud Fabien meets "Good Girl" Annette, loses girl, she meets another "Badder Boy", finds true love at the end and everyone lives happily ever after.

In between the love-making and break-ups, you have some really "exciting" race car drama. Lots of stock-film of drag races. Lots of crowd shots, lots of wipe-outs and crashes, some between racer conflicts, some shapely girls doing the go-go.

What else do you need. So, sit back, open-up a six pack (of soda!), munch on some pop-corn, chips, dip, and enjoy....Thunder Alley!

Sure there were parts of this movie - almost all of it, the more I think of it, that made you laugh at it and not with it. The stock stock-car scenes from

Daytona and Darlington were real. The acting was bad and the plot was

sophomoric. If Fabian was really having those blackouts all of the time, then he should have been locked up for continuing to drive while having them. But maybe I'm putting too much thought into this. As someone who has covered NASCAR for newspapers, the off-the-track plot stuff was more than lame. Annette did a good job; I got a kick out of the announcer; and Diane McBain is always easy on the eyes, even if she doesn't take it easy on the eye shadow.

THUNDER ALLEY is a 1967 stock car racing drama set in the south and starring onetime teen idols Fabian and Annette Funicello along with Warren Berlinger and Diane McBain. What struck me as I watched it is how similar it is to an Elvis Presley movie. In fact, two of the cast, Berlinger and McBain, had appeared with Elvis a year earlier in SPINOUT, which also had a racing theme. If you put Deborah Walley (also from SPINOUT) in Annette's role of stunt driver (a role better suited to the spunkier Walley anyway) and put Elvis in Fabian's role and gave the character a few songs, you would have had a near perfect Elvis vehicle. And if they'd allowed THUNDER ALLEY's Richard Rush to direct it (instead of one of the old studio workhorses like Norman Taurog who pounded out nine Elvis vehicles in the 1960s) and kept the edge to it, including a hot bedroom scene Fabian has with a very sexy Diane McBain, it might possibly have taken Elvis in a new direction away from all the SPEEDWAY, TICKLE ME and DOUBLE TROUBLE-type films he was doing at the time. Oh well, we can dream, can't we?

(Not that an Elvis-Annette pairing would have been a bad thing either, mind you.)