2 Anglaises en délire

Rita Tushingham is head and shoulders above anything in this film and the film as a whole. Lynn Redgrave gives a decent performance but her role doesn't allow for anything much more than camp laughs.

These two are the stars and do keep you watching but as you watch you find yourself dropping to the films level and into its rhythm. Maybe, I wasn't into either its humour or pace because I was watching it for the first time over half a century after the audience it was made for. I have watched many films in the past from this era, 'Up The Junction' for example, that I enjoyed without seeming to have to adapt to the time and there's others so that it's age isn't an excuse. I just found that the humour was predictable and silly at first. However, as mentioned, as it went on I got quite engrossed and I can only put that down to the quality of the lead characters.

Not a film I would recommend but one I would be embarrassed to say I liked.

look, if you are looking for deep meaning - or songs that make you want to sing along, then you're looking in the wrong place.

but if you want a kitschy look (i bet even at the time of release!) at the mid-sixties, then look no further! come on! lynn redgrave as a pop-starlet? rita tushingham as a supermodel?? michael york as a photog???? what could be better??? the scenes of lynn belting out her "hit" song are worthy of admission alone! i was also grateful for some of the shots of carnaby street in it's hayday - god, i just wish i were there! this is a movie that mike myers very obviously borrowed from to create austin powers. it has a lot of the same sensibilities.

see the original - maybe skim by most of the songs... but enjoy the ride!

As someone else has said regarding this film 'I could have done with less slapstick and more satire'. Yep. The satire is most definitely there and it's funny but the slapstick is lame warmed over nonsense and should just be fast forwarded through. Redgrave and Tushingham are great fun together and the supporting cast all pitch in nicely, ghastly stereotypes excepted. It's a film I have long been curious about and now that I've seen it I feel as if I've been rewarded with a bright and zippy laugh out loud at times comedy (somewhat of a rare commodity these days) and an affectionate look at what I suppose is now a lost world.

I was living in London when this film opened, and it now seems an oddly accurate time capsule of the period, somewhere between trendy and tatty. Critics hated the film for trying to create a female Laurel and Hardy, but now it's the colours, the clothes and the attitude that seems right (although it's hard to forgive those helium-voiced gay stereotypes). Trivia note; the character names and places, pieced together, form most of the first verse of 'Jabberwocky', suggesting the intention to create a new Alice in Wonderland.

I watched this film in its entirety on Youtube (May 2011) and am glad that I did. This film is a time capsule of the styles and faces of the mid-late 1960s and of 'groovy' London. The film offers a cornucopia of great faces of British comedy, all of which add to the mayhem of a loosely directed, pie-in-your-face slapstick comedy.

This film presents you with several extended pie-fight sequences, sixties songs (none of which are famous) and lots and lots of London scenery, the film being shot entirely on location. None of the cast are taking this film seriously and the result is actually quite funny, and adequately entertaining to hold attention for 100 minutes. Rather than feel dated this film is more of a time capsule of an era some 45 years old.

In short, the film is good humoured and worth seeking out. Play spot the actor and cringe at the naff songs which are interspersed throughout the movie. It's too much.