2 Anglaises en délire

As someone else has said regarding this film 'I could have done with less slapstick and more satire'. Yep. The satire is most definitely there and it's funny but the slapstick is lame warmed over nonsense and should just be fast forwarded through. Redgrave and Tushingham are great fun together and the supporting cast all pitch in nicely, ghastly stereotypes excepted. It's a film I have long been curious about and now that I've seen it I feel as if I've been rewarded with a bright and zippy laugh out loud at times comedy (somewhat of a rare commodity these days) and an affectionate look at what I suppose is now a lost world.

I can't believe Leonard Maltin dissed this picture -- it's a rare gem of trippy brilliance, influential as hell on arbiters of style like "Absolutely Fabulous" and the "Austin Power" series. Lynn Redgrave (!), fresh out of "Georgy Girl", bumbles through looking like a great big blonde lovable cow in a succession of astonishing wigs, while her costar Rita Tushingham (!!) veers back and forth from frumpy/frowny to slapstick/mime to The Face of the 60's. The humor is broad and scatological, but cutting when its satire -- sample song lyric: "I can't sing, but I'm young!!" If you can find it, grab it.

I was living in London when this film opened, and it now seems an oddly accurate time capsule of the period, somewhere between trendy and tatty. Critics hated the film for trying to create a female Laurel and Hardy, but now it's the colours, the clothes and the attitude that seems right (although it's hard to forgive those helium-voiced gay stereotypes). Trivia note; the character names and places, pieced together, form most of the first verse of 'Jabberwocky', suggesting the intention to create a new Alice in Wonderland.

WARNING : This is a very silly film. :D . Therefore, watching it in the right state of mind will make you laugh a lot. You will be irritated if in the wrong mood.

The story of two northern lasses, Yyvone and Brenda (Redgrave & Tushingham) who come to London to get down with the cool hepcats. The film documents in astonishing cinema-verite style the trials and tribulations of late 60's living and partying. There is fantastic irony in some sections of the film, particularly the Gauche perfume adverts that Brenda does..truly astonishing in fact - examples of post-modernism at it's finest. Michael York is wonderfully hammy as the swinging photographer who weaves in and out of Yyvone and Bren's lives on a regular basis with only thought of himself.

Two fantastic restaurant sequences as well...you just can't beat a good food fight! I must admit I've always had a huge crush on Rita Tushingham, which helped me through some of the lamer comedy moments, but overall it's light enough to be enjoyable.

Oh yeah, the music is absolutely awful, but I think that's intended. At least I hope so..please tell me it's meant to be a parody??

6/10.

I watched this film in its entirety on Youtube (May 2011) and am glad that I did. This film is a time capsule of the styles and faces of the mid-late 1960s and of 'groovy' London. The film offers a cornucopia of great faces of British comedy, all of which add to the mayhem of a loosely directed, pie-in-your-face slapstick comedy.

This film presents you with several extended pie-fight sequences, sixties songs (none of which are famous) and lots and lots of London scenery, the film being shot entirely on location. None of the cast are taking this film seriously and the result is actually quite funny, and adequately entertaining to hold attention for 100 minutes. Rather than feel dated this film is more of a time capsule of an era some 45 years old.

In short, the film is good humoured and worth seeking out. Play spot the actor and cringe at the naff songs which are interspersed throughout the movie. It's too much.