Something Weird

Lewis's direction is as drab as usual here (cue long scenes of people executing actions from go to woe, free of editing in slow master shots) and there's no gore so don't expect any, yet I actually think that this appropriately named weird tale of ESP, a witch's pact and the mystery of a serial murderer is the best Lewis film I've seen by the standards of conventional film-making. The story has enough developments, payoffs and odd surprises that you may find yourself beguiled even without the typically sensational Lewis content in evidence. Fear not, though; the schlock quota is more than met by the ugly witch's bizarrely crap performance and by many classy moments of stilted dialogue and acting. The pushy jazz score is completely Wild and Crazy, and there's also a prolonged and silly chase on foot ala Blood Feast. The threads of this film don't logically feed each other at all, yet I think that the whole thing makes for a pretty good story, and as usual, the cheapness of budget means you can see and hear all the details of life in the year in which the film was shot.

I'd say this was more offbeat than outright weird. This one guy is involved in a horrific electricity accident, which burns his face badly, and a witch says she'll fix his face in exchange for his (physical) love. Oh, and the guy now has ESP, so naturally the local cops lean on him to help solve a slew of murders. And, to help him to be super effective, they give him LSD to help enhance the ESP. It's all mildly interesting, badly acted, and relatively benign. There's blood (it's Herschell Gordon Lewis, and that's kind of his wheelhouse), but to be frank it looks a heck of a lot like Hunt's ketchup. Not Heinz; the more watery Hunt's. Anyway, this isn't a movie anyone should rush out and see, even if they can find it. And remember, kids: electrocution gives you mind powers, and tripping on LSD will help you see all kinds of cool things. Something Weird is definitely a product of its times.

Crackpot, frequently amusing combination of parapsychology and psychedelia in this typically twisted Herschell Gordon Lewis schlock production. It's not quite as much fun as his celebrated splatter movies, but it's still pretty entertaining.

Tony McCabe plays Cronin "Mitch" Mitchell, a young engineer who is facially scarred by a severe electrical accident. This also gives him strong psychic abilities, so he hangs out a shingle as a medium. In this capacity, he meets a hideous old crone (Mudite Arums) who promises to restore his face to its handsome glory IF he will be her lover. So she becomes his entourage as he becomes a celebrity of sorts. Soon he is hired by a police force in Wisconsin to help catch a serial killer.

When you watch something by the late, great Mr. Lewis, you know you won't get something very slick technically, and you certainly won't get something very well acted. But that NEVER means that the "acting" in these epics doesn't entertain in its own fumbling way. McCabe is a hilariously obnoxious, insufferable prick, and Elizabeth Lee is delightful as the *other* incarnation of the old crone, the young hottie whom the rest of the world sees. William Brooker is a hoot as a karate student / playboy / doctor who's sent to possibly debunk Mitchs' abilities, and recruit him for the government should he turn out to be the real deal. Jeffrey Allen of "Two Thousand Maniacs!" pops up in a small role as a doctor, but what is truly a gas is seeing Lawrence J. Aberwood as the police chief (he's the infamous "All you kids make me sick..." guy from HGLs' roughie "Scum of the Earth").

Highlighted by a nicely strange L.S.D. trip sequence, and the "attack by blanket" scene, "Something Weird" is given a jazzy score by Edward J. Petan. Written and produced by James F. Hurley, it gets down to business quickly (with a murder playing out behind the opening credits) and offers up a delicious resolution and comeuppance.

Seven out of 10.

In some ways, this is H.G. Lewis's "Citizen Kane." He let himself truly express himself in this one, unrestrained by conventions of logic or continuity. It actually has more special effects than most of his movies – and less of them are gore than in most of the non-adult movies as well. The levitation scene is amazing – low budget filmmakers had been levitating people more effectively than that since Melies – but then he tops everything with the "blanket attack" sequence. Lewis must have been reading Leary, because he allows that LSD could be used for a peaceful purpose, although of course he also gives us a typical 60s "freakout" on top of it (acid can be used for good, but it has to hurt, I guess). This is a movie for a very special audience, which thankfully has found it.

Something Weird is aptly named. The story is unusual and a strange vibe is present throughout; either that or the psychedelic soundtrack. Don't expect top notch acting, but the main characters are good enough. I can't get the image of the hag's cackling laugh and her tongue sticking out. Poor Mitchell, this guy was so desperate to get his wish granted, but it shows how bitter Mitchell was with his condition. Ah, and the LSD scene was the high point for me. In that state, you would find a phone conversation as easy to handle with as quantum space mechanics.

However, I watched this and did want to see how it turned out. The ending seems abrupt and out of the blue, but it's a weird, kooky romp. Where else can you see a blanket attack?