Ces messieurs dames

Officially this movie contains three comic episodes, but in my opinion this is nonsense.

There are three dramatic episodes, the second in particular is of absolute sadness, while the third is deplorable.

People's lives are being destroyed by a heartless society that puts appearance first, regardless of the happiness of individuals.

The only thing you can do is surrender to this overwhelming force and accept your place in a society of falsehoods and masks.

I simply can't understand how a moviegoer like me missed this gem when it was first shown here - and won the Palme d'Or at the Cannes Festival. Especially being already convinced that Pietro Germi was one of the most talented directors of the Italian after war films. He made a screen adaptation of one of the greatest literary hits of the sixties, Carlo Emilio Gadda's QUER PASTICCIACCIO BRUTTO DI VIA MERULANA, a perfect combination of Italian language and Roman dialect. Concerning SIGNORE E SIGNORI, the cast is not all-stars, but extremely equal in its aspects, none is tops but none is dull either. Special rewards for the well known Franco Fabrizi, for exquisite Beba Loncar and the almost introducing Virna Lisi, who became famous for a long time. The atmosphere of this little Italian town was splendidly illustrated. I used to stay in Treviso when traveling to Venice, the City of the Doges being too expensive for me and Treviso, also nicely cut by its canaletti, was only at a half hour by train from the famous but hardly available Lagoon City. A huge Bravo! also for the remasterization, absolutely perfect. Warmly recommended to everybody who wants to have a big laugh and in the same time measure how mean some people were just half a century ago. Harry Carasso, Paris, France

The Italian Comedy of the Sixties has been internationally recognised as one of the most innovative and original cinema genres produced in that decade. This forgotten movie stands as one of the best examples of such genre. Three stories from the same bunch of middle aged guys from the North of Italy (the nice location is Treviso) are portrayed in this very enjoyable comedy. It is an almost Fellinesque movie, in the sense that it is grotesque, funny and clever at the same time. It mainly is a satire on the human relationships and the hypocrisy of people. Obviously all of this is depicted in a totally hilarious "Italian way". The actresses are simply irresistible (Virna Lisi looks awesome!), the actors very convincing, the story simply too good compared to nowadays scripts, while music, photography and direction are almost perfect. It won the Palme D'Or at the Cannes Film Festival together with "Un homme une famme". To be rediscovered. a convinced 10/10.

Who knew Treviso was the place to live, if you fancied a bit of good old-fashioned infidelity? The town is positively writhing in pudgy middle-aged gentlemen who drink excessively then routinely cheat on their wives and sweethearts. There are three inter-connected stories here that follow the licentious behaviour of these citizens. The first gent, "Gasparini" (Alberto Lionello) is married to the the somewhat imperious "Ippolita" (Olga Villi) and he has been claiming impotence to avoid fulfilling his conjugal duties. He confides this problem to his doctor "Castellan" (Gigi Ballista) only he doesn't expand upon the fact that this is a feint not only to deter his wife, but also to distract the physician from his interest in that man's wife "Noemi" (Beba Loncar). When "Castellan" goes blabbing about this to his café friends, though, he inadvertently plays into the hands of his rival and ends up with quite a bit of egg on his face. Meantime, henpecked bank clerk "Bisgato" (Gastone Moschin) is constantly being berated by his wife (Nora Ricci) for lacking in ambition and despite her frequent interventions is repeatedly told by his employers - relatives of "Ippolita" - that he's paid what he's worth. He's a bit naive, is poor old "Bisgato" for he has fallen in love with "Milena" (Virna Lisi) and the thrust of the best comedic elements of the film come from this man's determination to escape from what he sees as the martial yoke. Cheating is one thing, moving out - well that's something altogether different. Then finally, we meet the young "Alda" (Patrizia Valturri) whose arrival on the scene sets the cat amongst these elderly pigeons even more. That is until her father (Carlo Bagno) declares that she is but a minor, and that the police are going to be investigating charges of statutory rape. Now these men are going to have to scream for help - but whom can they run to, though? There's a great deal of music throughout this and for the most part it works well in helping to sustain the frenetic pace, the frantically delivered dialogue and the almost slapstick nature of these men"s behaviour, adventures and peccadilloes. Along the way, the storylines shine an humorous light on many of the stereotypical attitudes that prevailed amongst the permanently horny menfolk and amongst their equally stoic, and often quite relieved, spouses. Sex is never far from the plot, neither is jealousy nor pantomime and the dynamic between Moschin and Lisi, supported by the on-form Lionello and Ricci present us with a not so subtle evaluation of the hypocrisies of modern Italian suburban life where the Christian doctrines of marriage and respect are honoured much more in the breach than the observance. There are three distinctly separate episodes here, but by the last half hour they have all melded together into something that rarely comes up for breath, and that I quite enjoyed.

First of all, thumbs up to the restoration of this movie, which happened in 1997/98. Secondly, though, shame on the media who didn't flag this operation as it usually does when a masterpiece movie is finally restored. And this is a masterpiece.

Then, there is no real "Rezega", the small town in which this movie is set. This movie was shot in Treviso, the place were I was born and lived for 20 years, and my father can recall the shooting taking place in his youth. This because, like in every other small town in the world, nothing ever happens in Rezega/Treviso, and whatever may happen can't be made public, but should be spread by word of mouth.

All sort of things happen: marriage, betrayal, births and deaths, the fabric of every town's life. But decency is more important, and so "si fa ma non si dice" (everybody does it, nobody tells about it) is the law. Great performances from Gastone Moschin, Virna Lisi and Alberto Lionello, very good scriptwriting and magnificent direction by a true master like Pietro Germi make this a pleasure to watch, whether you want to understand provincial Italy or not. Oh, and if you do want to, this movie contains all you need to know about the dynamics that regulate the life of 80% of Italy's population, all those who live in towns of that size: I went to a movie screening a few years ago, and my acquaintances in the cinema were all related by stories similar to those in the movie (mind you, they are just in their 20s!).

Go see it, ask for it, let the world know about this great little movie!