Ofelia's wedding day is approaching and she is to be married to Eduardo. She has some pre-wedding jitters during a meeting with her lover Gustavo but decides to tie the knot anyways. On her ... Read allOfelia's wedding day is approaching and she is to be married to Eduardo. She has some pre-wedding jitters during a meeting with her lover Gustavo but decides to tie the knot anyways. On her wedding night, Gustavo shows up in their room, murders Eduardo, and proceeds to turn Ofeli... Read allOfelia's wedding day is approaching and she is to be married to Eduardo. She has some pre-wedding jitters during a meeting with her lover Gustavo but decides to tie the knot anyways. On her wedding night, Gustavo shows up in their room, murders Eduardo, and proceeds to turn Ofelia into a vampire so that they can be together forever. In the present day 1960's, a group ... Read all
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How many ways can you write off yet another foreign vampire film whose main concern seems to be how many girls in gowns, fangs and breasts it can offer during its running time? Hey, this isn't a bad thing in itself -- but nothing else of any substance is happening here, and this is an easily passable snoozer from Argentina that you can use to help you sleep, if need be. The only things saving this from being rated a total BOMB - aside from the aforementioned babes, that is - would be an artsy credits sequence at the beginning and a couple of well executed kill sequences to open one eyelid for in between naps. * out of ****
Where BLOOD OF THE VIRGINS excels is in its exploitational aspects. There's a great prologue (which reminds one of the mini-movie at the beginning of VAMPIRE CIRCUS) in which a vampire is thwarted when his prospective bride marries her cousin. The cinematography is colourful at all times, although some of those '60s fashions are definitely a bit garish. Be sure to check out the incredible nightclub sequence near the start of the film in which travelogue footage is interspersed with naked strippers dancing on a table while a guy in huge joke-shop glasses ogles them in disbelief. Definitely dated, and played for laughs anyway. Another bizarre aspect of the film is the repeated red-tinted shots of seagulls we see in place of the more traditional bats. Now, I like a change as much as the next man, and the use of seagulls is something a bit different, but why? An explanation would have been helpful!
Unfortunately, the characters are a bit dull and lifeless, the cast wooden and unmotivated. The hero in particular is one of those "tweed suit" guys with long sideburns whom you just can't help disliking. The vampiric Count is a direct Dracula rip-off and doesn't get much dialogue, being more of a silent menace like Christopher Lee in Dracula, PRINCE OF DARKNESS. The film does pick up for an action-packed finale, shown in unflinching detail with gore splashing everywhere, but this scene comes as too little to late. BLOOD OF THE VAMPIRE is a nice try, but a poor excuse for a horror film only for those really obsessive completionist horror fans.
But the film does have a certain charm. The obligatory (for a 1967 horror film that is) sex and drugs scene at the beginning of the film is good fun (love that music!). The lead female vampire is very attractive and as such is destined to be seen naked at some point in the film. The surreal use of a seagull filmed through a red filter as a cheap alternative to a bat also adds to the charm of the film.
Overall, it's a recommended film if you're a fan of vampire films and haven't yet seen the genre done Argentinian-style.
Did you know
- TriviaItalian censorship visa # 68724 delivered on 24 July 1976.
- ConnectionsFeatured in Mondo Macabro: Argentinian Exploitation (2002)
- How long is Blood of the Virgins?Powered by Alexa
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