Le pacha
- 1968
- Tous publics
- 1h 30m
Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his ... Read allSix months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...
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Despite his advancing age, the star is wholly believable as the dogged Police Commissioner (the "Pacha" of the title) - out to avenge his childhood, albeit shady, friend - who's also something of an amiable curmudgeon. The film features an elaborate daylight robbery sequence - after which one member of the gang eliminates all his associates in order to keep the loot for himself (one of them is pushed inside his car onto thin ice which naturally breaks and engulfs him)! - and is fast-paced, and short, enough to never overstay its welcome. Besides, it's given a tremendous boost by a modern percussion-heavy score by celebrated performer/songwriter Serge Gainsbourg (who even appears as himself during a recording session of the tune heard over the opening credits!).
There's also a hilarious scene in which the old-fashioned Gabin visits a hippie club - in search of a girl (Dany Carrel of MILL OF THE STONE WOMEN [1960]) who, apart from being a fling of Gabin's deceased colleague, is a link to the robbery mentioned above since she's the sister of one of the culprits (now also dead). Therefore, she and Gabin conspire to trap the man responsible for both deeds and the film ends with an indiscriminate shoot-out - punctuated by an ominous organ drone - in an abandoned warehouse (which curiously anticipates the climax of THE FRENCH CONNECTION [1971]!).
Soon the cunning Commissioner Joss already gathered many clues that seem suggesting straightway into the rough felonious self-called Quinquin (André Pousse), meanwhile he digs all around he meets a Gouvion's lover, the young and beauty Nathalie Villar (Dany Carrel) which to afford Nathalie's life style Gouvion was making blind eye here and there for small offences, a bit bruised about the unforeseen Joss draw up a bold plan to get arrest Quinquin.
The highlight of the movie quite sure are the phasing-out period on late sixties between the new wave of sexual liberalism attached into hippie phenomenon that grabbed the young generation, it's displeased deeply the old fashionable Commissioner that reproves such obnoxious odd behavior, moreover it was put on the screenplay trying display the conflict of two opposite ages, the colorful psychedelic ongoing at Europe against the old customs, so violent and exotic polar picture, directed by Georges Lautner, scored by a fine soundtrack for this period of time only.
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First watch: 2021 / How many: 1 / Source: DVD / Rating: 8.
Did you know
- TriviaThe music score performed just before the armored truck heist sequence is the same the audience can hear in the film Z, in which there is a fighting sequence between two men on a tricycle carrier platform. The name of the music is Batucada Meurtrière and performed by Michel Colombier. It has never been mentioned anywhere. Only a close watching of those two scenes can notice that.
- Quotes
Comissaire Joss, le Pacha: The day they put jerks into orbit, you won't stop rotating soon!
- ConnectionsFeatured in Les bruits de Recife (2012)
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Details
- Runtime1 hour 30 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1