Un shérif à abattre

Director Giorgio Ferroni did this one at same year as Fort Yuma Gold, I liked this one better, although I think they both are pretty lousy. But there's a nice action-scene in the beginning, which is still not much. Sadly the film is also too long 'bout 100min(75min would be better). There's actually some plot in this one, so fans of the genre(real fans only)might wanna check out, if you just find it.

As a teenager growing up in Somalia, my father brought me to see this movie (Wanted) for a treat. It was an open-air cinema, the Southern Cross was above us and as Padre Carmello gave refuge to Gary Ryan, the moon eclipsed. I was torn between looking at the screen and looking at the sky for I didn't want to miss the actions in the movie and the spectacular phenomenon of the eclipse.

I am now in my late forties and my wife purchased the video from Cinecity in Netherlands on the Internet for my birthday. I couldn't believe my luck at being able to see this great movie again.

The only difference is that this time is in English with Greek subtitles when before I watched it in Italian.

In short, Gary Ryan, the new Sheriff of Greenfield falls for a trap and finds himself locked up under false testimony by Cheryl, the woman who owns the biggest hotel in Greenfield. Eventually he finds a way out to struggle against all odds for justice

The other fascinating things about the movie are the names of the locations such as New Face Rock, Devils Cliff etc, inspired by nature.

Here are some impressive lines: "What I think doesn't mean much unfortunately, proof and testimony are the only languages that the law recognizes" by Judge Anderson of Greenfield "Unreasonably risking your neck is against Gods law" by Padre Carmello. "He could be almost anywhere looking for some place to hide, alone hunted by the law and society-Wanted" by Martin Heywood (the Professional Gambler. "Pray your last, coward" by Fred Lloyd.

Exciting story line, beautiful scenery, good camera works, especially the angles and moreover, the score is not short of Ennio Morricone. I would recommend to any Spaghetti fan.

Meanwhile was at his best phase in Spaghetti genre Giuliano Gemma wasn't concerned about the quality of those Euro western, as the specific picture a kind of routine offering over cattle rustling, a whole town on greedy hands of the powerful man oppressing yours frightened neighbors cattle ranchers when their heard disappears without a trace.

In this environment appears Giuliano Gemma, even his bright presence wasn't enough to leverage this usual premise, still has a young gorgeous girl as opposite to the main star, nonetheless some colorful characters improve a little bit, as the funny Padre Carmelo show up with amusing lines, also the gambler Martin Heywood, apart that just an average Spaghetti, Gemma should be choose a better screenplay,

Thanks for reading.

Resume:

First watch: 1990 / How many: 2 / Source: VHS-Youtube / Rating: 6.

Although "Wanted" is not a classic of its genre - the spaghetti western - it does provide enough good stuff to be a perfectly good example. For starters, there is a good gritty feeling here. There is some good background scenery, for starters. A lot of the movie was obviously filmed during the winter, and the cold, mud, and visible breath of the actors gets to your bones. Actor Giuliano Gemma makes for a good hero, one that you'll hope gets to clear his name by the end. In fact, there are some tense moments that will make you wonder if indeed he'll be able to. And if you are looking for action, this spaghetti western delivers it in spades - lots of gun battles and fist fights are on display.

This is not a perfect spaghetti western. For starters, it's oddly paced. It takes over a half an hour for the protagonist to find himself in his dangerous predicament. And at one hundred minutes in length, the movie is overlong; it could have been cut by ten to fifteen minutes. But if you are a spaghetti western fan like myself, the positive attributes of the movie more than make up for its shortcomings.

In spite of what my fellow commenter states this is a fabulous Euro Western film by visionary director Giorgio Ferroni, who endows what might be an otherwise routine Oater about organized cattle rustling into a unique genre pastiche. Giuliano Gemma is well suited to the role of the lawman wrongly fingered for a crime he didn't commit seeking justice south of the border amongst the heavily made up extra actors who look about as authentic as Mexican peasants as the Little Rascals would.

What makes the film work is Ferroni's visual prowess, combining sound stage footage with location work (some of which looks like Yugoslavia or maybe France) and a profound grasp of how to use color to make visual compositions that just happen to represent a cowboy movie. This one isn't quite a "Spaghetti Western", with a plot-heavy story rather than the usual posturing and exaggerated artiness of a Leone or Corbucci film. There are very few closeups of people's shoes, and the action sequences are more or less straightforward. The movie existed on the page before being visually realized.

And for that reason I find it interesting; there is a surrealist bent going on here creating realities that are more "real" than a John Ford movie. What the movie may be lacking in terms of authenticity or visual flair is more than compensated for by a deliberate sense of composition. The movie looks like a storyboarded cartoon or graphic novel rather than a sprawling, dusty film epic, and the attention to character & set detail is refreshing. Here is a movie that fretted over the way every frame would look in a very painterly manner that will delight hardcore fans of the genre, but with restrained enough violence to recommend this for viewers of all ages. And how often can you say that about a Spaghetti Western?

7/10