J'avais 19 ans

Shot in Eastern Germany in 1968, 'Ich war neunzehn' (= German for 'I was nineteen years old') is among the better films from the former Communist part of Europe.

Set in the last days of Adolf Hitler, 'Ich war neunzehn' deals with Stalin's Red Army invading Germany from the East. To avoid the countless atrocities committed by both sides in the most savage war in history of mankind, the East German filmmakers choose to show events through the eyes of a nineteen year old boy. A logical choice: this introduces innocence, as well as hope for the future.

The rest of this enjoyable film is propaganda, sold in a friendly and human way. The Red Army is presented as liberating the German common people from Hitler's rule. Its victorious soldiers show themselves eager to make friends with them.

In reality, after three terrible years of German occupation in the Soviet Union, Stalin's soldiers applied a fearful revenge when invading Germany. A revenge encouraged by steady Communist propaganda. It resulted in many crimes, such as the free rape of German women. You will understand that 'Ich war neunzehn' ignores this.

Director Wolf has a small masterpiece in this film, which is about the exploration of a young German-born Russian soldier's attempt to find his roots during the final days of World War II as the Russian Army advances on Berlin. This is also an unsweetened account of the chaos of war. Many suspenseful moments and never boring. Gregor, the nineteen-year-old of the title reveals himself throughout as the confused, self-conscious, prideful and sometimes ruthless young man that he is, not unlike any young man of 19 caught up in wartime situations. Highly recommended. Another look but an unusual one at the war that marked the 20th Century.

This movie is superb!

If you enjoy Wes Anderson, then watch this film! It's very similar in characters, cinematography, costuming and actor blocking.

What a powerful message to the German people at the same time. This piece of art calls out their hatred and is quite blunt about it.

No spoilers, but I love that the lead Russian soldier is German. It adds a sense of rebellion to his actions.

It's refreshing and fun to watch. Again, I highly recommend this to Wes Anderson fans. The cinematography is fantastic! Great long shots, close ups and framed scenes.

A film definitely worth finding and owning. :)

I actually wanted to give this film a "7" or "8"; yet there are some terrible problems with the entire premise of it. The story comes from the memoirs of a former Soviet soldier whom the protagonist is based upon. Filmed in the German Democratic Republic (East Germany) it portrays a person with his background (born German though raised in Russia) as being somewhat unusual (which it was and still is) but nonetheless a "good" or "noble" person.

In the 1930s the communist party was at it's zenith in popularity in the United States. In that day and age it was not uncommon to meet a communist, in the United States, who did not have an accent (Jack Reed of "Reds" fame was not the only such person in the United States). This is understandable due to the horrific Great Depression. However, Communists or Socialist Workers were still a minority party in our country. A few of them "progressed" from being members of a minority party to being total lunatics and actually migrated to the Soviet Union to live and work. During the Stalin purges of the late 1930s many of them were seen running to the U.S. embassy, being chased by KGB agents, and waving their (by then) useless passports trying to find asylum with their embassy of their former country. Usually they were gunned down before they reached the embassy. A movie dealing with similar emigrants to Russia after WWII is "East/West".

Anyway, the protagonist of this film is the son of similar wackos who lived in Germany prior to emigrating to the USSR. Most Germans at that time who fled the Third Reich (such as Albert Einstein) went to the west; NOT to Russia. One really has to question the motivation of the author's parents and the burden they saddled him with (having to live in a totalitarian regime for a long time afterwards). Anyway, this kid essentially became a "freak" by being a Soviet citizen born in Germany. His parents were obvious wackos and/or weirdos.

Still, I will have to admit that as bad as the Soviets were they palled in comparison with the Third Reich. That, unfortunately, is the truth. And, it shows just how terrible that regime was. Interesting film; showing the conflict of a pretty bad system (USSR) with an utterly terrible one (war time Germany). The film shows, as other reviewers have noted, the hope for a reconciliation between post war Germany and Russia. Fair enough, except the reconciliation was to include a socialist German (ALL of Germany; not just East Germany). Fortunately, like the battle of Spandau Fortress in the film, that never happened.

I rented this film because of an interest in German culture and history. I lived there for a while, and have a (former East-) German wife and relatives. My wife, who was 11 in 1945 when this film takes place, says that it was much worse then than the movie shows, particularly with regard to the utter devastation, starvation, and behavior of the Russian soldiers. Few women between ages of 13 and 50 escaped being raped, and most boys of her age and a bit older were taken away and never seen again. After reunification, the mass graves of many of them, killed by Russians, have been found. Her father, who was never a soldier or Nazi, was shipped off to slave labor in Kazakhstan for about ten years. In the movie, it is implied that the surrendering German soldiers were rewarded with extra food, and then sent home. Get real.

The intent of the movie, made in the GDR at a time when they were barraged with propaganda trying to make them believe that Russians were their friends, is obvious.

Nevertheless, I did enjoy watching it, because even propaganda can be interesting for what it is. (Example: Triumph of the Will, which is infinitely better than this movie). The events involving the surrender of Spandau prison to the 19 year old Russian "commandant", which may have been based on fact and the director's own experience, were of particular interest, and well dramatized.