La vengeance du Scorpion d'or

From the versatile (albeit rather monotonous) mind of Edgar Wallace comes another reasonably effective Krimi that incomprehensibly isn't called "The Laughing Corpse". I think we can all agree this would make a much better title than the dull and irrelevant titles "The Zombie Walks" or "The Hand of Power". The best sequence is the opening, when during the funeral of the wealthy but eccentric Sir Oliver the pallbearers drop the casket because diabolical laughter suddenly comes from inside of it. When soon after the heirs of Sir Oliver are getting killed, the remaining family members are convinced he returned as a vengeful zombie.

The usual Krimi-ingredients are there, like far too many characters that are all suspects, and the only way to prove their innocence is by dying at the hand of the real killer. Scotland Yard hero Joachim Fuchsberger is present again, but to my knowledge this is the first and only Krimi without the annoying Eddi Arent as the comic relief. Instead, the charismatic Hubert Von Meyerinck provides the redundant comical interludes. Oh, there's also a guy with a green face, but everybody seems to think this is totally normal. It must be said the killer looks awesome! He wears a creepy skull mask, in combination with long hair, a black cloak and hat, and uses scorpion's venom to murder his victim. Where can I pick up his outfit to celebrate Halloween?

You can say what you want about crime writer Edgar Wallace, but one thing you can never fault is his imagination - and here, once again, director Alfred Vohrer has created a brilliantly entertaining film from one of Wallace's over the top novels. This film features all the things that make the Krimi genre great; from the refined atmosphere all the way down to the bizarre plot line. The film's most striking element is undoubtedly the murderer, who wears a skeleton costume and a bowler hat; echoing the lead character in Umberto Lenzi's cool comic book crime flick Kriminal. The plot focuses on the death of a man named Sir Oliver. There is a disruption at his funeral when there are reports of the corpse laughing; and soon after his brother Sir Cecil (apparently quite a noble family) begins to believe that Sir Oliver has come back from the dead and it's not long before several people are being picked off by a skeleton costume-wearing killer with a bizarre murder weapon! Naturally, Scotland Yard looks into the deaths...

The thing I like most about this genre is the style, and director Alfred Vohrer has once again ensured that his film is memorable. The atmosphere on display in this film is simply stunning; the vibrant colour scheme is striking while the lighting is very well used. The plotting, as ever, is slightly confusing; although there is not as many subplots in this film as there have been in other Edgar Wallace outings. The killer is a real masterpiece creation; the suit does look slightly silly, but the way that the killer silently creeps around and the way that the mouth moves on the costume are really great. The murder weapon is another original idea; instead of using a gun or a knife like other murderers, this one uses a ring with a scorpion's tail that delivers the victim with a dose of deadly (and undetectable!) poison. The film plods along nicely for most of its running time and we eventually boil down to the ending; which is completely confusing to say the least. Still, while this is not the best of the genre; it's still a very effective little film and I'm sure Krimi fans will enjoy it!

This is pretty poor. I started well and being in colour and made in 1968 had high-ish hopes. The thing here is that there were just too many people involved and the tale far too ridiculous and uninteresting. It needs more than a few colourful sets and humour. Actually the humorous element was okay but then the seriousness of the tangled tale then becomes undermined and more difficult to watch. The only reason this gets any points at all from me is the 'zombie'. An absolute object lesson to all low budget film makers. A black cloak, a wide brimmed hat and a skull face mask with beautifully working jaw and great lighting. It is increasingly such a joy when the killer 'zombie' arrives to relieve us from our boredom that we are immediately on the wrong side.

As far as bad movies goes, this one is a gem. Everything, from the killer's skull mask to the cheesy melodrama effects, makes it extremely funny. One extraordinary line shows a mechanism triggering the door to a secret passage opened by. a penny bank! Some wacko characters shows the filmmakers didn't take themselves very seriously. The final explanation doesn't explain anything. But this is a murder mystery far over the edge, on the tradition of "Doctor X".

At the burial of Sir Oliver, witnesses hear a terrible laughter, and quickly the rumour spreads that Sir Oliver returned from the dead - as a walking skeleton. His brother Cecil (Wolfgang Kieling) soon suffers from persecution mania, because everybody he knows seems to be the target of an (attempted or successful) assassination. Inspector Higgins (Joachim Fuchsberger) has no clue why, but reporter Peggy Ward (Siw Mattson) pushes the investigation a bit with her reckless curiosity.

The cast also includes Hubert von Meyerinck as Sir Arthur, clearly trying to make a difference from his predecessor Schürenberg with little human touches such as his musical interests, Pinkas Braun in a typical twisted role as a man who could be a bad guy as well as a good guy, and Lil Lindfors who gets to sing a great song whose lines ("I wanna feel my heart beat") seem quite ironic if you consider it's all about a "zombie". The undead may look a bit silly on still photos, but believe me, it's scary enough in the film. It inspired the title character of the comedy "Der Wixxer" (2004). Something that didn't work was the make-up for Ramiro: he looks green like a Martian, not olive like a Creole. Nonetheless, tremendous entertainment!