Trois cavaliers pour fort Yuma

I sensed that "Fort Yuma Gold" might have a few problems from the opening credits, since SEVEN screenwriters are credited. But I stuck with it to the end, and while this is definitely not the worst spaghetti western I've seen, it is definitely unsatisfying. There are a few good things here and there - the production values are acceptable, there is some nice scenery, there is a very good bar room brawl sequence, and the full name of the lone female character is worth a few chuckles. But for the most part, the movie feels kind of flat. Giuliano Gemma's character often feels like a secondary character instead of a heroic lead. The action apart from that bar room brawl sequence come across as ordinary and not exciting. But I think the biggest problem is that the movie, while not boring, feels really slow and lacking grit or some other effective atmosphere. Too bad, because you can see signs this could have been a knockout spaghetti western had it had more careful direction and writing. It's not awful as it is, but it is definitely disappointing.

An action-packed but unremarkable Spaghetti Western with a Civil War backdrop: it starts off with a confrontation over miserable prison service in the mould of SPARTACUS (1960), features a particularly animated bar-room brawl, and the climax takes place inside an abandoned mine. Lead Giuliano Gemma is in his element, but the villains are comic-book types - and the heroine, though spirited, is monotonous and an absolutely resistible chanteuse! The score is credited to Ennio Morricone and Gianni Ferrio: apparently, the producers borrowed some previously-composed music by the former to justify the use of his name - but he later took them to court over it!!

In this spaghetti western from director Calvin J. Padget (real name Giorgio Ferroni), Montgomery Wood (real name Giuliano Gemma) stars as Confederate officer Gary Hammond, imprisoned shortly after the end of the Civil War. The Union general in charge of the prison asks Hammond to go on a mission to stop a renegade Confederate general and his band of outlaws from robbed the gold deposits at Fort Yuma. Hammond agrees, but soon discovers that there's more to the story than he was led to believe. Also featuring Sophie Daumier as a character named "Connie Breastfull".

The movie has six credited screenwriters, which was not uncommon on Italian films at the time, but it may explain the overstuffed and piecemeal feel of the story. Wood/Gemma is boring as the hero, but Dan Vadis makes for a good villain, and Sophia Daumier is good as the showgirl love interest. There's a little bit of Ennio Morricone music on the score.

Here's a very entertaining film: Unusual (for an SW) story-line, not a revenge, but a "savior" story, loads of familiar faces, good and vehement action, solid acting. The sets are nice, the girl's named "Breastfull" - go and see this one.

Giuliano Gemma is a Confederate raider freed from a Yankee prison in order to avoid an unnecessary slaughter in Fort Yuma, and he will have the help of a beautiful dancer and a good old man in his dangerous mission. It is not an innovative movie, for sure, as many of the usual clichés are there in this highly conventional spaghetti Western (in reality, it is a co-production Italy-France-Spain) without deepening the characters: saloon brawl, piano-playing, shoot-out inside the mine, torture under the sun, honored Southern soldier... Though, it is an unpretentious nice Western, with good filmmaking, good soundtrack, good action, and even good (although not special) acting. Far from achieving the high quality of Leone's movies, this spaghetti Western with a similar name is still above average, anyway.