Heißer Sommer

I finally decided to watch this movie because I am highly interested in East German cinema (by DEFA). Most of the GDR's best-known movies are usually set during WWII or its after effects with heavy communist leanings. I have not had time to watch several "Red Westerns" that I own, but dramas such as "Jacob the Liar" and "Naked Among Wolves" were quite masterfully done, so I was eager to watch something different from the good ol' East German studio.

"Hot Summer" just seemed so strange: a teenage musical coming from a Communist country, one not completely known for being "fun" in any way, and I was surprised with this movie. Of what I have read (no, I haven't seen the documentary noted in other reviews), the lead actors in this movie had made several of these "beach musicals," all of which were popular, but banned from distribution by the state. I guess the authorities finally decided to produce a musical, and the restrictions are noticeable within the movie (the "law" student needed to remind the other teens about what is illegal, the co-ops reigning supreme, the equality between women and men with NO outward sex or strong forms of affection).

The movie has to do with a group of boys and girls going to the Baltic for summer break (not quite the Cote d'Azur!). Musical numbers fill and add to the narrative, which includes the story of a boy-crazy girl (Britt) who is being fought over by two of the boys. Other potential relationships are played-down or missing (after all, you need to be controlled, mentally and physically in such a country, so one can only present so much as not to be totally censored for going across the ideologic line).

The movie is set amongst agricultural cooperative and fishing community, of course. The music is quite good (the album was a huge seller in the GDR). The choreography was also excellent. The problem arises from the disjointed story, which is not quite timed right or told clearly (there is barely any real story). I had to replay several parts to understand what was happening. For example, the movie quickly changes from a song and dance musical about boys versus girls to a heavy drama. The mood changes so quickly, I didn't have a chance to truly enjoy the preceding number. After the movie ends, I realized that I wanted more, but, alas, I am watching it through Western eyes, and I have to remind myself it was made in East Germany.

Overall, the movie is more of a novelty, one from the era of a heavy handed government who attempted to make a movie that was far from reality, but maintaining ideological standards. After all, the GDR was not a wonderful utopia. Movies needed to conform to ideology, and individual auteur identity is greatly squelched here. The actors and actresses are quite attractive, but the audience needed those types (much like the USSR needed socialist realist figures), in order to show that "we aren't all that bad!" Historically, it is a fascinating movie!

To me, the best number is the song that really puts down Britt, after she is found to be playing the boys for suckers all along.

One mention: It is unfair to compare this movie to "Grease," and the Avalon/Funicello movies were way to comical and slapstick. This is a different movie, that owes a lot to those types of movies, though. Don't be suckered by the cover.

Not a horrible movie, by far, but not one of the greats from the GDR. The problems are mainly because of censorship and agenda, which restricted personal input and freedom of expression. It is for students of cinema and, perhaps, theatre people looking for ideas through the movie's great music and dance numbers, but not for this casual viewer. The casual viewer would probably want their life back.

6 of 10 for story; 9 of 10 for music and choreography.--------- E.

Imagine Frankie and Annette taking a vacation with nine guys and 10 girls. Now imagine them as Communist youth, spreading the joys of collectivism and the freedom to have sex with whomever they please! Unbelievably catchy songs, surreal choreography (including dancing haystacks), and a kitschy script make this a must-see for anyone who loves tractor musicals.

This is undoubtedly the worst movie I've ever seen. I can't get it through my brain how a director could seriously produce such rubbish. The film has no plot, there is no character development, the choreography is nothing better than third-grade mimicking, the throw-away music is absolutely atrocious and, well, whatever else needs to be considered when judging the quality of a film, is without a doubt terrible here too.

I wonder how the director was able to sleep to night.

I first became aware of this movie from the excerpts presented in "East Side Story", a documentary about Eastern Block musicals. As an American

who's interested in East German pop culture, I found "Heißer Sommer" quite enjoyable -- the scenes set in Leipzig and Berlin showed the 1960's socialist architecture (mostly crumbling or demolished now) in new condition, and the Baltic scenes contrasted that with the traditional German architecture. Plus, there's Trabants galore throughout the picture, if you're a fan of that classic East German automobile. And the songs (particularly during the campfire scene) were actually quite good.

"Hot summer" will appeal to those who are fans of retro "Frankie and Annette" movies. The East Germans made a valliant attempt to create a "go go" sixties movie. The singing and dancing was lead by East German heart throbs: Frank Schoebel and Chris Doerk. Their voices were amazing and the choreography was comparable to Hollywood standards. Furthermore, it is a curiosity to see how the East Germans "party". Although the plot is weak and corny, "Hot Summer" is a feel-good movie full of 60's nostalgia. The songs are fun and the guys and girls are cool.