Arthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.Arthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.Arthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.
- Nominated for 1 BAFTA Award
- 2 nominations total
Featured reviews
"Half a Sixpence" was a product of the age of big budget musicals that began with the success of "The Sound of Music" and died when such clunkers as "Mame" and "Man of La Mancha" appeared. As such, the film both benefited and suffered. The benefits were a generous budget that is apparent on screen in the period costumes and sets, the lush photography of the English countryside, and the large cast. Just renting all the antique cars as background for one short scene must have cost a fortune. However, the film also suffered as it was lost in the glut of these big budget musicals, which were often mediocre, and its star, Tommy Steele, did not have the name or the charisma to carry it alone as the cast is largely unknown. The film also suffered from the obligatory over-length and intermission, which were required at the time in order to justify reserved seat engagements for these "event" films. The movie has been seldom seen, at least in the U.S., which is unfortunate because "Half a Sixpence" is a lively family film with a tuneful score, energetic choreography, and an engaging cast. Also, director George Sidney is a veteran of MGM musicals, and he knows how to stage a number. True, the story of how boorish, snotty, and unhappy the rich are, while the poor are fun loving, generous, and content with their lot, has been done to death (see "Titanic"). However, the film's assets lie where a musical's assets should be: in the songs, the dancing, and the performers. On those counts, the film is a winner.
Here is a funny BIG frilly musical that is also a good comedy. Imagine someone moaning that it is too big, or even dreary! What a silly thing to feel when there is many musical scenes and easy comedy with which to have a great time. HALF A SIXPENCE is a British hybrid of TWO WEEKS WITH LOVE and HELLO DOLLY and belongs in that cinematic hat box of visual candy delights. If my mixed metaphors make sense (to those who know grammar...and grammar jokes). There is lovely film is all respects. It is raucous and silly and loaded with enough art direction and 'whalloping' stereo musical numbers to please even (Darling) Lili or even Leslie Caron at champagne best. HALF A SIXPENCE is actually a Teen musical but set in Victorian England. The dance numbers are just plain great, and humorous MGM veteran musical director George Sidney has delivered yet again. The music and tunes are memorable and if you see this film with educated kids, they get it and the experience is is a genuine family delight. A 'zac' in Oz vernacular is a sixpence...and there is more value than that in this DVD box of musical chocolates. Just enjoy it. Like those films also mentioned above. It has to be better than seeing Adam Sandler urinating on a door in BIG DADDY, the s-bend of 'family' movies for this clever new century.
10jg26
A fabulous musical which I first saw at the age of 11 (back in 1967). In fact I saw this film at least 5 times back then. As a young lad I was also very struck by the appearance of Julia Foster, she was, my first heart throb! (along with Hayley Mills).
This film has great songs, great acting (if a little over the top by Mr Steele, great sets and locations, and great colour. It's very well directed to boot! A must see for all musical lovers and admirers of Miss Foster!
A uniquely English film. Terrific!
This film has great songs, great acting (if a little over the top by Mr Steele, great sets and locations, and great colour. It's very well directed to boot! A must see for all musical lovers and admirers of Miss Foster!
A uniquely English film. Terrific!
HALF A SIXPENCE on the London stage was good. When it came to Broadway,
trimmed and faster paced, it was better. The film, therefore, was keenly
anticipated by anyone, myself included, who loved one or both versions
of the play. What a disappointment. Bloated and overlong with new and
inferior orchestrations and arraingments, the film loses all the charm
that made the musical so delightful. Filters are used for no purpose (a
la Josh Logan with SOUTH PACIFIC), lyrics are dumbed down to inanity,
cameras are moved in and out for no reason and dance numbers are
unimaginative and fall flat! The only saving grace of this mess is the
delightful Tommy Steele who starred on stage and brings his charm and
charisma to the big screen. Without him, HALF A SIXPENCE would be a
disaster; with him it is simply a dreary mis-fire at the end of the
golden age of musical films.....
trimmed and faster paced, it was better. The film, therefore, was keenly
anticipated by anyone, myself included, who loved one or both versions
of the play. What a disappointment. Bloated and overlong with new and
inferior orchestrations and arraingments, the film loses all the charm
that made the musical so delightful. Filters are used for no purpose (a
la Josh Logan with SOUTH PACIFIC), lyrics are dumbed down to inanity,
cameras are moved in and out for no reason and dance numbers are
unimaginative and fall flat! The only saving grace of this mess is the
delightful Tommy Steele who starred on stage and brings his charm and
charisma to the big screen. Without him, HALF A SIXPENCE would be a
disaster; with him it is simply a dreary mis-fire at the end of the
golden age of musical films.....
I remember seeing this movie alot when I was little. They used to show on Tv here in NY in the late 60s and early 70s. I think the first time I first saw it was like in 67 or 68 I was like 5 or 6. The music is great most of the numbers are uplifting and Tommy Steel delivers them wondefully and so does the rest of the cast, especially the the ones with all the dancing like when they sing Money to Burn and Flash Bang Whallop. The one thing I didn't like about this movie was it had a great storyline that should of been developed stronger. The whole thing about the love between Artie and Ann and how it was almost destroyed because of new found wealth and the way it changed him and caused a rift between them and also between him and the boys he worked with could of been emphasized a little stronger. Other than that this movie is a gem, a wonderful, romping musical that you can watch with your whole family because theres's no excessive violence, sex or crude humor o
Did you know
- TriviaAfter the critical and commercial failure of the film, director George Sidney retired from directing at the age of only 51.
- GoofsIn the song, "Money to Burn", where Kipps (Tommy Steele) is playing the banjo, it's obvious that he's simply playing along to an audio track. But the sound begins several times before he does the strumming to make it happen. This should have been watched/caught in the editing process.
- Quotes
Harry Chitterlow: Don't forget old Harry. For £100, I'll let you have a quarter share of my new play.
Arthur Kipps: A quarter share? I'll take half!
Harry Chitterlow: Spoken like a gent!
- ConnectionsFeatured in The 100 Greatest Musicals (2003)
- How long is Half a Sixpence?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Tatsız Miras
- Filming locations
- Aylesford, Kent, England, UK(village where Kipps grows up)
- Production company
- See more company credits at IMDbPro
- Runtime
- 2h 23m(143 min)
- Aspect ratio
- 2.35 : 1
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