Le dard mortel

When I rented this movie I was expecting it to contain more "horror scenes", but was pleasantly surprised that it was more of a mystery with some mild sequences.

The Deadly Bees has a decent plot and the music fits in very well. This is certainly not a film that is seen or heard about very much in the United States. However, the directing, cast, and sets are all upper rank.

Suzanna Leigh's performance is quite good along with the other cast members. Some of the bee scenes are a bit awkward, but overall the movie was well done and worth renting.

Deadly Bees, The (1967)

** (out of 4)

Robert Bloch wrote the screenplay to this film, which has a pop singer (Suzanna Leigh) going to get rest at a country home only to arrive as an outbreak of bee attacks start to happen. It appears that these aren't just any bees but instead specially trained by a psychotic beekeeper. Bloch is of course best known for his novel, which turned into Hitchcock's Psycho but he certainly missed the boat here. There's a big mystery wrapped around the film as to who is the beekeeper but it's very obviously from the opening ten minutes. I'm not sure if the screenplay was just bad or if Francis didn't like Block and decided to give away the secret early on. Either way, there's really not too much going for this film as the performances are all rather bland and that includes the lead Leigh. Not for a second did I buy her as a pop singer and the opening music is just torture on the ears. The screenplay introduces several characters and subplots but none of them every come out to anything. This Amicus production does benefit from some rather gruesome death scenes but the special effects don't hold up too well today.

This really isn't that bad a movie. I quite enjoyed it, but then I generally do with this kind of film. Suzanna Leigh may not be much of a singer, or an actress come to think of it, but she is beautiful and rescues this film from being a COMPLETE waste of ninety minutes.

There are some genuinely horrific moments, particularly the unpleasant death of the farmer's wife. But who is the deadly bee keeper? You'll probably figure it out within the first ten minutes, but try and play along at home anyway.

"Psycho" author Bloch co-writes and the renowned director / cinematographer Francis directs this entry into killer bee cinema that predates the 1978 flicks "The Swarm" and "The Bees" by almost a dozen years. It may work for viewers if they approach it as a camp film but the truth is, it's too silly to be all that successful. The bee attack scenes really aren't bad (the actors certainly sell the hell out of the material), but they'd be better if the (not so) special effects weren't so hilariously unconvincing. The story, based on a novel by Gerald Heard, deals with a pop singer named Vicki Robbins (Suzanna Leigh), who suffers a mental breakdown and is sent to the idyllic, rustic community of Seagull Island for much needed R & R. Unfortunately, things there are going to get ugly as rival bee keepers engage in cutthroat competition. Bees are being sent to do some serious damage to various unlucky human victims. All in all, this viewer would consider this a lesser effort for Amicus Studios. The company always fared best with their omnibus features; their single story features were never quite as strong. Still, this is all fairly watchable regardless; sincere performances really help a lot. The pretty Leigh is engaging as a resourceful lead, but the show really belongs to Frank Finlay and Guy Doleman as the warring farmers, H.W. Manfred and Ralph Hargrove respectively. A fine supporting cast includes Catherine Finn as Hargroves' neglected wife, Hammer and Amicus regular Michael Ripper in a solid turn as part time barman and part time lawman David Hawkins, James Cossins as an investigating coroner, and the appealing Katy Wild as the helpful Doris Hawkins. There's also the chance to see a musical performance by rock group The Birds (not to be confused with American group The Byrds), featuring a young Ron Wood. The movie further benefits from a good score composed by Wilfred Josephs and a reasonably rousing and fiery finish. While it isn't particularly good, it isn't all that bad, delivering some fun moments and coming in at a short enough 84 minute running time. Five out of 10.

It's generally considered that production company Amicus were capable of making some top-notch anthologies, but when they concentrated on single-story horror yarns the results were often - not always, but more often than not - disappointing. THE DEADLY BEES may be notable as the first of the (thankfully irregular) "killer bee" movies but on all accounts it's a crushing bore. A dry script (from the usually reliable Robert Bloch, at that), insanely boring direction from Freddie Francis (this coming from a fan of his usually despised film LEGEND OF THE WEREWOLF) and a total lack of action and thrills on all accounts drag this one down from the start and only people with really high tolerance levels or an affection for British cinema from the period will find this watchable.

The cast of characters is an unappealing one and none of the actors or actresses come away looking good in their roles. The identity of the bee-murderer is insanely obvious right from their very introduction and only a very young child would have trouble spotting which of the two bee-keepers is the secret killer. Come on Bloch, Marriott, et al: surely you can do better than this child's play!? The bee-attack sequences are lacking in technical skill, poorly-superimposed over the action and so detracting from any realism the film strives to create. The music is over the top and works against the film and the only good thing you can say is that the shots are composed well and the cinematography is solid.

Suzanna Leigh is quite a respected actress from the period but you wouldn't guess it from this turn, which is undoubtedly her worst performance ever. Looking constipated when she strives to look scared and reduced to running around in her underwear at other times, she's totally lacking in believability and is more often than not laughable - a far cry from the fragile beauty she played in LUST FOR A VAMPIRE. Guy Doleman is a wooden jerk and Frank Finlay hams it up so much you'd think he previously worked as a butcher. While it's nice to see some familiar horror faces lower down in the cast - Michael Ripper, typecast again as BOTH a barman and a policeman and former Frankenstein's Monster Michael Gwynn as a doctor, they're uniformly wasted. No wonder this lacklustre film is so often forgotten when in discussion of British horror.