Yongary, monstre des abysses

Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.

Allegedly, there is no more Korean print of this film and what circulates today is an American television print. This means we are stuck with the American dialogue rather than the original, and the editing may be quite different. Thus, we are watching (and critiquing) a film not as it was ever intended to be seen.

While much of what remains is amusing, it does tend to get boring. With Godzilla it never gets old, but with Yongary we can only see him smashing things for so long before it seems like the same old thing over and over. What other tricks do we have? None?

Yongary comes out of the sea and destroys Seoul.

Some of you who have looked at this masterpiece of Korean cinema may claim that this is nothing but Godzilla with a name change and set in Korea. True, Yongary comes out of the sea, is played by a guy in a rubber iguana suit and has atomic-fire breath. He stomps down various medium high-rises in Seoul while the populace flees, each carrying the item most precious to them (no babies, but one man seems to be carrying a bowling ball). However, he has a horn on the end of his nose, like a rhinoceros, so nothing at all like Godzilla.

In addition, this monster isn't defeated by chance. There's a small boy who has invented an itching ray, you see, and has the knowledge to operate the controls of a oil-storage facility.

I look forward to the many sequels in which Yongary becomes the boy's best friend. A kid like that must attract bullies, and when someone is yanking up your underwear, there's nothing like an atomic-fire-breathing giant lizard to help you out.

1967's "Yongary Monster from the Deep" ("Taekoesu Yonggary" or The Great Monster Yongary) served as South Korea's entry in the kaiju sweepstakes, using technicians from Japan's Toei Studios to help on special effects. With the year's competition being Toho's "King Kong Escapes," Shochiku's "The X From Outer Space," and Nikkatsu's "Monster from a Prehistoric Planet" (plus one apiece from Godzilla and Gamera), it would be no surprise that poor Yongary doesn't earn the kind of recognition he otherwise might have, if only because of his status as a Korean rarity. Scriptwise it greatly resembles a Gamera film, with 8 year old Icho the brat so annoying even his big sister isn't safe from his latest prank, an itch-causing flashlight shining on her newlywed vehicle to force the couple into a scratching fit in the middle of the road. Hubby just happens to be Korea's only viable astronaut, called away from an obviously uncomfortable honeymoon to venture beyond mere head space, discovering an earthquake that awakens a legendary monster known as Yongary, emerging at the half hour mark to begin stomping buildings and such. Amazingly, military leaders and politicians never leave headquarters as they argue the merits of their futile efforts, leaving little Icho to do all the heavy lifting like spotting Yongary's feasting on gasoline and energy reserves. Naturally, the boy's brother is a brilliant scientist who deduces that the right combination of ammonia dropped on the unlucky Yongary will assuredly prove fatal, but not until after he shares a tango in the night with Icho to a guitar instrumental. Yongary shoots flames from an open mouth like Gamera (the nozzle clearly visible) but in all other respects looks and acts like Godzilla, smaller spikes down his back, a long tail, and a horn on his nose. We go from smashing up a battered metropolis to boozing on gas at an oil refinery before ending at a lonely stream where the final dropoff puts the quivering beast to bed permanently, his blood flowing into the water a disquieting touch. Derided for years as a cheap knockoff, it was obviously a risky undertaking for director Kim Ki-Duk, special effects completed in three months to huge box office returns in Korea alone, picked up for a small screen dub by AIP-TV to become the nation's best remembered monster picture.

Yongary is a terrific Monster with fantastic powers(albeit a little too much like Godzilla). Particularly I like his horn which shoots laser beams.

However the film itself drags on incessantly, stars an annoying little kid in short shorts and has less than spectacular special effects. Particularly bad is when the flame-shooting device used for Yongary to breathe fire is so obviously visible on screen. Also the eventual outcome for Yongary may be too much for some children.

Yonggary (1967) is much like Gamera, a cash crop film, aping off the success of other pilfered monsters, better ones. The film opens with what I thought was a rather nice shot of space with rolling credits, followed by a fine cast of mediocre actors and a young boy in shorts, the evil omen for any giant monster movie fan of terrible things to come. The story and plot run through very worn out terrain, mysterious happenings somewhere, a loving couple, monster attack, and discovery of weapon to kill the monster. The film was geared to children, as most kaiju films of this time (late 60s), one would expect this in itself would diagnose Yonggary as terminally unwatchable, but the kid aspect is what to me kept it entertaining, Yonggary dancing, drinking, etc. were all bizarre enouph to keep a smile, bad editing also played it part. As for the action sequences, Yonggary's arrival and first rampage was well done, not very convincing mind you, but thats never really the point in these films, to look interesting and incite nostalgic inner child hollaring.

Yonggary is by far one of the most forgettable Kaiju monsters to grace East Asian screens, his physical appearance is right down the middle neutral to anything that may catch attention; his skin color bland, his design simple and uninspired and his range of emotion nonexistent. However , despite all of this, I had fun watching it, unlike Gappa, pretension toward seriousness is out the window, thus making the inevitable moral lesson and speech at the end all the more bearable.

One of the better, lesser kaiju films. 6/10