Bernard meets Jane at a club. Finding a blackmailer's body near her, they flee from police and a dwarf's gang. Jane's father died mysteriously, linked to her stepmother's photo. They seek he... Read allBernard meets Jane at a club. Finding a blackmailer's body near her, they flee from police and a dwarf's gang. Jane's father died mysteriously, linked to her stepmother's photo. They seek her brother Jerome's help.Bernard meets Jane at a club. Finding a blackmailer's body near her, they flee from police and a dwarf's gang. Jane's father died mysteriously, linked to her stepmother's photo. They seek her brother Jerome's help.
- Awards
- 1 nomination total
Jean-Louis Trintignant
- Bernard
- (as Jean Louis Trintignant)
Skip Martin
- Dwarf
- (uncredited)
David Prowse
- Jelly-Roll's Partner
- (uncredited)
Janet Street-Porter
- Salon Receptionist
- (uncredited)
Featured reviews
Just saw this tonight uncut on the big screen here in Hollywood. Visually very nice. But not really a giallo, I don't know why people keep calling it that. There is a murder which basically occurs off-screen and has almost nothing to do with the "story." Virtually no violence, some eyebrow-raising sex, obviously inspired by Antonioni, et al. Little story, lots of avant garde/graphic style, references to Pop-Art/Lichtenstein, comics, "Blow-Up" and other movies/the Viet Nam War/other issues of the day. Nice visuals/editing/soundtrack (which was remarkably clear in the print I just saw, supposedly soon to be out on DVD). At times notably innovative and fresh. A bit of a surprise ending. Wandering narrative, quick cuts, lots of color and gritty flair. Swinging London backdrop. In b/w and color.
Also frantic, rambling and hyper-stylized. Tinto Brass is like a kid in a candy story in this movie, trying out every little trick in the book he can think of (split screen, black & white / color, fast cuts, fast motion, comic book inserts, etc.). Ewa Aulin is wonderful (an alternate title of the movie, I Am What I Am, sums her up perfectly), and there is also some terrific London location shooting. Plot-wise it doesn't make much sense, but I don't think it was supposed to; it is more about capturing a spur-of-the-moment spontaneity, and at that it succeeds. **1/2 out of 4.
This film is a dull "dejà vu" (Antonioni & Co.): better the originals.
Anything new but the inexpressive Ewa also in her nudity...!
Trintignant is there: maybe ?!.
I don't know why and for what reasons...And he seems too.
The fee was so interesting ?
Not to mention the chasing of Bernard by the bad guys and the ending of the story, both laughable...
The result is that the leading actor and the most attractive is the "Swinging London" and its people: better than nothing !
I recommend you not to waste your time as I did yesterday. Tinto Brass has to go softly "erotic" as usual, the way he was and still is (in his 90th), with Sandrelli and Grandi among the others: that's his plus.
Anything new but the inexpressive Ewa also in her nudity...!
Trintignant is there: maybe ?!.
I don't know why and for what reasons...And he seems too.
The fee was so interesting ?
Not to mention the chasing of Bernard by the bad guys and the ending of the story, both laughable...
The result is that the leading actor and the most attractive is the "Swinging London" and its people: better than nothing !
I recommend you not to waste your time as I did yesterday. Tinto Brass has to go softly "erotic" as usual, the way he was and still is (in his 90th), with Sandrelli and Grandi among the others: that's his plus.
When I see Tinto Brass, I think of Cheeky and Salon Kitty. T&A features, not traditional giallo. I am willing to be surprised.
You are going to be reminded by a current jail occupant in Orlando, Fl, who was dancing the night away after her daughter went missing. The children. Jane (Ewa Aulin) and Jerome (Charles Kohler) Burroughs, in this film are in a nightclub right after they visit their father in the morgue. Guess death can't interfere with life.
Bernard (Jean-Louis Trintignant) discovers her with his dead partner and takes her away.
They go looking for the killer. It's not as bloody as most giallo, and there is no nudity to speak of, but it is worth watching. It had an almost comic book air at times, and the music was definitely upbeat.
The cinematography was outstanding on this print and really made it worthwhile.
You are going to be reminded by a current jail occupant in Orlando, Fl, who was dancing the night away after her daughter went missing. The children. Jane (Ewa Aulin) and Jerome (Charles Kohler) Burroughs, in this film are in a nightclub right after they visit their father in the morgue. Guess death can't interfere with life.
Bernard (Jean-Louis Trintignant) discovers her with his dead partner and takes her away.
They go looking for the killer. It's not as bloody as most giallo, and there is no nudity to speak of, but it is worth watching. It had an almost comic book air at times, and the music was definitely upbeat.
The cinematography was outstanding on this print and really made it worthwhile.
This is so bad actually.... i love tinto but what a mess. i literally........dont care about anything going on in this movie even the formal experiments are like....redundant. the tarzan scene killed the movie for me tho the ending was slightly redemptive but like...hardly lmao.
Did you know
- GoofsEnglish subtitles mistranslate Earl's Court as"Burns" Court.
- ConnectionsReferences Blow-Up (1966)
- How long is I Am What I Am?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Dead stop - Le coeur aux lèvres
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 44m(104 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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