Küss mich, Monster

As terrible as it was, I enjoyed this in a perverse "oh god, I could do better than that" kinda way. The guys who looked and acted like they'd flunked the Thunderbirds casting call. The dubbing that made me grateful that chop socky cheapos weren't dubbed in Germany by unemployed bierfest toastmasters. The stock footage that made me pine for the infamous white Jag 3.4 going over the cliff again again. The flashless guns that somehow kill people they're not aimed at (Did Roy Rogers ever patent them?) And the bouffantastic hairstyles that screamed "WIIIIIIIIIIIG!!!!!" loud enough to influence Divine and Joan Collins.

Somehow, I understood what little evidence of plot there was. This can probably be put down to a childhood diet of duff mangas and creaky Godzilla movies. The idea is that they get from scene one to finale without being mangled by the badddies. Erm, that's it. My brain barely broke sweat, but my funnybone was in overdrive. I'm not going to give it a post modern ironic 10, but the 5 is praise for making me hoot with incredulous laughter at the lapses in acting ability, plot, and continuity. The soundtrack is surprisingly cool. The band in the disco seem to be performing an excellent ersatz Detroit r n b breaks medley, and the kooky jazz pieces seemed seemed perfectly apt in context.

I've seen worse.

I'm gonna keep this review short and sweet (like the movie).

KISS ME MONSTER is nothing but fun. It's campy, it's surely a product of it's time (the late 1960's Europe), and if you like Eurospy spoofs and Jess Franco, you won't really be disappointed here.

The plot is whacky, (like it's predecessor, "Two Under Cover Angels", aka "Sadist Erotica"), but this movie really isn't about the plot. What makes it fun is the sharp fast paced witty dialog between the two leads. It comes off almost like a sitcom, paced with a jab or joke almost every other line.

So, that's about all there is to it, if you like these kinds of movies, and just want something very light and campy, check it out.

Unfortunately the version of 'Kiss Me Monster' I watched was the 75 minute, badly dubbed version. I'm blaming most of the movie's inadequacies on that. I enjoyed 'Sadisterotica' as a change of pace for Jess Franco - a campy spy thriller rather than his more typical erotic nightmares on film - but this is nowhere near as good.

The 'Red Lips' detective team (Janine Reynaud and Rosanna Yanni) return, as do a few Franco regulars. The plot this time around is paper thin. Some sheet music leads the girls to an island where a missing scientist has been experimenting on people. They pose as saxophonists (!) while they investigate the mysterious goings on there, which somehow involve a secret cult. There's all the usual double crosses, plot twists, skimpy outfits, and a totally gratuitous go-go dancing sequence, but the emphasis this time around is more on humour ("humour" - it isn't the least bit amusing) rather than action. Not Franco's best effort, and certainly not a good introduction to his oeuvre. 'Vampiros Lesbos' and 'Succubus' are still the best way for newcomers to begin.

This is an appalling movie by most people's standards, but I totally loved it. A must for anyone with a weakness for camp 60s psychedelia (of the Barbarella/Modesty Blaise/Diabolik variety) this Jess Franco film regales us with the further adventures of the 'Red Lips' gals - Diana (Janine Reynaud) and Regina (Rossana Yanni) who last brightened our lives in the still-more-outrageous Sadisterotica.

Two sexy undercover agents on the trail of a mad doctor and his race of Frankenstein-style monster hunks, Reynaud and Yanni strut about in deliriously over-the-top high-fashion outfits. Bicker back and forth like Edina and Patsy in Absolutely Fabulous. Reduce any unfortunate male who crosses their path to a pool of helpless mush. Oh, and they even find time to perform a transvestite nightclub act on saxophones. Now that's what I call style!

As for the 'plot'(if there is any) I've seen this movie twice and still can't fathom it. Something about a tropical island, animatronic muscle men, whip-wielding lesbians, feathered cabaret outfits, effete and sinister scientists and a mystical secret sect who sit around in black Ku Klux Klan hoods and crimson robes and struggle (vainly, it turns out) to explain what is going on. The continuity is even more abysmal than in most of Franco's oeuvre - so much so that the girls seem to be driving a different car in every shot!

Yet as an introduction to this mad genius and his deranged and surreal style of movie-making, you could do a lot worse than Kiss Me Monster. At least in the version I saw, there's almost none of the lurid blood and sex that was standard in Franco's later work. The one truly nasty moment here is a brief-but-gruesome surgery scene. Otherwise, it's all good, clean, campy, psychedelic fun. Everyone on and offscreen seems be in a drug-induced haze. Well, it WAS the 60s after all!

I am a big Fan of Jess Franco, who is, with over 180 films as a director, quite possibly the most prolific filmmaker alive. There is no doubt that the man's impressive repertoire includes some masterpieces ("Miss Muerte", "Venus In Furs"), many highly entertaining flicks and many stinkers ("Sadomania") alike. While "Küss Mich, Monster" of 1969 is certainly not one of the highlights in Franco's career, it is yet a camp and quite fun to watch little spy-spoof that fans of Franco and amusing kitsch in general should enjoy. Even though the film has a certain macabre humor, this is easily one of the tamest films from this highly prolific exploitation director. Of course, the year is 1969, and it is obvious that the film is not gonna be the sleaze-fest that Franco's 70s and 80s productions were. While I did expect 60s sexploitation, however, the film has some kinky parts, but is overall a pretty harmless little black comedy. Janine Reynaud's bared breasts are the most nudity the viewer will get to see in this film, and the violence is also very tame for Franco standards. Yet, this does in no way lessen the film's value as a likable and amusing (if terribly silly) little comedy that should not leave its viewers bored. This is a sequel to the (supposedly better) "Rote Lippen, Sadisterotica" from the same year. It follows two sexy female spies, Diana (Janine Reynaud) and Regina (Rosanna Yanni), on their investigations, which mainly include flirtations, skimpy outfits, eccentric villains and bizarre situations. This is certainly no highlight of any sort, but camp humor and the sexy female cast make it a worthwhile time-waster. Recommended to my fellow Jess Franco fans.