Bonnie et Clyde

The picture tells the lurid criminal story of a famous couple of delinquents, detailing a mythologized biography. In the time of the Great Depression , Clyde Barrow (top-notch Warren Beatty) recently out of jail meets Bonnie Parker(gorgeous Faye Dunaway). She was stark naked, yelling at him out the window while he tried to steal her mother's car. In a matter of minutes they stole a store , fired a few shots and then stole somebody else's car. At that point they had not yet been introduced , subsequently both of whom become usual bank robbers. The antiheroes go across the American Midwest and South robbing banks and stores during the 30s , embarking in a criminal rampage . They form a criminal gang , along with accomplices as Cyde's brother named Buck (incomparable Gene Hackman) and his spouse (Estelle Parsons was Oscar winner), besides an unexperienced young (unforgettable Michael J Pollard). But they're mercilessly pursued by a revenger sheriff (Denver Pyle). "The strangest damned gang you ever heard of. They're young. They're in love. They rob banks." There has never been... You have never seen... a motion picture like this one! They're young... they're in love... and they kill people !.

This classic movie displays drama , a peculiar love story , noisy action, violence and being quite entertaining . A brilliantly directed movie , a groundbreaking film that chronicles the short lives of America's most infamous criminals. In spite of thirty years from film-making still hold well and remains interesting . In the wake of the recently released Sam Peckinpah's Wild Bunch, the flick is plenty of grisly violence including a really violent ending that was extremely polemic. Colorful and glittering cinematography by cameraman Burnett Guffey was Oscar winner, and atmospheric musical score by Charles Strouse . Excellent art direction by Dean Tavoularis and evocative costumes by Theodora Van Runkle. The motion picture was magnificently directed by Arthur Penn . The picture spawned pretty imitators, and created a sub-genre about Great Depression outlaws, such as : Dillinger , Pretty Boy Floyd, Machine Gun Kelly, among others. And other updatings about Clyde Borrow and Charlie Parker life are the following ones : ¨Bonnie Parker story¨(1958) by William Witney with Dorothy Provine and a rendition for TV (1992) by Gary Hoffman with Tracy Needham and Dana Ashbrook.

I agree with most folks who have reviewed this film. It has everything a well rounded motion picture can have. Two very charismatic leads, several supporting roles of great depth, brilliant cinematography, and a good story. Even the most minor roles sparkle. This is a story about a sociopath (Bonnie), meeting up with a low self esteem wanderer who is pretty spineless until she shows up (Clyde) and what happens when you set into motion a series of events that can only lead to destruction. Of course, the final scene is one of the most famous in all of movie history and opened the door for future films. It also glamorizes the two anti-heroes and puts them out there. Personally, I don't see them as glamorous at all; they are low life killers with no real respect for human life. That said, their portrayal is extremely well done. When Bonnie sees her mother for the last time, there is that element that you can't go home again. They have cut a path through the film. They have become the stuff of fiction. They are even blamed for crimes they didn't commit. Children read dime novels about them.

I just wanted ot mention Gene Hackman and Estelle Parsons. They don't have the savvy and the bravado that the title characters have, but they fill the screen. Fantastic performances. When I was a child, my parents ran a restaurant. I got to know a drifter who washed dishes for us. He left and a couple weeks later, we found out he had been shot and killed when he and his partner tried to commit a robbery. I remember the police talking to may parents as part of a routine investigation. When I see the people who surround the main characters in this film, I think back to this guy, especially when I watch the Hackman role.

Went to search for this movie online so I could review it and almost typed "Bonnie and Tyler" into the search bar. It's been a long day, so this one will be brief.

Bonnie and Clyde is mostly a great movie. I have all the admiration in the world for what it did for cinema. It helped kickstart the idea of having violence actually be messy and impactful in mainstream film, and the fact that it's a sympathetic portrayal of people on the run from the law was probably quite shocking back then.

If anything, however, Bonnie and Clyde feel more like heroes than anti-heroes. They rob banks; faceless organisations that are foreclosing people's houses and making The Depression more depressing. They have few other ways to get by. There are police casualties, but the police response is often excessively violent, and they're tools of a state who seem to be doing little else to help the people who are suffering in the 1930s.

Bonnie and Clyde and their gang aren't perfect people by any means, but they are more likable than those who they're pitted against. Within the last few years, figures like them stray further and further from the anti-hero label, and closer towards the hero one.

There's some really bold editing here, and the lead performances are all good (fantastic Gene Wilder appearance, too). The character of Blanche is a bit annoying, though. I wish the screenplay had toned her down a bit. The music and a couple of jarring editing techniques might not work for everyone, too, and I think the pace gets a little janky here and there.

But for the stuff this movie does well, I feel it's at least deserving of an 8/10 rating. It's not my favourite landmark boundary-pusher of the late 1960s, but it's up there.

I said I'd be brief, but that didn't end up happening. Guess there's a lot to talk about when it comes to a movie like Bonnie and Clyde.

This is one of the greatest cops 'n robbers films of all time. Loosely based upon the real-life escapades of Bonnie Parker and her lover, Clyde Barrow, along with Clyde's brother, Buck, Buck's wife, Blanche, and C. W. Moss, the film details the gang's escapades throughout the American Southwest during the early years of the Great Depression. Action-packed from beginning to end, this film is total dynamite as well as flying lead. Beatty gives a dynamite performance as the vicious Clyde Barrow, who will stop at nothing to escape capture by the law...literally. Dunaway gives a stellar performance as Bonnie, an amateur poetess who allegedly entertained her fellow gang members with long poems. Gene Hackman is superb as Buck Barrow, the joke-cracking gang-member, and Michael J. Pollard is equally adept as C. W. Moss, the sissy-killer of the bunch, who cries after each killing he is involved in. Denver Pyle is great as Texas Ranger Frank Hamer who doggedly tracked he gang and ultimately engineered the ambush of Bonnie and Clyde, after the gang kidnapped him and send pictured of him "bein' just as friendly as pie," with the gang, as Bonnie Parker is alleged to have said. One bizarre note: Buck Barrow was actually shot in the head and after the gang had camped out following his shooting, they left him when "the laws," had surrounded them. Buck lived for several days in a hospital after his capture by the law and actually was pretty coherent several times, giving statements to the police, and even asking for a minister to whom he could give his "final confession," and hopefully receive Divine Absolution. Gene Wilder gives a fine performance as the hapless, would-be, funeral director (or "Undertaker," as they are referred to down south) Eugene Grizzard, and Evans Evans is equally fine as his harried girlfriend, who apparently lied to Grizzard about her age. (When she told Bonnie her true age, she had a very sheepish look on her face while Grizzard gave her an amazed look as if to say: "I didn't know you were THAT old!) Anyway, this is a great film and loads of fun to watch on a rainy Sunday afternoon when there's nothing else to do. It's great to watch with "The Untouchables," 1959, starring Robert Stack and "The St. Valentine's Day Massacre," 1967 starring Jason Robards. I rate this film 10 stars out of a possible 10.

The catalyst of poverty without opportunity, combined with rage and a rejection of society, resulting in chaos, murder, mayhem, with a background of depression era America. Two of the greatest performances of the time capture the menace deployed by the Barrow Gang as they carve, shoot and slaughter their way into cult stardom, both on and off screen - the super antiheroes of their day.

It can be a challenge accepting interpretation over fact but if fact is a cornerstone of your experience then perhaps documentaries are more to your taste. Once you take the lives of others and throw them on the big screen it's done for entertainment not education, so you have to be prepared to take things with varying sized pinches of salt. You can always follow up the facts later if the fancy takes you. Cult heroes to some, raging psychopaths to others - either way, characters that appear in various guises over the course of cinematic history and more likely will continue to do so for some time to come - always a fiction but occasionally grounded in fact.