Le ranch de l'injustice

I like Doris Day and try to get all her films in german. You cannot imagine how happy I was, when I received "The Ballad of Josie" ( Das Teufelsweib aus Texas )( german title). It's a rare film, but I like it because of Doris. Well, people who enjoyed "Pillow Talk" won't like to watch this one, I guess. In this film are some funny moments, for example when Doris wears jeans and surprise the men or when she is falling on the bed. But you can't compare it to her better films. I can only say, Doris is in it, some other good actors and the plot isn't bad at all.

... without Dan Blocker and with Doris Day. It's basically about a Wyoming woman (Doris Day) who finds herself minus a husband who shocks the men of the town by deciding to herd sheep instead of cows and by wearing (OH THE HORROR!) mens' pants!!! You know, I haven't seen this since I was twelve and I actually remembered it fondly until I saw it today. George Kennedy plays the cattle ranch owning buffoonish bully who wants Josie's sheep dead. Peter Graves is the love interest who threatens to do endearing things like spank Josie if she doesn't shut up. Andy Devine is still playing the same character he was thirty years before. William Talman, after so many years of losing to Perry Mason, plays a district attorney who is trying to get Wyoming statehood. In the end, the lesson seems to be "who needs the vote anyways ladies, and wear a dress if you want a man!" Oh, the sexism. I guess I just didn't notice this in 1970. And what's worse, this is what passed for feminism in 1970.

This is the problem with so many 60s films. They have one foot in the 50s, one foot in the 70s, and nothing works. This thing might just reach a 5/10 mainly because of its star power, even if those stars are being badly used.

Doris Day, in my opinion has given only two "bad performances." One was in "Do Not Disturb" and the other in "That Touch of Mink." And, it wasn't so much Doris' fault...it was the scripts and unwise directors who tried to keep her pure as the driven sunshine.

"Ballad of Josie" had spunk. It was about a woman who decided to take control of her own life after having been a battered wife. She needed to take care of her little boy and she felt that she didn't NEED A MAN to do anything FOR her. We should be applauding, not hissing this independent woman.

Day didn't want to make this film (her husband had signed for her to do it), but she felt, "a deal's a deal." She put 110% into Josie Minick and she gave a VERY professional performance. No surprise to me, because Day always gave her all, even with drivel like "Disturb" and "Mink." As an actress, she fulfilled her obligation and then some in this part. Could Shirley MacLaine or Debbie Reynolds have given a more convincing performance? I think not. Doris' approach to any scene is so natural, people forget that she's acting. Therefore, audiences and critics ignore what an incredible job she's done, despite poor scripts.

This is not among Doris Day's great films, but she was wonderful in all of her scenes. The script? It wasn't the greatest, but it wasn't the worse. I felt that her supporting cast was well-represented by some of the best character actors in the business. She got marvelous support from Andy Devine, William Talman, Peter Graves, George Kennedy, John Fiedler, Audrey Christie, David Hartman, Elizabeth Fraiser, Paul Fix, etc. And, didn't she look incredible in those jeans?!!!!!!!!

By this time in her career Doris was being forced into roles by her husband Marty Melcher. The forever beautiful Doris looked a little worn out on this production. Filmed on location, the scenery is beautiful and Doris' performance makes up for the simple plot. Its too bad the script was just so so. The best scenes are when she is defending her land and causes a "womens riot" in the town. It is enjoyable to see David Hartman ( 70's host of Good Morning America )and supporting star Elisabeth Fraser ( who played Doris Day's sister in Young at Heart). Doris is Hollywood royalty although she has never received the recognition she deserves.

I can now say I have seen EVERY Doris Day movie she ever made. I was in no rush to see THE BALLAD OF JOSIE because of the generally bad reviews. (And the snide Women's Lib jabs here are very unfair and wrong-headed!) So on a VERY rainy evening when it appeared on cable, I thought I'd give it a go.

It started off slow with a seemingly endless eulogy of Doris's no-good husband by Andy Devine, but it took off after that.

Certainly not one of her better films, but absolutely not her worst (CAPRICE and STARLIFT are tied for that "honor"). but she is really very good -- as usual. I rooted for her/Josie every step of the way.

I recommend it -- especially since the tide has changed in the past 50+ years and viewers will see some fresh topicality in it in 2019.