Le sable était rouge

This movie is just starting to get released to the mainstream. If you like WWII films and find it at a cheap price, buy it- you won't be disappointed. It's the Castle Keep of the Pacific- only it makes a little more sense This is a great quasi-anti-war movie that was created during the earlier stages of the Vietnam war. Though it focuses on the American forces, it gives pretty fair treatment to the Japanese soldiers. The music and the dialogue is great, and the action is decent.

I really like Rip Torn as Sgt Honeywell in this. I'm used to him playing the tough old guy Arty in The Larry Sanders Show. Arty acted like a tough guy, but he was old and I think everyone knew he was soft. BUT he is much younger here, and tough as nails- an intimidating character- his justification for fighting the Japanese and breaking both arms of a prisoner is bad-ass -"I'm a kill 'em, I'm a stab 'em...." Cornel Wilde plays the lead officer- pretty similar to Staros in The Thin Red Line- but he's solid The climax is a bit contrived and perhaps too overly-melodramatic, but it's fine for its time

My two knocks- there is a bit too much stock footage in the beginning, and the two main NCOs are boring backwoods idiots

No one can accuse Cornel Wilde of being a subtle film director . BEACH RED shows the same flaws that made the film version of John Christopher's novel NO BLADE OF GRASS a memorable movie for the most bizarre reasons . That novel didn't contain any environmentalist subtext or agenda but Wilde decided to batter the audience to death with a pollution is bad kids message . He also used strange directorial techniques that felt that they belonged in an entirely different movie . In this movie that was made three years previously Wilde has a similar sledgehammer approach which works slightly better but even so you'll remember this film due to its storytelling more than its actual story

From the outset you can see BEACH RED is a war film with a difference but tries just a little too hard . It has cinematic art-house pretensions but possibly not the budget and probably not a cerebral enough director to pull off the ideas presented . That said Wilde does deserve some credit for making what is effectively a B movie in to something that sticks in the mind . It also be judged against the context it was made . The Hays Code was still in place but Wilde has tried to push the boat out as to what he can get away with and it's relatively sadistic and graphic for a movie during this period . Likewise the Vietnam War was escalating and throughout the narrative there's a strong element that just because the enemy is not from a WASP nation it doesn't necessarily make them evil because the enemy is still human

It's impossible to mention BEACH RED without mentioning later , better , more critically acclaimed films namely APOCALYPSE NOW , THE THIN RED LINE and SAVING PRIVATE RYAN . The extensive use of voice-over whether it relates to the nature of war , profound existentialism or merely hoping to get home in one piece along with the imagery seen here has had a very clear influence on Coppolla , Malik and Spielberg . Malik especially has taken the ideas presented here and made them more effective in THE THIN RED LINE which critics described as " an interesting failure " . Perhaps BEACH RED deserves the same dubious backhand compliment ?

Visually compelling and focused on the battles of a group of Marines and on men's determination to survive their tour of duty . Intense and bloody fight for an occupied Pacific island and shot in Philippines outdoors . This is a thought-provoking as well as exciting wartime film about a spectacular battle for an essential island on the Pacific toll in which a typical crew of Marines fighting the ¨Yellow Menace¨ and it considered to be by some reviewers one of the best American films about the Pacific conflict during WWII ; however , being sometime slow , boring but generally worthwhile . At the beginning the American Marines ashore on a Japanese-held island . As an US marine unit formed by Captain MacDonald (Cornel Wilde) , Sergeant Honeywell (Rip Torn) and Privates (Jaime Sánchez , Burr DeBenning , Patrick Wolfe) fight against the defenders of a Japanese held island , both sides are haunted by their own thoughts and memories ; as battle experience hardens soldiers . What follows are a series of bloody attacks , on the beach , jungles , mountains in which the rifle company fighting Japanese who hold killers gun-machines and other deadly weapons .

It is first hand account of a notorious battle on a Pacific island , and against an important base on a solitary atoll . Focusing on relationship between Capt. MacDonald/Cornel Wilde and his soldiers . Effectively portrays the dehumanizing psychological effects , battling soldiers on both sides are haunted by memories of home and the terrifying , sickening images they experience in combat , and using flashbacks by means of photos and images about their past existences . While the relationship between captain and his men makes the biggest impression and delivers the interesting main plot , among many sub-plots , some of which go nowhere . Interesting screenplay based on Peter Bowman's uniquely constructed novel "Beach Red" , it was published in 1945, near the end of World War II . The sequence in which Japanese troops tried to fool the US Marines by wearing their uniforms was taken directly from the source novel . This dark story produced/acted/directed by Wilde is immensely exciting , firmly characterized on its roles and in places very moving too . The film brings home the true horror of battle and the meaninglessness of it all and visually is stunning . Dealing with the inner thoughts , feeling and philosophical leaning of the soldiers , the picture sacrifices continuity to study several questions , utilizing records , memories and many other things . Combat images are naturally , well filmed and effective , getting spectacular scenes such as the impressive plane attacks on the ending . Atmospheric and evocative cinematography by Cecil Cooney . Sad and touching song sung by Jean Hagen , Cornel Wilde's wife . The movie has only one musical element , this song written by Antonino Buenaventura and it also is heard in other variations throughout the flick . Filmed in the Republic of Philippines and in Japan , the producer gratefully acknowledges the dedicated efforts and the cooperation of the entire cast , Department of National of Defense , the R.P. Marine Corps , the R. P. Navy , the R.P Army , the R.P Air Force , the R. P. Constabulary , the R.P. Research Institute , the R. P. Department of forest and a particularly the friendly and considerable people of the Philippines .

This harrowing motion picture was compellingly starred , written , produced and directed by Cornel Wilde , being released through United Artists . Wilde does a competent job both as actor and filmmaker . It's amazingly well done movie , being Cornel Wilde's best film . He is especially credited as a good actor but also known for directing some acceptable flicks . His later films were of varying quality, and he ended his career in near-cameos in minor adventure films . As he directed adventures as ¨Maracaibo¨ ,¨Lancelot and Guinevere¨, ¨Sharks' Treasure¨ but also Noir Cinema as ¨The Devil's Hairpin¨, ¨Storm Fear¨ and Sci Fi : ¨Blade of Grass¨. ¨Beach red¨ rating : 6.5/10 , good film , well worth watching . Essential and indispensable seeing for warfare fans . It's a good stuff for young people and war movie lovers who enjoy enormously with the extraordinary battles in the lush jungle.

Other fundamental tales based on Pacific landings were the followings : ¨Thin red line¨ by Andrew Marton with Keir Dullea and Jack Warden and ¨Thin red line¨ directed by Terence Malick with star-laden cast as Jim Cazievel as Private protagonist , Sean Penn as the Sergeant , and many others as George Clooney, Nick Nolte and Woody Harrelson . Furthermore , another important film about Guadalcanal battle turns out to be ¨Guadalcanal diary¨ by Lewis Seiler with Anthony Quinn , Preston Foster, Lloyd Nolan and Richard Conte .

This masterful, beautiful picture by the underknown and underrated Cornel Wilde is a haunting look at the combat experience. Depending on one's point of view, Terrence Malick either paid tribute to it or blatantly copied it in THE THIN RED LINE (1998). The movies are amazingly similar in the way they use flashbacks and voiceover narration (as characters' thoughts spoken aloud) to immerse the audience in the characters as they fight. I love both movies -- Malick's has things going for it that Wilde's doesn't, such as a physical beauty and a superb score -- but BEACH RED is in some ways the more powerful of the two. It's even more immediate. The voiceovers are less forced and don't really go into the philosophizing that the voiceovers in THIN RED LINE do. The effect is to keep the audience more focused on the combat itself. In short, BEACH RED is more emotional (whereas THIN RED LINE is emotional AND philosophical/metaphorical).

The way this movie opens with 30 minutes of pure combat on a beach is also similar to SAVING PRIVATE RYAN. In fact, BEACH RED is something of a combination of that movie and THIN RED LINE. Spielberg and Malick surely must both have studied this picture carefully. The last 5 minutes of BEACH RED comprise one of the most haunting and powerful statements on combat I have ever seen. This is a movie that will leave you thinking for a long time.

First, let me ask, why isnt this available on video or dvd here in the States? They have it in Britain & Germany! Nevertheless Im glad to see this film making the rounds on Showtime and it's satellite cousins. I agree with previous posters that Spielberg 'HAD' to have watched this great film from the great Cornel Wilde, who incidentally plays the captain here. I originally watched this back in the 1980s on HBO and it, usually for years after, showed up on TNT during Memorial Day Weekend. But in the past few years I hadn't seen it until lately with these few Showtime airings. But back to the movie. Long before I had ever seen Saving Pvt Ryan I had just read the reviews of it. When the reviews talked about the opening sequence being extended pure assault, I knew that someone watched or knew of Beach Red. Both SPR & BR open in an almost identical fashion of pure armed violence. The only difference is the locale of the two pics. SPR on the beaches of Normandy and BR in a distant south pacific isle.

Beach Red covers a platoon from it's assault on a Japanese held beach, through the occupation of the island and finally to many of the members of Wilde's platoon losing their lives. This is bittersweet because we are taken, through flashback, to some instant in these soldiers personal lives. Wilde doesn't stop there. He also flashbacks the Japanese soldiers lives as well. This is great and considerate filmmaking as it humanizes boths sides, US & Japanese, withstanding the brutality of armed combat. This pic, unlike for instance 'The Longest Day', is filmed in rich colour. With the addition of colour in a war film this further personalizes the tragedy Wilde & his men have to go through in killing and staying alive. War is just as deadly on a bright and sunny day as it is on a gloomy or rainy type day. But Beach Red would have been a still very effective film had it been made in black & white.

For War Film buffs, I think many will be stunned by this movie when and if they have not seen it. It's always been a sort of low key picture undeservedly but thanks to home video & cable a couple of new generations will discover this unheralded classic. Wilde should have been very proud of his achievement in Beach Red, both as director & actor. And his supporting cast of the great Rip Torn as the gruff Sergeant and Burr DeBenning as the well meaning Yokel-Bumpkin are pure delight. A fine film from a fine cast. View it.