Alexandre le Bienheureux

A fable, a parable, an examination of the human condition, and a must see for anyone thinking of getting married. Certainly one of the strongest declarations on record of just why we love our dogs. There is always something rumpled about Noiret, a bit of a sad sack who somehow manages to wrest dignity from abuse or meager circumstance. Alexandre isn't his best film, or probably anybody's best film, but who can ignore this simple man who takes to bed, not in anguish over his loss, but in quiet enjoyment of what he has found through loss to the distress of his neighbors? Alexandre is a delicious comment on the benefits of breaking with convention and taking one's own road.

It's now many years after I wrote the review above. I didn't remember having written it, but now that I read it, I know I did. My opinion hasn't changed. I'd gladly give $100 to have a good copy, but it seems to be unavailable. If you're reading this, I've got two more to add, if you can find them: Giuseppe Tornatore's "A Pure Formality" starring Gerard Depardieu and Roman Polanski, simply one of the most mesmerizing movies I've ever seen; and "Le Cadeau" ("The Gift"), of which I can find no trace, about a bank clerk or accountant with a shrewish wife who takes off for Venice with a gift some co-workers gave him--a singularly beautiful prostitute. He comes back a changed man with a restored relationship with his wife. A great movie. Why are these so hard to track down?

In an era that also gave us Peter Seller's Clouseau, Phillipe Noiret created another indelible comic character in Alexandre that deserves a certain degree of immortality. One can only hope that there is a vault somewhere that contains a decent print of the film and that the owners will see fit to preserve it. To describe "Alexandre le bienheureux" as charming is too soft a description -- it is social and political commentary wrapped in a delightful and hilarious package that has few equals. The ending was a revelation for a generation of young filmgoers who also believed there might be something more to life than laboring to gain subsistence. When it played in my hometown in the early 1970's -- in a limited run at the local art museum -- I dragged everyone I could find to it. Ah, to be able to do the same today!

This is a strangely great film. It is a comedy with many moments of uncontrollable hilarity. But what is special about it is that it haunts you long after you have seen it. The images sit vividly in your mind. The themes are built with great cleverness yet extremely subtly and entertainingly. This is a film of intelligence. It is superficially about the eternal war between men and women. But that is just the familiar context and not the real subject. It is really about small town customs and mores and how being different is a problem. It also has an extremely clever cyclical theme. This film ran continuously in Boston for years. (You can look it up.) It is not to be missed if at all possible. Anyone know how I can get a copy?

I saw this movie in 1967 when it was released, and thought it was wonderful. I've managed to find and buy another French movie (with English subtitles from around the same period of time - sold in the U.S.) but after having found "Alexander" and searching the Internet for a U.S. seller, I have had no luck.

It appears, from what I can tell, that it's never been dubbed in English or has had a version made with English subtitles. I noticed that Amazon.com in France seems to be selling it on DVD (in French) but this would be extremely time consuming - with money conversion and transcontinental red tape, and it would probably be more costly than buying it in the U.S., etc. If someone has any information to the contrary, I would be very interested.

It was in 1968 that famous French actor/director Yves Robert shot "Alexandre Le Bienheureux"/Very Happy Alexander. It is said about Yves Robert that before entering the field of cinema, he had successfully tried his hand at various "Métiers" which have enabled him to faithfully depict working classes in his films. It is precisely his eye for detail which is very much visible in this film. A very happy Alexander is one of his lesser known comedy films which celebrates the virtues of laziness. It is true that laziness has been known since olden times as one of the seven deadly sins. However, Yves Robert makes us believe that even a certain joy can be had if one is able to lead a planned lazy life without bothering to worry about what is happening in the outside world. As a "meaningful" comedy film, 'Alexandre Le Bienheureux' raises a lot of pertinent questions about male/female relationships especially in the context of love and marriage. One of the most important questions raised by this film is whether a partner can leave a union if the relationship is purely based on money. Much of the film concerns a happy farmer Alexander whose life changes for good when his domineering rich wife dies in a car accident. The film also discusses how love can change a person's life. This aspect is depicted through a credible amorous relationship featuring two great actors of French cinema: Philippe Noiret and Marlène Jobert.