A former secret agent is abducted and taken to what looks like an idyllic village, but is actually a bizarre prison. He refuses to give his warders information while attempting to escape.A former secret agent is abducted and taken to what looks like an idyllic village, but is actually a bizarre prison. He refuses to give his warders information while attempting to escape.A former secret agent is abducted and taken to what looks like an idyllic village, but is actually a bizarre prison. He refuses to give his warders information while attempting to escape.
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Unfortunately, when you see see The Prisoner for the first time at an early age it tends to spoil television for the rest of your life. I was thirteen when I saw it in 1968, and for more than thirty years I keep hoping to find TV shows (and movies and books) that will give me the same rush of seeing vast, unexpected and unexplained vistas for the very first time. Too, too rare. Virtually non-existent. For The Prisoner didn't just present a new 'twist' (rare enough), it was a whole new world, with a wildly different culture, environment and rules, only gradually comprehended, if at all. And yet, strangely, it is more like the "real" world than any other television program, even the news, because The Prisoner doesn't explain itself, it just happens. If YOU want to know what's going on, figure it out for yourself... if you can. You might be right, you might be wrong, but if simplistic explanations are your comfort, you almost certainly WILL be wrong. Just like explorers of old. Just like real life. Though with the increasing homogenization of the world, real life is becoming, alas, more like television.
When I saw the first episode of this series, my jaw dropped in amazement. Here was a TV series that was entertaining and actually made you think. Nothing was ever what it appeared, no one had a real name, you never knew who was the good guy or the bad guy (or if they were one in the same!). The "final" episode was what could only be described as PSYCHEDELIC.
This TV series was, and still is, way ahead of its time.
As a side note, there is a "lost" first episode that is wildly different than the first one generally aired that explains some of the symbolism used in the series.
I hope the movie remake is made and distributed.
This TV series was, and still is, way ahead of its time.
As a side note, there is a "lost" first episode that is wildly different than the first one generally aired that explains some of the symbolism used in the series.
I hope the movie remake is made and distributed.
'The Prisoner' is one of those things that inspires either absolute devotion or utter confusion. There are no halfway reactions to this TV series. Many consider it to be the most imaginative and original TV show ever, and I'm inclined to agree with them. Nothing until 'Twin Peaks' came close to competing with it. However unlike 'Twin Peaks', 'The Prisoner' knew when to stop. There is hardly a bad episode in the whole series, and the final show is perfect. Patrick McGoohan will always have an important place in not only television history, but pop culture as a whole, from his involvement with this stunning and unforgettable show. To me it gets better and better as the years go by. If you haven't ever seen it make sure you do so! You don't know what you're missing!
When it premiered in the US as a CBS summer series, no less than Isaac Asimov wrote an article in TV Guide praising it. So I was primed. "Arrival" was every bit at interesting as I expected, from the jazzy music and rapid-edited credit sequence all the way to that strange bicycle that assembled itself in the closing credits. The Village was beautiful and charming and hellish, with doors that open for you and mandatory classical music on the radio. McGoohan was perfect--he kept his cool but never wavered from his determination to find out who ran the show.
However, the idiots who ran my local CBS affiliate must have gotten calls from perplexed viewers. Next week, I was all set for episode two... and instead saw some crappy conventional syndicated spy show. Grrr. Since this was before cable, I never saw the rest of the series till PBS ran it.
It's hard to believe that any television network would agree to air something this wild. To this day, I can hear "I am not a number! I am a free man!" followed by maniacal laughter....
I loved the humor, too. One time Number Six had a double. His name--Number Twelve, of course. The whole concept of being labelled "unmutual" was worthy of Douglas Adams's "Share and Enjoy".
However, the idiots who ran my local CBS affiliate must have gotten calls from perplexed viewers. Next week, I was all set for episode two... and instead saw some crappy conventional syndicated spy show. Grrr. Since this was before cable, I never saw the rest of the series till PBS ran it.
It's hard to believe that any television network would agree to air something this wild. To this day, I can hear "I am not a number! I am a free man!" followed by maniacal laughter....
I loved the humor, too. One time Number Six had a double. His name--Number Twelve, of course. The whole concept of being labelled "unmutual" was worthy of Douglas Adams's "Share and Enjoy".
This has become by far my favorite series of all time, so much so I have given up watching television altogether and turned to DVD's instead. That's not to say it's the best show ever, but it's one of those things you can watch as fluff action-adventure entertainment one day, or chew down to its bones, if you like, the next. That is, it doesn't require intelligence and concentration or an easy day at the office to enjoy, but if you've read a few books or have philosophical leanings you can amuse yourself by wringing quite a bit out of it.
On that note, it's especially fun to watch this series in conjunction with Danger Man/ Secret Agent. Although it isn't uncommon to have the same actors work together on different series, there is a town full of spies in DM/SA
referred to as the Village in the episode "Colony Three" which is the center of a debate on whether Number 6 and John Drake are the same. (McGoohan categorically denies this, but Markstein says it's true. Perhaps there is a legal hurdle involved? We will probably never get that information.)
I recommend watching them in order, so you can see Number 6 gradually abandon his open desperation and anger ("Arrival" to "The Chimes of Big Ben") for a cool and calculated needling of the system from within ("A, B and C" to "Hammer Into Anvil"). They try drugs, brainwashing, torture, virtual reality, letting him escape, and even babysitting to get him to talk. Each episode will appeal to someone different, some funny, some aggravating, but they all fit together by "Fall Out"; I have never met anyone who was not surprised at the final episode. It's truly extraordinary!
You will find references to the Prisoner are made constantly in other shows and movies, especially Sci Fi. The character Bester uses the Village greeting on Babylon 5; I have seen Village interrogation methods on the Pretender, John Doe and Farscape (whose leading man has an acting style similar to McGoohan's and a character similar to Number 6, IMHO, especially if you watch "A, B and C"); Number 2's trademark sphere chair is used on everything from Austin Powers to ads for American Idol.
The Village itself has appeared in tribute episodes of the Invisible Man and, of all things, the Simpsons ("The Computer Wore Menace Shoes"). Rover has actually appeared on the Simpsons twice!
I believe it's a classic that shouldn't be missed for anyone who ever feels trapped by rules that make little sense. If you like quoting Brazil and Office Space you'll find plenty of quotes to add to your collection here. My friends and I have even started referring to each other by number at work!
Be Seeing You!
On that note, it's especially fun to watch this series in conjunction with Danger Man/ Secret Agent. Although it isn't uncommon to have the same actors work together on different series, there is a town full of spies in DM/SA
referred to as the Village in the episode "Colony Three" which is the center of a debate on whether Number 6 and John Drake are the same. (McGoohan categorically denies this, but Markstein says it's true. Perhaps there is a legal hurdle involved? We will probably never get that information.)
I recommend watching them in order, so you can see Number 6 gradually abandon his open desperation and anger ("Arrival" to "The Chimes of Big Ben") for a cool and calculated needling of the system from within ("A, B and C" to "Hammer Into Anvil"). They try drugs, brainwashing, torture, virtual reality, letting him escape, and even babysitting to get him to talk. Each episode will appeal to someone different, some funny, some aggravating, but they all fit together by "Fall Out"; I have never met anyone who was not surprised at the final episode. It's truly extraordinary!
You will find references to the Prisoner are made constantly in other shows and movies, especially Sci Fi. The character Bester uses the Village greeting on Babylon 5; I have seen Village interrogation methods on the Pretender, John Doe and Farscape (whose leading man has an acting style similar to McGoohan's and a character similar to Number 6, IMHO, especially if you watch "A, B and C"); Number 2's trademark sphere chair is used on everything from Austin Powers to ads for American Idol.
The Village itself has appeared in tribute episodes of the Invisible Man and, of all things, the Simpsons ("The Computer Wore Menace Shoes"). Rover has actually appeared on the Simpsons twice!
I believe it's a classic that shouldn't be missed for anyone who ever feels trapped by rules that make little sense. If you like quoting Brazil and Office Space you'll find plenty of quotes to add to your collection here. My friends and I have even started referring to each other by number at work!
Be Seeing You!
Did you know
- TriviaThe Prisoner was filmed in the North Wales resort village of Portmeirion over the course of a year. Patrick McGoohan was inspired to film his series there after filming a couple of Destination danger (1960) episodes in the village.
- GoofsIn the opening sequence, the letter X is typed across the prisoner's photograph, but the typewriter typebar for the letter H is moving. The typebar for the letter X is at the far right of the frame.
- Crazy creditsPortmeirion, Wales is not identified as the location for filming in all but the final episode. Instead the closing credits in these episodes simply say "Filmed on location."
- Alternate versionsIn the recent re-run of the series on the Horror channel in the U.K. whenever anyone is attacked by Rover, the screen simply changes to a swirling vortex. When shown originally, the victim's face was pressed into Rover's 'skin'
- ConnectionsEdited into Derrick contre Superman (1992)
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- The Prisoner
- Filming locations
- Abingdon Street, London, England, UK(underground carpark in title sequence)
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