L'homme de fer

There are precious few actors who can create two successful television characters. More recent examples include Mary Tyler Moore (Mary Richards and Laura Petrie) and Bob Newhart (Bob Hartley and Dick Loudon). In 1966, Burr completed a nine-year run as the most recognizable attorney on television. In 1967, returning to television, his challenge was to create a new character that wouldn't stand in Perry Mason's shadow. The result was Ironside -- a rough, former chief of the San Francisco police forced to retire when an attempted assassination leaves him paralyzed. (The theme music is reprised in "Kill Bill Vol. 1", whenever the Bride flashes back on her paralyzing injuries.) Bob Ironside had none of Perry Mason's polish, frequently spoke without thinking, and enjoyed fast cars as much as he relished good police work. He was given a special task force that included a regular joe beat-cop, Ed Brown (even in the sixties, a more vanilla name was never given a character); a highbrow, educated female detective (Eve Whitfield); and a troubled black youth, Mark Sanger, who was to Ironside what Charlie Young is to President Bartlet on "The West Wing". Instead of the Los Angeles setting of Perry Mason, Ironside was in San Francisco. In addition, while Perry Mason kept the lights on at CBS for nearly a decade, Ironside was a steady performer for NBC for almost as long. The show was an instant critical and commercial success.

I think the reason Ironside is not as popular in reruns now as it was in the late 70s and early 80s is it will always be in the shadow of Mason, and that's a shame. The two shows are not the same, and there are many memorable episodes of Ironside. One in particular features Ironside isolated in his apartment, being stalked by a killer, that always reminded me of the climactic scene in "Rear Window" -- in which the killer was played by Raymond Burr! One of my favorite lines of dialogue, from the pilot, was his ribbing of his female detective: "By all means, ask Detective Whitfield. She's had the benefit of a classical education." That line -- which would never have passed Perry Mason's lips -- is a good sample of Ironside's tone through the series.

Actor Raymond Burr just couldn't relax after nine seasons as defense lawyer/super sleuth Perry Mason. So,after many years on the Tiffany network,CBS-TV,the actor switched networks this time over to the Peacock Network,NBC-TV where the majority of its programming was in living color.

The show is called "Ironside" and when it premiered in the fall of 1967,it came around a time where the fight of the civil rights movement was being followed(three years after President Lyndon B. Johnson sign in into law the civil rights act in 1964),the protest of the Vietnam War,and at a time where the nation was at a crossroads with the death of two of the nation's most famous leaders were cut down at the peak of their prime(Bobby Kennedy,and Dr. Martin Luther King,Jr.)not to mention at the same time the nation's most rioting of its cities and the summer of love and so forth. This show also came about during the escalation of the Vietnam War,the fall of Watergate and ended its run with the final Presidency of Richard M. Nixon. All of this occurred during the show's run. It is also to note that this series was Raymond Burr's second successful show,after playing America's most recognizable lawyer for more than a decade. "Ironside",was a consistent ratings winner throughout the eight years that it ran on NBC-TV from its premiere episode in September of 1967 through the show's final episode of the series in April of 1975.

"Ironside" was the first crime drama series to show a person who had a disability but at the same time had a knack for catching the baddies and so forth and Raymond Burr was a master actor at what he did. Just like Perry Mason,Ironside also knew the law and how it was to be used and not abused. Burr's character was the chief of police of the San Francisco Police Department who was in charge of special cases along with his partners Don Galloway,Don Mitchell,and Barbara Anderson who were all police officers. If there was something going down,you know that Ironside was on the case! The show had everything and I do mean everything that included crooked officers not to mention social issues of its day and so forth. Oh yeah,the music....was composer Quincy Jones the greatest ever! Yes,the best theme score ever made! Also to note that this show had a array of guest stars to boot as well that made their appearances including one episode which featured a very successful and popular Motown singer making his acting debut. The others including a array of stars that were regulars or special guest starsone of which including veteran actors Severn Darren and Bernie Hamilton. The series also show some of the best drama and high octane drama anywhere and you'll see this in some of the episodes too. You also got the chance to see Ironside's helper Mark Sanger go for being his assistant, to private detective,to police officer,and by the final season of the series go from getting married to being a district attorney and from there district court justice of the peace.

The pilot was a made for TV-Movie that premiered that same year before it became a TV series as part of NBC's Saturday Night Special. The series ran on NBC-TV from 1967-75,and after it went off the air twelve years later,the peacock network brought Burr back as Ironside in a made for TV-Movie called "The Return Of Ironside" in 1987,reuniting Raymond Burr with former cast members Don Galloway and Don Mitchell and a special guest appearance from Barbara Anderson. Recently,TV-Land brought back the reruns to this classic series and it needs to be seen for those of us who have fond memories of this show from the late 60's and part of the early 70's.

I have fond memories of watching this well crafted detective show during my growing up years. The series portrays the story of San Francisco Chief of Detectives, Robert Ironside, who has been hit by a sniper's bullet, paralyzing him from the waist down. Confined to a wheelchair, he must forego his previous detective position but stays on with the Police Department as sort of a consultant. Ironside ferrets out crime while working from a special Police Department office complete with exercise equipment and sleeping facilities. Assisting him is his own special unit, a diverse trio consisting of regular cop Detective Sargent Ed Brown, educated policewoman Eve Whitfield, and black ex con Mark Sanger. During the course of the series Sanger progresses from Ironside's bodyguard to a police officer and finally a lawyer.

In this series we see this formerly tough Chief of Detectives endeavouring to nail San Francisco's bad guys, all the while coping quite successfully with his recent disability. The program shows that this previously high profile crime fighter can still lead an equally productive life from his wheelchair. The show reveals his character development as well as his interactions with the trio of assistants, all providing viewer interest in addition to the crime solving elements.

Raymond Burr, alias Perry Mason, was born to solve TV crimes! The actor gives a masterful performance here as the wheelchair bound Ironside. This is generally quite an engaging detective series and frankly, I wish that there was more TV programming of its quality these days.

I mentioned this before on a review of a third series that Raymond Burr had after Perry Mason and Ironside, that most actors are lucky to have one successful series let alone two of them back to back. Burr did it with two very different kinds of characters.

Perry Mason was cool and calculating until he sprung a trap in court that nailed the real murderer and/or the helpless prosecutor be it Hamilton Burger or someone else. But Robert Ironside had already faced his life crisis when that bullet severed his spinal cord. With that kind of baptism of fire nothing ever fazed the Chief. He was hostage a couple of times during the course of the show and he faced some unusual life threatening situations that were more stressful because of his paralysis, but he always kept a cool head.

I loved the position he was in as the head of that special squad. He had a picked team in Don Galloway, Barbara Anderson, and Don Mitchell. He worked only the most important cases or something that interested him. I worked for NYS Crime Victims Board and believe me I always looked for interesting cases where people filed claims. So much is dull and routine. Burr had the dull and routine out of his life.

Barbara Anderson did not go the full run of the series, but Elizabeth Baur came in and moved seamlessly into the team Ironside.

Beneath all the gruffness and the demands on his people that work be finished yesterday, the Chief had a good heart and was an inspiration to all around him. I suspect to many viewers as well.

Hardly any actor so credibly reinvented himself as many times as Raymond Burr. In the late 40's into the mid 50's he often played the villain, usually in westerns and noirs, and once he even had a minor but crucial role as the villain in Hitchcock's "Rear Window". Then there were all those years playing unbeatable defense attorney Perry Mason that I figured he'd be typecast forever after that series ended. However, he did such a credible job playing the wheelchair-bound Ironside that the staff at restaurants were surprised when he would show up for reservations walking in on his own two legs. The show had camera-work that was ground-breaking without being annoying, there was a feeling of family and camaraderie among the cast that oddly enough reminds me of Joss Whedon's "Angel" in that regard, it had much better plots than the other ensemble cop shows of that era, and it even had lots of counter-culture material that worked out pretty well without being cheesy or preachy considering the age of its main star, Burr, who was 50 when the show premiered.

The premise of the show is that while vacationing in an isolated farmhouse, Robert Ironside is shot by an unseen assailant. The result of this wound is that he is paralyzed from the waist down. Accustomed to being Chief of Detectives, and not wanting to be put out to pasture, he turns to his old friend, the Commissioner of Police, who makes him his Special Consultant so that Ironside can go on working on cases rather than face living the life of a retiree on a disability pension. The supporting cast, and his team in solving crimes during the series, consists of rookie detective Ed Brown, policewoman Eve Whitfield, and somewhat reformed juvenile delinquent Mark Sanger. Up to this time, police detective shows had consisted of able-bodied young white men dressed in suits complete with hats, no matter what the occasion. This was one of the first TV shows of that genre - maybe the very first - to mix things up with an interracial cast, a policewoman who was an integral part of the team, a handicapped leader, and a member of "the establishment" in Ed Brown thrown in for good measure.

If this formula sounds a lot like Mod Squad, that's because it is, except Mod Squad came out the following year on the coattails of Ironside's initial success. Ironside had its share of guest stars that made it big in later years. In this first season keep a lookout for a young Harrison Ford in "The Past is Prologue", for Ed Asner in "The Fourteenth Runner", and Susan St. James in "Girl in the Night".