L'homme de fer

Raymond Burr is excellent as Robert T. Ironside and proves that despite being crippled by a snipers bullet, manages to trap his would be assassin and bring the culprit to book.

Great locations,(set in San Francisco), powerful score by Quincy Jones and excellent supporting cast.

This film captures the mood of the late 60's in America, better than any other film of its time.

Naturally with the above combination it was decided to make a successful tv series that ran for eight years and quite rightly so, I always thought Ironside was one of the best cop shows of the 60's & 70's and it was exciting to see how he would cope in dangerous situations when confronting crooks, when his friends were not always around to help him.

Raymond Burr as Ironside proved that he could solve cases sitting down better than any other tv cop standing and despite being paraplegic he was more than a match for any able bodied villain or crook, with his sharp mind and 26yrs experience on the SFPD.

Excellent film and tv series, its a pity there is nothing like it around like it today.

There are precious few actors who can create two successful television characters. More recent examples include Mary Tyler Moore (Mary Richards and Laura Petrie) and Bob Newhart (Bob Hartley and Dick Loudon). In 1966, Burr completed a nine-year run as the most recognizable attorney on television. In 1967, returning to television, his challenge was to create a new character that wouldn't stand in Perry Mason's shadow. The result was Ironside -- a rough, former chief of the San Francisco police forced to retire when an attempted assassination leaves him paralyzed. (The theme music is reprised in "Kill Bill Vol. 1", whenever the Bride flashes back on her paralyzing injuries.) Bob Ironside had none of Perry Mason's polish, frequently spoke without thinking, and enjoyed fast cars as much as he relished good police work. He was given a special task force that included a regular joe beat-cop, Ed Brown (even in the sixties, a more vanilla name was never given a character); a highbrow, educated female detective (Eve Whitfield); and a troubled black youth, Mark Sanger, who was to Ironside what Charlie Young is to President Bartlet on "The West Wing". Instead of the Los Angeles setting of Perry Mason, Ironside was in San Francisco. In addition, while Perry Mason kept the lights on at CBS for nearly a decade, Ironside was a steady performer for NBC for almost as long. The show was an instant critical and commercial success.

I think the reason Ironside is not as popular in reruns now as it was in the late 70s and early 80s is it will always be in the shadow of Mason, and that's a shame. The two shows are not the same, and there are many memorable episodes of Ironside. One in particular features Ironside isolated in his apartment, being stalked by a killer, that always reminded me of the climactic scene in "Rear Window" -- in which the killer was played by Raymond Burr! One of my favorite lines of dialogue, from the pilot, was his ribbing of his female detective: "By all means, ask Detective Whitfield. She's had the benefit of a classical education." That line -- which would never have passed Perry Mason's lips -- is a good sample of Ironside's tone through the series.

There have been three Halls of Justice buildings in San Francisco's history and the building that appears in every episode of Ironside, which ran from 1967 to 1975, was the 'second' Hall of Justice and it is often referred to as the 'Old' Hall of Justice. It contained the city's jail, police station, courtrooms, and District Attorneys Office. Its address was 750 Kearny Street, which placed it on the east side of Kearny between Washington and Merchant.

The 'original' and 'first' Hall of Justice stood on the same spot but was destroyed in the great San Francisco earthquake on 18th April 1906 during which it burnt to the ground. The original building bore a passing resemblance to its successor except for the addition of a tall clock tower that overlooked Kearny Street.

The Old Hall of Justice was first occupied in 1912 but by 1950 it had outgrown the purpose for which it was built. A 'third' larger Hall of Justice was built about 11/2 miles distant on a new site at 850 Bryant Street, between 7th and Harriet.

The Old Hall of Justice was finally abandoned in 1961 and was subsequently gutted of its luxurious fixtures and fittings, comprising wood and marble panelling, brass door knobs and hinges, carpets, furniture and other decorative features. It was finally demolished in 1967 after standing derelict.

Stock footage of the derelict building was used to highlight the location of Ironside's office, which was on the top floor, left hand side, as viewed from the front of the building. A row of semi-circular windows adorned the top floor offices. Ironside's office, which also doubled as his apartment complete with semi-circular window, was recreated in the studio for the filming of the series.

Also seen in the same stock footage is the Coit Tower on Telegraph Hill, which is located a short distance to the north of Portsmouth Square. Portsmouth Square, which is located on Kearny between Washington and Clay, was once the centre of 'old' San Francisco and is now part of the Chinatown district of the city.

Looking eastward from Portsmouth Square prior to 1967, the frontal view of the Old Hall of Justice would have been instantly familiar to Ironside fans. Its sides and rear aspects were never filmed, presumably because they were far less attractive.

Midway along the front of the Old Hall of Justice was a street-level entrance to an underground car park. It was through this narrow entrance that Ironside's personal transporter, a grey-painted, blue-striped, supercharged police van, originally painted black, was occasionally seen to use. His subsequent transport, a sand-coloured Ford van, which was introduced into the series after the police van was destroyed in one episode, is never seen near the Old Hall of Justice because the building had been demolished and a new building was in the course of erection.

Today, the site is occupied by the 27-floor, Hilton San Francisco Financial District Hotel and the Chinese Cultural Centre, which share the same address. Behind the Hilton Hotel on Montgomery Street stands the famous Transamerica Pyramid, another of San Francisco's noteworthy landmark buildings.

There are ongoing arguments concerning the wisdom of demolishing a building such as the Old Hall of Justice and replacing it with a modern skyscraper structure. Many of San Francisco's inhabitants regard the design and appearance of the Old Hall of Justice as having more character and beauty than the edifices that replaced it.

I lived in San Francisco from 1964-1980 and had a great fondness for the city. Raymond Burr had an immediate hit with this show and I enjoyed it immensely. It was always interesting to see the shots of where Mark Sanger was driving and how they would cut to a studio set when they got out of the van. I always wondered how they made the old Hall of Justice look like it was still on Montgomery Street when it had been torn down by the start of the series.

Another enjoyment was the development of the characters, particularly Mark Sanger who went from an uneducated street punk to a cop and then an attorney over the years.

Barbara Anderson got an Emmy for her work on the series as I recall.

If you look at the guest star list, there are a lot of character actors on it who appeared in everything from the 50's to the 80's including Richar Anderson, Michael Conrad, and Jack Soo.

An exciting show and I find little on TV today which makes me want to watch it every week like I did with Ironside.

George Senda Martinez, Ca

I didn't know much about Ironside, apart from my mum, explaining to me what Raymond Burr did apart from Perry Mason. So, in 1999, the BBC started to do re-runs of it, and i watched a few, and I liked it alot. Channel five showed the 1967 TV Movie, and the Priest Killer (1971, scary and a bit controversial) and it was the best i've ever seen. It blows all the other cop shows out of the water, and quincy jones's score, is addictive. the support cast, proved their worth, especially Ed and Mark, and Eve's razor sharp wit. It shows that people (the characters) who are from different backgrounds Mark, a young black ex-con, Eve's upper class background, to Ed's (i'm assuming working class catholic boy, who lost his way when his fiance died) can gel quite well, but, that was what San Francisco was like from 1967 onwards, a melting pot, of people from different backgrounds.It is worthy of a big screen remake, but they have to it justice and not go for the starsky and hutch spoof hollywood have managed to botch together. It needs a director who is a fan, rather than somebody who sees this as another remake of an old show, it's more than that. and what i can't get, is that what actually happened to the actors from Ironside, Galloway has appeared on Perry Mason a couple of times, looking 10 years older than his real age! but in comparison to him in Ironside galloway aged 30 was a catch.

enough of my female observations. It's a great programme, but i think it needs to be brought to attention of a new audience, i'm 22 years old, and i think that the programmes of today are trash!!