La loi des hors-la-loi

If you decide to sit down and watch Waco, you'll probably think it belongs to the genre of western spoofs. I considered the possibility, but as the movie dragged on and didn't contain any actual jokes or banana peel pratfalls, I realized it was an actual western.

Jane Russell is married to Wendell Corey, a preacher, but her ex-sweetie-pie Howard Keel has just gotten released from prison and is travelling to their town to take over as sheriff. The only trouble is, he doesn't know Jane's married, and Jane still has feelings for him. Plus, the town is desperately in need of proper law and order, and when Howard shows up and causes a stir, it turns into a shooting free-for-all.

Yes, Waco is a ridiculously cheesy western, but it's the acting that really places it in terrible movie territory. Jane Russell was the main one who made me think the movie was a spoof, because almost all her lines were delivered like she thought the cameras were off and she wanted to make fun of the terrible lines she was given. Wendell Corey gives his best John Wayne impression, but it just doesn't work to see him as a preacher, since he's usually very unlikable bad guys. This movie just isn't worth watching, unless you're die-hard fans of the cast and insist on watching every movie your favorite actor or actress made.

WACO is the name of the character who is the stereotypical Western hero in Hollywood Westerns. He's fast on the draw, tough, and an outlaw in the beginning, which is standard for Western heroes.of that would be okay, except we never really care for this Waco guy played by Howard Keel. Don't expect the joy ride of THE WAR WAGON. This is strictly Hollywood hate formula. Waco has absolutely no credible motivation. Keel comes across a bit like Joe Don playing Buford, but without the incentive. Absolutely none. Motivation has to be a key, but in the sixties, Hollywood would have none of that. For about three decades, they threw characters who were spoiled brats with unrelenting and unprovoked hatred at us, expecting us to empathize with them. Well, only the sickest and most demon possessed were able to do that, and they were generally the control freaks who decided what the rest of us had to watch. This is a perfect example of what was wrong with the Hollywood era of mid sixties to mid eighties All of that is made worse by the big names being wasted here. As in the hero, motivation is suspect, although Waco is the worst written character perhaps in any Western. That takes away any thrills, and makes this all ho hum, no matter how many horses you see, no matter how many gunshots are fired.

Producer A C Lyles made several low budget Westerns in the 60's and they invariably featured -like this movie -a cast of veteran stars whose golden days may have been but a distant memory but who were still very able performers .The pictures never scaled any dizzy heights but provided satisfying B movie experiences Waco does not refer to the town in Texas but is the name of the hero,played with authority by Howard Keel.A town is being terrorised by gunmen under the leadership of the black garbed Ace Ross (Brian Donleavy) who kills a prominent citizen (Richard Arlen- a regular member of Lyles stock company)The citizens then realise the one man who might be able to save them is Waco but the problem is that he is in gaol but he is released in order to tackle the bad guys and in the process stake a claim in society.

The performances are good especially from Wendell Corey as a gunman turned preacher ,Sam Stone ,and the ever radiant Jane Russell as Jill Stone with whom Waco has a romantic dalliance .Other veterans in the cast include DeForrest Kelley ,John Agar and Gene Evans It is more violent than most Lyles movies but not excessively so and certainly not by today's standards Good solid B movie making and worth your time if you like Westerns

You might be surprised when you hear the film's title song as it's performed by Lorne Greene. Greene's style was odd--talking the lines more than singing them. But it was also very effective and he made some very well-selling albums during this era.

Like other A.C. Lyles productions during the 1960s, it's a 'geezer western'--a film starring lots of actors who were well past their prime--thus, inexpensive to cast. Few of these films were brilliant but they were consistently entertaining. In the case of "Waco", it features Richard Arlen (67), John Agar (45), Brian Donlevy (65), Howard Keel (47), Jane Russell (45), Wendell Corey (52), DeForrest Kelley (46), Gene Evans (44) and Terry Moore (37). Several of these folks were in MANY of Lyles' films (Arlen was in almost every one), as he seemed quite loyal to these actors.

The film begins in a town that's become more and more lawless. In reaction, Waco is sent there--even though he's a violent man with an awful reputation. I guess the thinking is that with the town in trouble, they have nothing to lose! Naturally, the evil element in town isn't about to fall into line with the arrival of this gunman. However, at each turn, Waco is able to get the better of the baddies. Will he continue to be THAT lucky throughout the film--especially when three groups of evil jerks band together to off the new sheriff? Throughout the entire film, Waco snarls and acts constipated--all the result of him learning that his girlfriend has married. At first you can understand that but after a while it became a bit tiresome and one-note. Even when the townsfolk offer to help him in his ultimate battle with the baddies, he's STILL a snarly jerk! It made little sense and got old. I also thought it strange that although Waco is supposed to be so tough, every time he beat up a baddie, he did NOT arrest them or hang them! What gives?! Some tough guy! It's a shame, as some of the other characters in the film were pretty interesting--such as the preacher, the deputy and that crazy lady with a shotgun! Not a terrible film but it sure could stand room for improvement! The best thing about the film? Greene's singing.

The town is falling apart, so the decent people petition the governor to free Howard Keel so he can serve as their sheriff. He returns to find things changed: his girl, Jane Russell, is married to preacher Wendell Corey, and Brian Donleavy is leading one of the factions trying to own the town. What the town doesn't realize is that Keel has changed too.

THis is one of the Geezer Westerns produced by A.C. Lyles for Paramount, a chance to squeeze out the remaining juice from aging stars like John Agar and Richard Arlen. Its themes are very good, with the ideas of perception and aging brought squarely into focus. Keel is no longer the singing slab of beef he had been for MGM fifteen years earlier. Now he looks beefy and a bit worn around the edges. So does everyone, except for Wendell Corey, who seems to have been 50 when he first appeared on the big screen, and the same age when he last appeared on it.

Where the movie falls apart is in the mechanics of the western. There are no vistas, no beautiful landscape, and the fight that wraps up the plot looks random, with poor stuntwork. The result, despite a promising start, is just average.