The Undertaker and His Pals

Oh, some people will think it stinks, but for my money, this is moviemaking! Short running time, graphic violence, bad puns and swinging sixties music all combined to make one of the most enjoyable features I've ever seen. No joke!! The DVD is the best it's ever looked except for probably it's initial release. I highly recommend it, especially for younger teenage horror lovers. Loads of fun.

You gotta love this flick about funeral homes and greasy spoon dinners.I'm sure there's a message here but who cares? Canabalism was never so funny.Maybe I'm sick,but I loved it.What's not to like when a fresh killed victims body part is offered as a daily special at the dinner as the rest is displayed at the funeral home.Sick,yes,but done with flair.

What a weird little treat this one is. The cinematography is interesting at times. It starts off on a visually interesting note and held my interest the whole time. The acting is fine. There are some jokes and the thing moves along very fast, too fast to get bored.

Sure it's not Hitchcock, but for low-budget fun, this one makes the grade. The special effects are sometimes a little weak, but all in all they made a very consistent effort in this picture. Give me this over Con Air any day.

I did not at all regret seeing this, and that is pretty high praise as far as I'm concerned. It's a fun relic from 1967, if you like movies and have a sense of humor and the absurd, you'll probably see this as time well spent.

"The Undertaker and His Pals" is bizarre, but good for a giggle. It's a dark comedy -- I'm almost ashamed of myself for liking it, but do indeed like it despite myself because it's so off the wall. Yes, folks, cannibalism can be funny. "Mort" the Mortician goes to great lengths to preserve his business. The puns made me snicker despite myself.

My best friend and I stumbled across this while still in high school. It was at Blockbuster in the comedy section, and the title was so striking we felt obligated to rent it. After we got over the initial shock, we laughed out loud and ignored the gratuitous violence.

One of those movies that is more famous/infamous than it's good -- or even seen. TLP Swicegood's horror farce had such a gonzo title and ad campaign that the monster mags and genre books couldn't help but take note. It also got a longer than usual run at drive-ins and grindhouses helped no doubt by it's brief 63 minute run-time (which made it a perfect bottom of the bill flick for double and triple features).

Very much part of the first wave of true gore films in the 60s, it can't help but be compared to H. G. Lewis' movies of the era, particularly BLOOD FEAST. Like Lewis, Swicegood used humor to try and soften the grue in order to evade local censors. It was T. V. Mikels who gave the film its most fame when he bought it to accompany his CORPSE GRINDERS and THE EMBALMER as a triple feature - editing out some 15 to 20 minutes in the process. Like most of Lewis and Mikels' work, Swicegood's direction is so anemic that the bloody murders hardly make an impact outside of a chuckle or two (or revulsion to others). They certainly aren't suspenseful nor frightening.

The cast is made up largely of unknowns save for Robert Lowery in a bit part. Karen Ciral and Sally Frei had relatively brief careers as B movie starlets, while Ray Dannis as the title character had a slightly larger one, as did James Westmoreland. The actors give it their all (particularly Dannis), but the material is weak and the jokes are mostly sour and lame. A couple of gags land, but, it's mostly rough going. In this case, Mikels' slashing of footage is a gift to viewers.

It says a lot when the best part of the entire film is the closing credits, which further pull the rug out from audiences by winking at them. The sequence is actually genuinely amusing if far too little too late.