To Trap a Spy

As a loyal follower of the Man from U. N. C. L. E. When first broadcast on NBC in the 1960's, I recently had the chance to revisit "To Trap A Spy" on a compendium DVD set of films from this series. Several people have referred to the notion of Pat Crowley as a weak link in the film. In the first year of this TV series, the weekly story usually revolved around an outside person being drawn into a spy caper either by accident or deliberately (as in this film). The lack of gadgetry in the film is a reflection of it being based on the earlier Bond films where Bond's skills were the focus rather than exotic gadgetry. As the Bond films moved into the gadgetry obsession, "The Man from U. N. C. L. E. Followed suit. As a result, the earlier 1st year episodes of this TV series tended to be more serious and believable than in the later years of the series. "To Trap A Spy" serves as a snapshot of a TV series that attempted to be appealing to both young and old during its outset. The music as one person mentioned was not jazzy and swinging. This was as Jerry Goldsmith envisioned. It was to be a hard hitting, serious TV theme that did not try to be cute or swinging. I imagine you "had to be there" to truly appreciate the intent of this show and the movies derived from the TV episodes. Just my thoughts!

An UNCLE agent is killed relaying a message to UNCLE about an assassination which is due to be carried by WASP killer Andrew Vulcan (also a wealthy businessman). When a trio of WASP agents carry out a mission to infiltrate and destroy UNCLE HQ to try and kill whoever got the information, UNCLE know it is serious. They look to get someone close to Vulcan quickly and opt for a high school sweetheart, Elaine May Donaldson. They put Elaine in the guise of being rich but widowed and arrange a chance meeting at a party. Meanwhile her handler, UNCLE agent Napoleon Solo tries to infiltrate Vulcan heavily guarded chemical plant.

Taken from the two earliest episodes of the UNCLE tv series, this film clearly shows itself to be the point from which an enjoyable series developed rather than a series that was in it's stride. First of all the film lacks that enjoyable tongue in cheek humour that the series had throughout. It is still amusing and playful but not quite to the same degree. The plot is as good as other UNCLE films though and it does move along quite well, only the ending seems a little unsatisfactory and didn't quite make sense to me.

Although a version of the UNCLE theme is used it isn't in it's `purest' form and sounds a little too funky. The biggest clue that this is an early UNCLE is the fact that Illya Kuryakin has two scenes - both of which he is portrayed as a junior agent with little English, rather than Solo's partner. As someone used to the `Solo gets girls/Illya gets action' formula it was disappointing to see him play so minor a role. Likewise there was no Mr Waverly and the guy in the UNCLE head role couldn't touch him for the role.

Apart from these two key roles, Vaughn looks very slick and young and is able to carry the film himself despite the hole left by McCallum's absence. He is funny and charming and good with the action stuff. Crowley is OK but a little too moaney for my tastes. A much better girl comes in the form of Luciana Paluzzi - the first of many beautiful Italian women who featured in UNLCE. Here she is drop dead gorgeous and quite playful with her dialogue - her and Vaughn have an easy rapport that works even better due to the relationship between their characters. Weaver is an OK villain but not that menacing.

Overall this is a good film for UNCLE fans but to be honest there are much better ones out there. Like the series itself, the early films are solid and show the seeds being planted, the middle films are the strongest and the last ones are weak. This is worth a watch but not UNCLE at their best.

This film begins with a man named "Lancer" (Miguel Landa) running through the night to an isolated house in the woods near Arlington, Virginia to escape from other armed men who are chasing him. Once inside he is greeted by a beautiful woman named "Angela" (Luciana Paluzzi) who notices that he has been shot and urgently advises him to seek hospital care by escaping through a window to a nearby car. However, once he gets to the window ledge she turns on a spotlight which reveals his figure to the men and he is shot and killed immediately. Not long after that some men break into a secret entrance to a clandestine agency known as the United Nations Command for Law Enforcement (U.N.C.L.E.) which has been established by several governments to maintain legal order in the world. Having penetrated the first layers of security the men are caught but soon die due to a slow-acting poison they took prior to entering the complex. However, after an examination the conclusion is reached that these men are somehow connected to the murder of Lancer who was one of their agents and that everything points to an assassination plot against the leader of a small South African nation who is due to arrive in the United States shortly. As a result, "Agent Napoleon Solo" (Robert Vaughn) is sent to Arlington to investigate. What he doesn't know is that a secret society known as WASP is behind everything and that they are well aware of his identity and are waiting for him to make his move. Now rather than reveal any more I will just say that this film was initially made as the pilot for a television series known as "The Man from UNCLE" which played in both the United Kingdom and United States during the mid-60's. Although the television series obviously couldn't consistently compete with the James Bond movies appearing during this time, this theatrical version was quite enjoyable on its own with Robert Vaughn performing quite well in the lead role. Likewise, having two beautiful actresses like Patricia Crowley (as the housewife turned Napoleon Solo's accomplice "Elaine May Bender") along with the aforementioned Luciana Paluzzi certainly didn't hurt in any way either. That said, while it may not have the same recognition as any of the James Bond movies, I enjoyed this film and have rated it accordingly. Above average.

I came to this movified "The Man from U.N.C.L.E." feature after faithfully watching four other much later similar concoctions, so that I was feeling a bit "uncled-out" by the time I decided to watch "To Trap A Spy". I'm pleased to say that I was pleasantly surprised to learn that this was the expanded pilot episode (before the "Man" became effectively the "Men" as David McCallum quickly gained co-star status and better balanced out the entertainment).

There are a few curios on-view here for the discerning fan - no Mr Waverley, for one, the word "T.H.R.U.S.H" replaced by "W.A.S.P." with fairly ugly overdubbing, for some legal reason or other and as stated , Illya in only a very minor bit-part at the beginning of this episode. More pertinently are the stylistic differences; the fare here is certainly grittier and less comic-book than the more sanitised mid-late 60's seasons, exemplified for one thing by actual blood-stains on bodies when shot and mildly shockingly when Robert Vaughn gets dressed on camera after obviously bedding the treacherously beautiful Angela played by Luciana Paluzzi.

Now I've seen the difference, I think I prefer this less gimmicky approach but encouraged by James Bond's gadgetry, obviously the producers of "U.N.C.L.E." felt they had to follow suit as the swinging 60's progressed. There's a reasonably suspenseful death-trap which Solo resourcefully escapes and I liked the idea of the Cinderella housewife whom Solo coerces into U.N.C.L.E.'s employ due to a past relationship with "T.H.R.U.S.H. / W.A.S.P."'s Mr Big. Some of the settings and plottings reminded me, probably deliberately of "Dr No" and I was also amused by the coy finishing scene with Solo down-playing his Lothario urges on a mildly suspecting air-stewardess.

Okay, so you'd still take "Goldfinger" or "Thunderball" any day of the week, but it was good to see Robert Vaughn at the birth of his own cool and "U.N.C.L.E." before it started aiming too much at teenagers also getting their kicks from "Batman", "Get Smart" and "The Green Hornet".

Dynamic U. N. C. L. E. Agent Napoleon Solo has an explosive job to do. The evil scientific genius, Vulcan, head of the worldwide crime syndicate WASP, is determined to wreak havoc; Solo is equally determined to reach a fatal experimental reactor at the Vulcan chemical plant where menace is inescapable....

A witty and inventive the Man from UNCLE feature film mainly focuses on Robert Vaughn as Napoleon Solo who is out to stop a scientific genius named Vulcan. Though tongue-in-cheek, it's grittier than the other UNCLE feature films, and it's an exciting entry, which has some good action - and if that is not enough, there's Lucianna Palluzzi, guest starring as a villainess. Like in Thunderball, she's just as deadly and ravishing.