Teesri Manzil

A Hitchcockian thriller to be watched again and again. The suspense has been maintained well till the end of the movie.The film is basically about the murder suspect.The climax scene where the real murderer is found is very thrilling.The music of the movie is very good.One interesting aspect in this movie is the murderer is founded out accidentally at the end of the movie.The movie can be watched by all ages of people.Enjoy a three hour thrilling experience.The movie is very fast and it increases the heart beats of the people who watched this movie.This thriller is very much equivalent to thrillers made in the Hollywood.Never forget to watch this thriller and keep guessing the murderer till the end.

In todays world when not even the producers know what they are serving the audience in the name of 'Entertainment' this beautifully made film still is a landmark in film making. It is in true sense a 'Musical Thriller' that today we see only written on posters! Beautifully shot and choreographed, this film is a gripping tale of suspense, drama, and a flavor of humor that keeps the audience excited even today. The lead actors have given their best performance and each character has something to contribute in the story. A very rare thing in Hindi films. The music was so ahead of its time that even today they are being re-mixed for the new generation and are a hit! This type of film comes once in a while and is a must to add to your film library. A must see for every film buff! Nobody can say enough for the film...Just bring it home and enjoy the roller coaster ride! Happy viewing!!

I first saw this film a few years ago and since then I must have seen it at least 20 times. First and foremost, the songs are excellent. I could listen to every single one again and again, especially O Haseena Zulfon Wali. Mohd Rafi truly is the greatest Indian playback singer to date. Asha Bhosle provides excellent support, particularly in the O Mera Sona Re song. Secondly, both the acting of Shammi Kapoor and Asha Parekh is great, both of them can pull off the comedy and the seriousness. Thirdly the plot of the movie is quite good too, with enough suspense to keep you hooked until the very end. This movie has been credited as the first murder mystery in Indian cinema and although at times its very clichéd and a little unbelievable, it still holds your attention.

All in all a typical 1960's movie but with that added masala that is bollywood!!

This movie is one of the landmarks in the history Hindi Cinema. For 158 minutes the audience is enthralled by a spellbound plot, music, dance, songs and suspense saga. The performance of Shammi Kapoor, Helen, both Prems, Iftikar and Rashid Khan is classic. Even during the 5 mt brief intermission, the cine-goer prefers to be glued to his seat lest the entry of Premnath, immediately after the intermission be missed.

Comedy is at its zenith. The entry of Kapoor on the New Delhi Rly platform and his extraordinary style of walking is mind boggling.

Even 40 years down history, its music and songs are as hit as they were when the first gramophone records were released in 1965. I remember people queuing before the radios in shops and halt in the streets when the songs were played. Needless to say, not a single Wednesday program of Binaca Geetmala in 1966 thru 1968 was aired without a Shammi number either from Teesri Manzil, An Evening in Paris and Bhramachari.

The music, drama, settings and perspiring expressions of Kapoor during the climax of accidentally locating the intriguing "gem-studded coat-button " is scary, hair raising and traumatic.

A film for all classes and all age.

The basic instincts of directors come to the fore when they make a movie. Guru Dutt is an observer of life and never resorts to melodrama even in his tragedies. Gulzar is a mischievous person and this comes out in Anand, Chupke Chupke where he wrote dialogues or in the tragic Namkeen where he directed. Vijay Anand has a trained upbringing in terms of directorship when he saw and observed Chetan Anand at work. Here, he has not written the film but as a director his stamp is there in each frame of the film. He is a director by instincts, and a very good one. Apart from his writing and shooting and editing skills, where too he is unmatched.