Ombres sur le Liban

Of course, there are better Spy movies out there, but this film was shot on location in Beirut, Lebanon in the 1960s, which seems surreal given the sad history of Lebanon in the decades thereafter. That is exactly why the film is a nostalgic piece of contemporary history.

In europe, it's le spie uccidono in silenzio, which is something like the spy kills in silence. From italy, but theoretically filmed in beirut. A spy thrillah. Someone is knocking off family members of the people working on a cure for cancer. We see our lead getting a secret message to meet in the courtyard. And the action begins! We know the girl in the room next door had planted bugs and was listening in. Can they get any info out of her? Dubbed into english,but at about 51 minutes in, the sound track on Tubi is in german. Oops! Very much a james bond knockoff,almost line for line. Pretty lame script. Or maybe it was just a bad/low budget translation. A whole lot of trumpet and xylophone! It's okay. Most of the special effects are pretty cheesy. Directed by mario caiano. Lang jeffries died quite young at 56.

Scientists are dying, so American agent Lang Jeffries is seconded to the British Secret Service in this Italian spy movie.

It's a fairly light-hearted mishmash of the usual tropes, with plenty of pretty girls, lasers that can control peoples' minds, and fighting in this noisy music with a nice jazzy score by Francesco De Masi. The story, within the usual context, actually makes some sense as it travel from Lebanon to Turkey, Spain, Britain and, of course, Italy. The scene-setting shots are effective if rather bleak.

This is a polished Eurospy production played very straight and serious, in fact it could do with a bit more wit and humour.

The screenplay and direction are both decent, there is always plenty of going on and the body count is unusually high, which helps distract from possible plot holes. In that way it reminded me a bit of "Goldfinger" or "You Only Live Twice", in that there were a number of events which didn't seem to make much sense, however some of them were adequately explained later, while others remained a mystery, and I was left wondering if that was just because I overlooked something.

The soundtrack is top notch, understanding which scenes need to be punched up with tense or dramatic music and which will benefit from a shot of cool jazz or breezy travelogue style music

The action zips back and forward across the Med, from Beirut to London to Madrid and back to Beirut, giving TWA plenty of product placement plugs along the way.

Lang Jeffries looks the part, but rarely cracks a smile. Even with the beautiful women he is all business, no time for flirting until the very last villain has been dispatched. Only then, in the final scene, does he loosen up and reveal a lighter side (and a romantic interest in the girl he has saved). Admittedly, in this regard, he's not given much to work with, as the script is very dry, dialogue wise.

Andrea Bosic gives a convincing performance as the villain, although he's easily identified as such from the beginning. He delivers his lines with suitable arrogance and authority, although, as with Lang, the script doesn't provide much in the way of memorable byplay between him and the hero during the several scenes where he expounds on his master plan and what he's going to do to Lang and the girl. He has an impressive classical mansion with a mod "Ken Adam-esque" underground lair below.

His master plan is to rule the World using a mind control drug he has developed, and later to project his commands into people's minds over long distances using a "special ray" (which appears to be no more than an ordinary movie spotlight). However exactly why he has been drawing attention to himself by using his mind controlled assassins to threaten and murder leading scientists, who are working on projects which might benefit humanity, remains a mystery, because, at the moment Lang asked him that question, the copy of the movie I have switched from English to German and by the time it reverted to English he was talking about the mind control drug. (Perhaps a German speaking person out there who has seen the movie can enlighten me?)

Female characters get little to do, although one does take the pivotal action which eventually saves the day.

Possibly the closest attempt to a "From Russia With Love" style Bond movie I have seen in a Eurospy.

This half-baked spy thriller starts out promisingly enough with a cool title sequence fueled by the sounds of Francesco De Masi. If only the rest of the film measured up to this auspicious beginning. Unfortunately we end up in tepid water rather quickly and never find our way out.

Lang Jeffries does his best as Mike Drum who's assigned to find out just what the heck is happening when several of world's great scientists are killed off. Well, we never figure exactly why either but it doesn't matter much. The villain is completely scatterbrained, changing his plans at the last minute by unveiling a second super weapon with which to rule the world!

There are some decent things about the film to mention however. Jeffries is a good fighter and gets plenty of chances to show it because there's a fight every ten minutes or so. That part's okay. And don't forget the excellent score by De Masi. It's the one asset to the film that never lets up as Lang jets from Beirut to London to Madrid to Beirut and back to London before returning to Beirut for the finale. Whew!

So unless you're a Lang Jeffries stalwart or just like to hear a good score stay away from this slapdash effort.