La Soeur de Satan

The director of "Witchfinder General/Conquering Worm" first effort is a minor classic. Barbara ("Black Sunday") Steele is quite captivating as the young wife who's corpse get possessed by a 200 year-old buttugly witch. But it's Mel ("Little Shop Of Horrors") Wells who steals the show playing a supersleazy, alcoholic commie hotelowner. The lurid performance equals that of Donald Pleasure in the nasty "Mania/Fiends And The Flesh". And look for that infamous death-by-hammer-and-sickle scene...ghoulish fun to the max! Thrillseekin' horroraddicts should be able to get their jaded kicks with this low budget (the monster make up is a bit tacky) cheerful and wicked gem. Why waste your time with pathetic 90's hollywood horror when films like this exist. By the way, Vincent Price once said that Reeves was the best director he ever worked with!

Notable actors: Barbara Steele! Ian Ogilvy! Mel Welles!

This is the least serious Barbara Steele sixties horror film you'll sit through, and I'll tell you right now that if you are a Barbara Steele fan be warned as she disappears halfway through the film. I thought I was getting some sort of deal where Babs was possessed by some undead witch, but the witch is played by someone else! I want my money back...I'd be saying if I'd actually paid to watch this.

Babs and her equally snidey, sarcastic husband are on holiday in Romania, clearly there just to make fun of the locals and the communist regime everyone is under (over and over again, throughout the film). They end up at some terrible hotel in the middle of nowhere and meet "Ex" Count Van Helsing, descendant of the famous vampire killer, who tells them the story of a witch who cursed the area before she was drowned in a lake. Not interested, the couple retire to bed for some filthy squeezy, only to find that the hotel owner is watching them. One serious assault later, the couple head off, crashing into the aforementioned witch/lake. A truck driver fishes the two out of the lake and drives back to the hotel, which had me guessing rightly that this must be a very low budget film. Turns out that the guy is okay, but Babs seems to have been replaced by that horrible witch we saw being killed at the start of the film. The rest of the film details the husband and Van Helsing's attempt to get rid of the witch's spirit and bring back Babs...and (sigh), this involves a lot of slapstick comedy.

That's the thing with this film. It whips from out and out horror, like the witch rather bloodily killing a guy with a sickle, to Keystone Cops type car chases and for me doesn't gel too well. It's almost got the same atmosphere as the Fearless Vampire Killers, which isn't a good thing in my book. I know Michael Reeves has got a cult following for The Witchfinder General (and for dying so young I guess), and as a first film a lot of it works, but the comedy seems too forced for me.

Nice Italian cinematography, mind you.

This film suffers from a case of not knowing what it wants to be. It starts off as a horror film about a murderous witch and continues in that mode by utilizing one of the best horror actresses of the time in Barbara Steele (as "Veronica"). Unfortunately, rather than using her talents to any great extent the director (Michael Reeves) completely omits her character for almost half of the film and decides to focus more on her husband "Phillip" (Ian Ogilvy), the innkeeper "Ladislav Groper" (Mel Welles) and "Count von Helsing" (John Karlsen) instead. And while they all performed adequately there seemed to be a noticeable void without her presence. To make matters even more strange, the movie then detours from being a horror film to a comedy with the local Transylvanian police bumbling around like the Keystone Cops. And then at the very end, Barbara Steele is reintroduced and immediately brings back a bit of horror into the production. Now, it's okay to have a little humor in a horror film. However, too much humor (as in this case) tends to water down whatever tension has been built up and generally creates an uneven feel to a movie. And I think that is what happened to this film.

When an 18th-Century witch is captured by local townsfolk and dispatched in the middle of a like by way of dunking, her final words are that of her return to seek her revenge. Flash forward 200 years , when a woman driving along the same lake is run off the road by unseen forces and possessed by the witch there will be hell to pay.

A fun film with one of the worse witch makeups in movie history. The film has its' endearing moments such as a car chase at the end that reminded me of a Keystone Cops flick. Some cheesy dubbing and even cheesier acting made it enjoyable for me.

Barbara Steele is my all-time favorite actress, and I also have utmost respect for director Michael Reeves for his directing the brilliant 1968 horror classic "Witchfinder General" with the matchless Vincent Price, my favorite actor of all-time, in the lead. Reeves' "La Sorella Di Satana" aka. "The She-Beast", however, was quite disappointing. Steele's performance partially saved the movie, of course, but she had far too little screen time and therefore she couldn't save the entire film. One aspect, which is both annoying and kind of funny about this film is the fact that it is a typical product of the cold war. In one scene, for example, a hammer is dropped and falls on a sickle, forming the communist symbol.

In 17th century Romania, a murderous witch is captured and brutally lynched by local villagers. 300 years later English newlyweds Veronica (Barbara Steele) and Philip (Ian Ogilvy) are spending their honeymoon in Romania, near the lake where the witch was executed. When having a tea, the couple get to know the elderly Count Van Helsing, a descendant of the famous Van Helsing family, and learn that the haunted lake is still a dangerous place...

I am a huge fan of Barbara Steele and of horror in general, and "The She-Beast" is certainly the weakest film with Steele I have seen so far. However, the movie is in some parts unintentionally funny, and even though it is not very suspenseful, a film featuring Barbara Steele is never a complete waste of time. Ian Ogilvy's performance is not too convincing in this one, fortunately he did a way better job starring in "Witchfinder General" two years later, a film for which I will always respect director Michael Reeves, who was certainly a promising and great talent for the Horror genre, a talent which was sadly wasted by his early death in 1969. "The She-Beast", however is certainly not Reeve's highlight, but a rather dull movie, which can be fun to watch at times, but doesn't deliver the suspense or eeriness a horror flick should. It is certainly no must-see, but if you want to watch it anyway I recommend to watch a few other films with the great Barbara Steele (such as "The Pit And The Pendulum", "Black Sunday", or "Castle of Blood") as well as Michael Reeves' "Witchfinder General" first. All things considered, "The She-Beast" is a bit disappointing, but watchable (if only for Steele), and worth the time if your're a fan. 5/10