A little boy is abducted by ruthless bandit gang leader El Cachal after Cachal and his men butcher the boy's family with the exception of his father. Johnny Ashley, the gunslinger father of ... Read allA little boy is abducted by ruthless bandit gang leader El Cachal after Cachal and his men butcher the boy's family with the exception of his father. Johnny Ashley, the gunslinger father of the boy, goes searching for his son. Alas, the boy has grown up to be a mean and vicious c... Read allA little boy is abducted by ruthless bandit gang leader El Cachal after Cachal and his men butcher the boy's family with the exception of his father. Johnny Ashley, the gunslinger father of the boy, goes searching for his son. Alas, the boy has grown up to be a mean and vicious criminal.
- Bill
- (as Jerry Wilson)
- Rosario
- (as Caroll Brown)
- 1st Sheriff
- (as Fred Warrel)
- Sheriff of Wishville
- (as Frank Farrell)
- Oeste's Wife
- (as Miriam Salonicchio)
Featured reviews
Decades, it seems. By this time Anthony's son has grown up to be a full on chuckling, card dealing, people killing jerk of the highest order (just like his adopted dad Sancho). Can Steffan rehabilitate his son and reunite them in time for coffee and fainting or are they going to be squaring off against each other, as they do in these films? This one kind of meanders all over the place in the middle, as we follow Steffan around doing stuff in an indestructible way, but then we see him taking a kicking off some bad guys, and then we sidestep into a romantic interlude with his son and this girl (or is it?). It's not quite the most exciting Spaghetti Western I've watched, although it is made well enough.
It's hard to imagine Fernando Sancho wasn't like that in real life. Somebody find out and get back to me.
Decent Maccaroni/Chorizo Western dealing with a deadly confrontation , including interesting elements of Greek tragedy , though it has some flaws and gaps , too . This violent Spaghetti results to be an oater plenty of action , thrills , gun-play , in a word : emotion . Besides , it contains effective action sequences as when there takes place the final attack on the town or the exciting ending gun-down between father and son . It's a medium budget film with passable actors , technicians, production values and ordinary results . Here there are ritual shootouts among gunslingers confronting each other in some quick-draw duels in the accepted Western movie fashion . It follows the Sergio Leone wake , including close-up , zooms , choreographic duels and no being proceeded in American style . Acceptable action sequences with rousing crossfire and spectacularly bloody shootouts . Charismatic performance for the whole casting . The notorious Spaghetti actor , Anthony Steffen is good in his usual tough role . Enjoyable and sympathetic performance by the always great Fernando Sancho . In the film appears ordinary Tortilla/Spaghetti Western actors , such as : José Luis Martin , Elisa Montes , Spartaco Conversi , Franco Fantasia and Loredana Nusciack of ¨Django¨ .
The picture displays a resounding and appropriate musical score by Francesco De Massi who composes one of the his best Western soundtracks . And colorful and glimmer cinematography by Jose F. Aguayo who photographed various Buñuel films . Being filmed on location in Hoyo Manzanares del Real , Colmenar Viejo and La Pedriza , Madrid , Spain and El Lacio , Rome , Italy . This Chorizo-Spaghetti Western mostly produced by Italy and important Spanish participation , being decently shot by the Italian professional Albert Cardone . Albert was a prestigious assistant director to popular films as ¨Ben Hur¨, ¨Purple noon¨, ¨Cagliostro¨ , ¨Carmen¨ , ¨Don Camilo¨ , ¨Return of Don Camilo¨. And shot some films , most of them entertaining Westerns such as : ¨¨ Blood at Sundown¨ , ¨Kidnapping¨ , ¨Il Lungo Giorno Del Massacro¨ , ¨20.000 Dollari Sul¨ , ¨L'ira Di Dio¨ and starred by usual genre stars as Brett Halsey , Gianni Garco , Peter Martell , Wayde Preston , Fernando Sancho and Anthony Steffen . Rating : Acceptable and passable 5.5/10 . Only for Spaghetti Western aficionados .
"Seven Dollars on the Red" begins with a group of bandits slaughtering a household. A young boy is left unharmed and the bandit leader decides to adopt the kid. Little does the bandit know that the boy's father was not home and vows to do everything he can to find the boy. But, everything is not good enough and years pass--and the nice kid slowly evolves into a vicious jerk just like his foster dad.
If you are looking for an Italian film of the quality of a Sergio Leone or even a Sergio Carbucci film, then keep looking. This one is actually a bit funny, since the guns didn't even use blanks--and the actors had to pretend that the guns were firing something. However, the gun sounds were added later and it comes off as kind of funny seeing the men jerking the guns even though nothing is coming out (even a blank will appear out of the barrel the same as a normal bullet). Plus, they also seemed to have tried to save money by eliminating blood--making the bullet-riddled bodies oddly clean and without bullet holes. The film also has only fair music--nothing particularly haunting or memorable about the tunes. The bottom line is that the Italians made hundreds of westerns--some good, some bad and some ugly. I'd rank this among the ugly--kind of cheap but reasonably entertaining if you are looking for just a time-passer.
The acting including the lead, is woeful to say the least!.
Sets move at times and the script writer/s must have gotten their knowledge of the wild West from a penny western book. (old Western comic like books of the 50's).
It's hard to describe the sound of gun fire in this movie, but it's unlike any gun ever fired, including the flintlock.
As for fist fightng, we'll the acting is so poor, that you can see punches thrown, but clearly missed by 12 to 18 inches.
When someone is hit or shot, they seem to stay upright for a week before screaming and hitting the ground.
All I can say is Clint Eastwood saved the spaghetti westerns for sure, if this is typical of those produced at the time.
Simply Dreadful.
Seven Dollars on the Red boasts a competent cast and a memorable soundtrack, and though a little unremarkable and slightly muddled its strong plot helps overcome this. Steffen is very good in the lead, and so is a dead-eyed Roberto Miali and a radiant Elisa Montes - they play the stolen son and his doomed love interest. It presents a hand-to-hand fight in the barn which is an eye opener, and it ends with a rain soaked showdown with father vs son. The last twenty minutes are quite tense and emotional. Not a bad spaghetti western.
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- ConnectionsReferenced in Red Dead Revolver (2004)
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