La rage de survivre

Glenn Ford was VERY underrated as an actor as one other post has said. He was VERY GOOD in this movie and the story was equally enjoyable. The title says it all. If you've ever lived through the horror of MAYBE contracting rabies, this performance is VERY understandable. I saw this movie many years ago and still remember the performance that Glenn Ford gave. Now that he's gone MAYBE the Academy of Arts and Sciences will see fit to honor a great actor who should have been honored many many years ago. This man had a 4 or 5 decades worth of performances and everyone of them was top-notch. Good bye, Mr. Ford. I know that you're in Heaven and watching us at this very moment!

Hard-drinking medico, mourning the death of his family in a small Mexican village inhabited by construction workers and visiting prostitutes, is bitten by a dog he later learns was rabid; his journey to get proper medical help from the next town over is fraught with obstacles and calamities. Though low-budget, "Rage" is one of Glenn Ford's best movies from the mid-'60s, a rugged adventure filmed in Durango by a mostly-Hispanic crew. Ford, together with burnt-out prostie Stella Stevens and faithful amigo David Reynoso, digs deep to give us a full-blooded character, and the insanity surrounding him is aptly filmed by cinematographer Rosalío Solano (who does go all-out with the animated camera angles, yet which provides some needed relief). Stevens, as usual, is catty, sarcastic, but with a heart of gold--she's wonderful--and Reynoso is terrific standing by the doctor through the thickest of troubles. Unusual and gripping, this race-against-time is well-written, with peculiar but effective music from Gustavo César Carrión. **1/2 from ****

A most overlooked film which may have played better as a TV feature. Ford is an alcoholic doctor, but still the idol of many in this poverty stricken construction town in Mexico. When rabies hits the camp, Ford is called into action, when it strikes him personally, he finds a reason to live, and attempts a trek to a big city hospital before the disease spreads within his blood stream. Ford looks considerably older and sloppier in this film, his third with Stella Stevens. He's brooding and ill-kempt, not at all the light leading man of the previous decade. The last half hour carries some real tension, and an effective music score by Gustavo César Carrión adds immeasurably.

I saw this strange dark film on late night TV when I was a kid and it made an impression on me - certain intense scenes stayed with me - the rickety bridge crossings, the local man getting rabies and being brought in by ropes by the townspeople, Ford's dog mad from rabies, etc. I just saw it again and I really enjoyed it. It is well done, obviously on a low budget as part of an American/Mexican production. Ford is quite good as a depressed, drunk doctor at a rural Mexican mining town who gets bit by a dog and gets rabies - he then has to try and drive through harsh desert to make it into the next town in time to get the serum he needs to survive. Stella Stevens is a "dance hall girl" who is brought in with a troupe of gals to entertain the workers. Stevens is so damn hot in this flick - at the height of her Swinging Sixties sexiness. If you liked this film and the genre - try George Kennedy in the equally good A Cry In The Wilderness - a 1974 TV film about a man with rabies.

I enjoyed this movie a great deal; it has an interesting development of characters set within a construction camp for a major highway in rural New Mexico. Early in the film a local herder is brought in dying of rabies; the veterinarian becomes involved in a search for the source of the disease and whether it is part of an epidemic. A major side plot in the movie is the relationship between the veterinarian and a construction camp prostitute. There is a great deal of character development, and the lady's occupation is so subtly portrayed that it is an acceptable moview for older children. There is a great deal of empathy for the hard lives lived in a construction camp and its surrounding rural poverty.

Unlike most movies set in a rural atmosphere, the country people and blue collar workers are not cartoon buffoons or evil, violent troglodytes. This sensitive portrayal contrasts markedly with the brutal louts recently portrayed in a certain movie about commercial fishermen lost at sea, the Perfect Storm.