Les Nuits de l'épouvante

Better than average giallo with an old-fashioned charm. It's a period piece with horses and wagons. The "Clinic" is a sanatorium of sorts. The good doctor appears to be part psychiatrist, part surgeon. There also appears to be many more staff than patients at this clinic.

Great locations. Great use of color. Great atmosphere. The soundtrack features a very old song by Giovanni Battista Granata called "Sonata di Chitarra, e Violino, con il suo Basso Continuo." It's a classical song, but it sounds a lot like Stairway to Heaven.

The acting was good. The story/mystery was fairly predictable if you've seen a number of these movies. Overall, I'd say it's worth a watch if you're a giallo fan.

I'm really amazed that there aren't more comments on this Giallo (OVERUSED TERM) from 1968. Creepy opening credits really set the mood in motion as a hooded fiend slithers around a Baroque private clinic for the mentally unstable.

Set in Norfolk, circa 1840/1870, this neat little Belgian-French-Italian flick, in my opinion, seems to have influenced those string of Harry Towers' Edgar Allan Poe adaptations that were shot in South Africa around the late 1980s/early 1990s. You remember them? They were simultaneously gaudy & Gothic and were definitely an extension to the '60s renaissance of period psycho-chillers that were spearheaded by all of those Euro shockers and Corman's E.A.P flix. But back to this film, without giving anything away, all is not what it seems and the initial denouement, or wrap up explaining all of the craziness that transpired beforehand, would later be haphazardly copied in many slice and dice movies from the slasher craze of the '70s & '80s. In other words: Very well done for it's time. Also of note: I first saw this on Creature Feature in Florida in the '80s and the print was clear as day but the only version I have been able to procure is dark and muddy. Owning it is better than not having it in my book anyway. Worth checking out for the 'Giallo' buff and of note to collectors/researchers: the version I have runs approximately 82 minutes.

A hooded killer armed with an open razor is stalking the corridors of an isolated clinic for the mentally ill. Suspects include dashing doctor Robert Vance (William Berger), his jealous wife Lizabeth (Mary Young), crazed schizophrenic Fred (Massimo Righi), shifty employee Ivan (Germano Longo), and a mysterious disfigured patient kept hidden from sight. Will new nurse Mary (Barbara Wilson) stay alive long enough to discover the truth?

A gothic horror with giallo trappings? Or an early giallo with gothic horror elements? Either way, The Murder Clinic is a somewhat uneasy mix that doesn't entirely satisfy. The gothic atmosphere isn't laid on thick enough, and the killings will probably prove too few and too tame to keep most giallo fans happy. The film does, however, feature plenty of suspects and red herrings to keep viewers guessing, and the whole thing is concluded in a logical manner that, unlike many a giallo, won't keep you awake pondering over questionable plot points.

At just 86 minutes, the film is well paced, the acting is solid, and the direction more than adequate for this kind of thing, so while The Murder Clinic isn't an essential giallo or an unmissable gothic horror, it's still worth a go if you can find a copy.

I saw this for the first time recently aft reading Coventry's glowing review n indeed this one's a very obscure one.

The plot in short - Patients and staff of an isolated mental hospital are being killed off by a hooded figure who stalks the halls. While a doctor is busy experimenting skin grafting on animals, his wife gets concerned when a beautiful guest arrives.

I feel the Korean movie A Tale of Two Sisters n its remake The Uninvited (2009) borrowed from this movie.

Even Beneath (2007) borrowed from this one.

"The Murder Clinic" (1966) is a fairly obscure Italian-French Gothic that first aired on Pittsburgh's Chiller Theater in 1979, and repeated only once four years later. It was also part of a notorious triple bill that frequented drive ins in the early 70's (under the name REVENGE OF THE LIVING DEAD), shown with CURSE OF THE LIVING DEAD (Mario Bava's KILL, BABY, KILL!) and FANGS OF THE LIVING DEAD (Amando De Ossorio's MALENKA, NIECE OF THE VAMPIRE). The print I have runs 83 minutes and looks to be a third generation copy, with English dialogue and foreign subtitles. William Berger, later the star of Mario Bava's "5 Dolls for an August Moon" (1970), plays the handsome doctor working on skin grafts that all the women swoon over, with a jealous invalid for a wife, and a mysterious woman on the third floor who refuses to see or be seen by anyone. Murder by razor plagues the clinic, but only one victim is completely innocent of her fate. Nothing terribly memorable, but fondly recalled in the 30 years since. The blonde actress who plays the nurse Mary is not the same brunette Barbara Wilson who appeared in 1957's "Blood of Dracula" and 1962's "The Flesh Eaters."