La parole est au colt

After a violent robbing, a posse is created to pursue the cutthroats. As a Colorado sheriff called Chad : Audie Murphy, and a suspicious deputy : Denver Pyle along with a gambler : Warren Stevens, chase a band of train robbers who have abducted a woman, Joan Staley, an old flame of the obstinate marshall. Things go wrong when the posse goes into New Mexico, a territory where sheriff Murphy doesn't have jurisdiction. The ominous gang is led by a ruthless nasty, Morgan Woodward, and all them are attacked by Apache Indians. The story of a town with a gun in its back !.

Passable but neither notable, not extraordinary, but a run-of-the mill Audie Murphy Western from his worst and final period. That's why Audie was in his fall, in late sixties when he made low-budget westerns as " Texas Kid, 40 guns to Apache Pass, Legend of Sam Guard, Apache rifles" . While in the 50s Murphy played better and more budgeted Westerns such as : "Night passage, Column South, Duel at Silver Creek , Ride a crooked trail , The Red badge of courage , Cimarron Kid" . Besides, Audie made some other notorious non-Western films as "The American" and his self-biography : " To hell and back" . Murphy was the most decorated soldier in WWII and in "Gunpoint" Audie gives a cool acting as a determined sheriff who seeks for justice, but he is partially blinded, spoiling his attempts to shoot and defenceless against enemies . Here Audie is well accompanied by a good cast, many of them familar faces in Western genre, such as : Warren Stevens, Denver Pyle, John Hoyt, Edgar Buchanan, Roy Barcroft, Mike Ragan, Robert Pine's film debut and Morgan Woodward as the cruel villain.

It contains a thrilling and moving musical score by Hans J. Salter, Universal Pictures's regular. As well as atmospheric and functional cinematography by William Margulies. The motion picture was professionally directed by Earl Bellamy. This prolific filmmaker shot hundreds of television episodes and some films. As Earl made episodes of known and popular TV series such as : " V , Blue Thunder, Fantasy island, Get Smart, young Daniel Boone, Lassie, Fury, Masquerade, US Marshall, I spy, Resltless gun, Mike Hammer, Crusader" . And a few feature films , such as : " 3 guns for Texas, The toughest gun in Tombstone , Seminola uprising , Fluffy , Incident at Phantom Hill , Walking tall 2" , among others. Rating 5.5/10 . Acceptable and passable. The flick will appeal to Audie Murphy fans.

Director Earl Bellamy built a TV career, and it shows: GUNPOINT looks and sounds like a low budget TV flick - which by 1966 was still lower than a film budget - with very poor lighting that reveals electricity- rather than sun-made shadows, among other technical shortcomings. Bellamy is not shy to use archive footage to show a spectacular horse stampede down a mountain.

Although he does not extract memorable performances from the cast, Audie Murphy shows his usual steadiness, hiding the skeletons in his cupboard - he had robbed a bank but the judge gave him a chance - until lovely Joan Staley turns up as the local saloon singer and love interest to saloon owner Warren Stevens, who plays hot and cold throughout, seemingly loyal to Audie one moment and not so the next.

It is always a privilege to watch character actor Edgar Buchanan, pity that he has less than 90 seconds on screen as head of a camp of mean rawhiders who doubt Audie's status as sheriff and posse leader. Denver Pyle is also quite good as the two-faced deputy sheriff who feels so disrespected by Audie that he drops a boulder on him... thankfully, Audie's sharp reflexes have him jump to safety and his trail scout get squashed.

Bellamy and screenwriter Willingham throw everything into the script, even marauding Indians, so it is a relief to see Audie and Staley (nothing stale about her shape!) walk off into the sunset.

Watchable time killer. 6/10.

There's a murderous outlaw named Drago played by Morgan Woodward who keeps committing all kinds of crime in the state of Colorado and then running back to the New Mexico territory where the local sheriffs can't catch him.

That's not going to stop Audie Murphy, sheriff of Lodgepole, Colorado. Woodward's robbed a train that was carrying funds for the bank and because he's got the town nest egg, a lot of businesses will fold.

Murphy puts together a posse to go after Woodward and it's some posse, with just about everybody in it working off their own agenda. There is no way Murphy should have accomplished his mission in this film.

Which is of course why Gunpoint, though entertaining, is highly unrealistic. Still a nice cast of western veterans give Murphy some good support. Particular to note are Warren Stevens as the saloon owner and Edgar Buchanan as a leader of a family of equally bad rawhiders whose camp the posse stumbles across.

Gunpoint has a lot of action and a great cast that make up for a highly unrealistic story.

Audie Murphy's western films of the 1950's were entertaining, action-filled and capitalized on his likable, resolute personality. The budgets for those '50's films were higher than his subsequent films in the 1960's. This average film has that weakness, but is still entertaining when viewed in that context.

This film's mediocre budget and production values disappoint, while still showcasing those aspects of Audie Murphy's talent that always appealed to his many fans. I especially liked the casting in this one, with western favorites Royal Dano and the crusty old Edgar Buchanan.

For fans of Murphy, this one is a must see...... for others, watch it in context and you will be surprised. Worth a closer look .........

I couldn't get past the opening of this movie. I understand that most Westerns, except Hondo, have their ridiculous parts. Guns being shot out of the hands of the bad guys by someone shooting from the hip is especially annoying. This movie took the Gold however in the first few minutes when a rider on horseback threw knives at the occupants of the locomotive's cab, killing them. At that point I said we are done here. I am almost positive that the knives were shown striking them in the front even though the rider was approaching from the rear. I find that when things start out bad in a movie that they don't usually get better.